Fresh from Chinatown in New York, Harry Young has taken over the illegal import business in the seamy Limehouse district of London, where he cold-bloodedly disposes of rivals and runs a smoky nightclub. He falls for a low-class, white pickpocket, diminishing his pride in the Chinese half of his heritage and sparking the jealousy of the nightclub's moody star performer.
12-11-1934
1h 3m
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Main Cast
Movie Details
Production Info
Director:
Alexander Hall
Production:
Paramount Pictures
Key Crew
Makeup Artist:
Wally Westmore
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
George Raft
George Raft (born George Ranft; September 26, 1895 – November 24, 1980) was an American film actor and dancer identified with portrayals of gangsters in crime melodramas of the 1930s and 1940s. A stylish leading man in dozens of movies, today Raft is mostly known for his gangster roles in the original Scarface (1932), Each Dawn I Die (1939), and Billy Wilder's 1959 comedy Some Like It Hot, as a dancer in Bolero (1934), and a truck driver in They Drive by Night (1940).
Description above from the Wikipedia article George Raft, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Jean Parker (born Lois Mae Green; August 11, 1915 – November 30, 2005) was an American film and stage actress. She landed her first screen test while still in high school. She acted opposite such well-known actors as Katharine Hepburn, Robert Donat, Edward G. Robinson, Randolph Scott, and Laurel and Hardy. She was married four times and had one son, Robert Lowery Hanks.
Parker appeared in 70 movies from 1932 through 1966. In 1932, she posed as a flower girl and living poster in a float in the Tournament of Roses Parade, where she was seen by Ida Koverman, secretary to MGM mogul Louis B. Mayer. The following day the studio called her on the phone and invited her for a screen test.
Parker's film debut came in Divorce in the Family (1932). She had a successful career at MGM, RKO and Columbia including roles in such films as Little Women, Lady for a Day, Gabriel Over the White House, Limehouse Blues, The Ghost Goes West, and Rasputin and the Empress. In 1939, she starred opposite Stan Laurel and Oliver Hardy in RKO's The Flying Deuces.
Parker remained active in film throughout the 1940s, playing opposite Lon Chaney in Dead Man's Eyes, and a variety of other films. During World War II, she toured many of the veteran hospitals throughout the U.S. and performed on radio. In the 1950s, Parker co-starred opposite Edward G. Robinson in Black Tuesday; had a small but effective role in The Gunfighter, and appeared in A Lawless Street (1955). Her last film appearance was Apache Uprising (1966).
Parker also appeared on Broadway. In 1949, she replaced Judy Holliday in Born Yesterday on Broadway and enjoyed a successful run in this classic. She appeared on Broadway opposite Bert Lahr in the play Burlesque. She did summer stock in Bucks County, Pennsylvania, toured in the play Candlelight and Loco, and performed on stage in other professional productions. In 1954, Parker played the role of "Cattle Kate Watson of Wyoming" in an episode of the syndicated television series Stories of the Century, the first western program to win an Emmy Award. The series starred and was narrated by Jim Davis. Later in her career and life, Parker continued a successful stint on the West Coast theatre circuit and worked as an acting coach.
At age 83, Parker moved into the Motion Picture and Television Country House and Hospital in Woodland Hills, California, where she died of a stroke on November 30, 2005, at the age of 90. She was survived by her son, Robert, and granddaughters Katie and Nora Hanks. She was buried at the Forest Lawn Memorial Park in Hollywood Hills.
Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress whose long career spanned both silent and sound films, television, stage, and radio. Apart from being recognized as the the first Chinese-American movie star, as well as the first Asian-American to become an international star, she was also seen as an acclaimed fashion icon due to her being the one of the early stars to embrace the flapper look.
Born near the Chinatown neighborhood of Los Angeles to second-generation Chinese-American parents, Wong became infatuated with the movies at an early age and quit education to focus on beginning an acting career. After landing parts as uncredited extras in silent films, she had her first leading role in The Toll of the Sea (1922), one of the first movies made in color. Her role in Douglas Fairbanks' The Thief of Bagdad (1924) helped her achieve international stardom. Tired of being offered stereotypical supporting roles, she left Hollywood for Europe in the late 1920s, where she starred in several plays alongside notable names like Laurence Olivier. She made her final silent film in Britain titled Piccadilly (1929), which earned her wide praise. Her first talkie, The Flame of Love (1930), was recorded in three languages: English, French and German. She spent the first half of the 1930s traveling between the United States and Europe for film and stage work. Wong was featured in films of the early sound era, such as Daughter of the Dragon (1931) and Daughter of Shanghai (1937), and with Marlene Dietrich in Josef von Sternberg's Shanghai Express (1932). These films brought her more and more fame, which she used to express her staunch political views. Although she advocated for Chinese-American causes and criticized the stereotypical roles she played, Chinese press and critics continued to view her as a disgrace to the country. After experiencing the most severe disappointment of her career, when Metro-Goldwyn-Mayer refused to consider her for the leading Chinese role in the film The Good Earth (1937), and instead chose a white German actress in yellowface, Wong spent the a year touring China, visiting her family's ancestral village, and studying Chinese culture. Returning to Hollywood, she starred in several B movies that portrayed Chinese-Americans in a positive light in the late-1930s.
As World War II rolled around, she focused less on her film career and decided to devote her time and money in helping the Chinese against Japanese invasions. Returning to the public eye in the 1950s with several television appearances, she started her own detective mystery television show titled The Gallery of Madame Liu-Tsong (1951), the first U.S. television show starring an Asian-American. She was scheduled to return to film in Flower Drum Song (1961) but she died of a heart attack.
For decades after her death, Wong was remembered mostly for the stereotypical roles she was given although critics have begun to reevaluate her life and career. In 2022, Wong became the first Asian-American to be depicted on American coinage when the quarters with her image on them went into circulation. In 2023, Mattel released a Barbie doll modeled on Wong in honor of Asian American and Pacific Islander Heritage Month.
From Wikipedia, the free encyclopedia
Kent Taylor (May 11, 1907 – April 11, 1987) was an American actor.
Born Louis William Weiss in Nashua, Iowa, Taylor appeared in more than 110 films, the bulk of them B-movies in the 1930s and 1940s, although he also had roles in more prestigious studio releases, including I'm No Angel (1933), Death Takes a Holiday (1934), Payment on Demand (1951), and Track the Man Down (1955).
In the 1950s, with his movie career on the decline and television production on the upswing, he played the title role in 58 episodes of the detective series Boston Blackie and the lead in 39 episodes of ABC's The Rough Riders (1958–1959). Other small screen credits include My Little Margie, Tales of Wells Fargo, Zorro, Bat Masterson, Peter Gunn, and Hawaiian Eye. The last years of his career were spent in slasher and horror films with titles like Satan's Sadists, Blood of Ghastly Horror, I Spit on Your Corpse, and Hell's Bloody Devils.
Taylor is interred at the Westwood Village Memorial Park Cemetery in Los Angeles, California.
Description above from the Wikipedia article Kent Taylor, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Montagu Love (15 March 1880 – 17 May 1943), also known as Montague Love, was an English screen, stage and vaudeville actor.
Born Harry Montague Love in Portsmouth, Hampshire, he was the son of Harry Love (b. 1852) and Fanny Louisa Love, née Poad (b. 1856); his father was listed as accountant on the 1881 English Census. Educated in Great Britain, Love began his career as an artist and military correspondent with his first important job as a London newspaper cartoonist. Love honed basic stage talents in London, and in 1913 sailed to the Canada and crossed the border into the United States in November with a road-company production of Cyril Maude's Grumpy.
Usually Love was cast in heartless villain roles. In the 1920s, he played with Rudolph Valentino in The Son of the Sheik, opposite John Barrymore in Don Juan, and appeared with Lillian Gish in 1928's The Wind. He also portrayed 'Colonel Ibbetson' in Forever (1921), the silent film version of Peter Ibbetson. Love was one of the more successful villains in silent films.
One of Love's first sound films was the part-talkie The Mysterious Island co-starring Lionel Barrymore. In 1937, he played Henry VIII in the first talking film version of Mark Twain's The Prince and the Pauper, with Errol Flynn. Love played the bigoted Bishop of the Black Canons in The Adventures of Robin Hood, starring Flynn, too. However, he also played gruff authoritarian figures, such as Monsieur Cavaignac, who, contrary to history, demands the resignation of those responsible for the Dreyfus coverup, in The Life of Emile Zola (1937), as well as Don Alejandro de la Vega, whose son appears to be a fop but is actually Zorro, in the 1940 version of The Mark of Zorro, starring Tyrone Power.
In 1941, he played a doctor in Shining Victory, which also starred James Stephenson, Geraldine Fitzgerald and Donald Crisp. In 1939's Gunga Din, it is Montagu Love who reads the final stanza of Rudyard Kipling's original poem over the body of the slain Din.
Love's last film to be released, Devotion, was released three years after his death aged 63 in 1943. He was interred at Chapel of the Pines Crematory. His last acting stint was on Wings Over the Pacific (1943).
From Wikipedia, the free encyclopedia
Billy Bevan (born William Bevan Harris, 29 September 1887 – 26 November 1957) was an Australian-born vaudevillian, who became an American film actor. He appeared in 254 American films between 1916 and 1950.
Bevan was born in the country town of Orange, New South Wales, Australia. He went on the stage at an early age, traveled to Sydney and spent eight years in Australian light opera, performing as Willie Bevan. He sailed to America with the Pollard’s Lilliputian Opera Company in 1912 and later toured Canada. Bevan broke into films with the Sigmund Lubin studio in 1916. When the company disbanded, Bevan became a supporting actor in Mack Sennett movie comedies. An expressive pantomimist, Bevan's quiet scene-stealing attracted attention, and by 1922 Bevan was a Sennett star. He supplemented his income, however, by establishing a citrus and avocado farm at Escondido, California.
Usually filmed wearing a derby hat and a drooping mustache, Bevan may not have possessed an indelible screen character like Charlie Chaplin but he had a friendly, funny presence in the frantic Sennett comedies. Much of the comedy depended on Bevan's skilled timing and reactions; the famous "oyster" routine performed on film by Curly Howard, Lou Costello, and Huntz Hall—in which a bowl of "fresh oyster stew" shows alarming signs of life and battles the guy trying to eat it—was originated on film decades earlier by Bevan in the short film Wandering Willies.
By the mid-1920s Bevan was often teamed with Andy Clyde; Clyde soon graduated to his own starring series. The late 1920s found Bevan playing in wild marital farces for Sennett.
The advent of talking pictures took their toll on the careers of many silent stars, including Billy Bevan. Bevan began a second career in "talkies" as a character actor and bit player in roles such as that of a bus driver in the 1929 film High Voltage, a hotel employee in the Mae Murray film Peacock Alley, and the supporting role of Second Lieutenant Trotter in Journey's End in 1930. His starring roles had come to an end, however, and for the next 20 years he often would play rowdy Cockneys (as in Pack Up Your Troubles with The Ritz Brothers), and affable Englishmen (as in Tin Pan Alley and Terror by Night). He played a friendly bus conductor opposite Greer Garson in one of the opening scenes of Mrs. Miniver.
Bevan died in 1957 in Escondido, California, just before new audiences discovered him in Robert Youngson's silent-comedy compilations. (The Youngson films mispronounce his name as "Be-VAN"; Bevan himself offered the proper pronunciation in a Voice of Hollywood reel in 1930.)
From Wikipedia, the free encyclopedia
Edward Alyn Warren (June 2, 1874 – January 22, 1940) was an American actor. He appeared in 99 films between 1915 and 1940. In some early silent films he was credited as Fred Warren or E. A. Warren. He was born in Richmond, Virginia and died in Woodland Hills, Los Angeles.
Wyndham Standing (23 August 1880 – 1 February 1963) was an English film actor. Standing appeared in 131 films between 1915 and 1948. A popular and much beloved leading man in the silent film era, he starred and co-starred along many famous names of the day, both men and women. He and Ronald Colman were the stars of the now lost classic The Dark Angel (1925). Standing delivered a memorable performance in Hell's Angels (1930) as the commanding officer who gets fed up with the cowardly antics of Ben Lyon and James Hall just before sending them off on a deadly bombing mission.
He was born Charles Wyndham Standing in London, England and died in Los Angeles, California. He was the son of veteran actor Herbert Standing (1846–1923) and the brother of actors Jack Standing, Sir Guy Standing, Herbert Standing Jr. and Percy Standing. He was also the uncle of Joan Standing and Kay Hammond.
From Wikipedia, the free encyclopedia
Ann Sheridan, or Clara Lou Sheridan, (February 21, 1915 - January 21, 1967) was an American actress.
She is best known for her roles in the films San Quentin (1937) with Humphrey Bogart, Angels with Dirty Faces (1938) with James Cagney and Bogart, They Drive by Night (1940) with George Raft and Bogart, City for Conquest (1940) with Cagney and Elia Kazan, The Man Who Came to Dinner (1942) with Bette Davis, Kings Row (1942) with Ronald Reagan, Nora Prentiss (1947), and I Was a Male War Bride (1949) with Cary Grant.
