"It's a Boy" stars Horton as Dudley Leake, who is betrothed to Mary Bogle (the very pretty Wendy Barrie). Shortly before the wedding, Dudley blurts a confession to his friend and best man, Jim Skippett: 20 years ago, Dudley had a brief affair with a certain Miss Piper, but he's never heard from her since then. Next day, who should suddenly appear? A youth about 19 or 20 years old, claiming to be named Joe Piper. Is he Horton's son, or is Skippett playing a practical joke?
06-07-1934
1h 20m
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Main Cast
Movie Details
Production Info
Director:
Tim Whelan
Production:
Gainsborough Pictures
Key Crew
Scenario Writer:
John Paddy Carstairs
Scenario Writer:
Leslie Howard Gordon
Producer:
Michael Balcon
Production Assistant:
Ian Dalrymple
Editor:
Harold Young
Locations and Languages
Country:
GB
Filming:
GB
Languages:
en
Main Cast
Leslie Henson
From Wikipedia
Leslie Lincoln Henson (3 August 1891 – 2 December 1957) was an English comedian, actor, producer for films and theatre, and film director. He initially worked in silent films and Edwardian musical comedy and became a popular music hall comedian who enjoyed a long stage career. He was famous for his bulging eyes, malleable face and raspy voice and helped to form the Entertainments National Service Association (ENSA) during the Second World War.
Henson's post war stage success continued in revues, musicals and plays, including a West End adaptation of The Diary of a Nobody in 1955. Henson's film career was intermittent, and he made 14 films from 1916 to 1956. The most notable of these was Tons of Money in 1924, which introduced the popular Aldwych farces to British cinema audiences for the first time. In 1956.
Henson died at his home in Harrow Weald, Middlesex, in 1957. He was 66.
From Wikipedia, the free encyclopedia
Edward Everett Horton Jr. (March 18, 1886 – September 29, 1970) was an American character actor. He had a long career in film, theater, radio, television, and voice work for animated cartoons. Horton began his stage career in 1906, singing and dancing and playing small parts in vaudeville and in Broadway productions. In 1919, he moved to Los Angeles, California, where he began acting in Hollywood films. His first starring role was in the comedy Too Much Business (1922), but he portrayed the lead role of an idealistic young classical composer in the drama Beggar on Horseback (1925). In the late 1920s, he starred in two-reel silent comedies for Educational Pictures, and made the transition to talking pictures with Educational in 1929. As a stage-trained performer, he found more film work easily, and appeared in some of Warner Bros.' early talkies, including The Terror (1928) and Sonny Boy (1929).
Horton initially used his given name, Edward Horton, professionally. His father persuaded him to adopt his full name professionally, reasoning that other actors might be named Edward Horton, but only one named Edward Everett Horton. Horton soon cultivated his own special variation of the time-honored double take (an actor's reaction to something, followed by a delayed, more extreme reaction). In Horton's version, he would smile ingratiatingly and nod in agreement with what just happened; then, when realization set in, his facial features collapsed entirely into a sober, troubled mask.
Horton starred in many comedy features in the 1930s, usually playing a mousy fellow who put up with domestic or professional problems to a certain point, and then finally asserted himself for a happy ending. He is best known, however, for his work as a character actor in supporting roles. These include The Front Page (1931), Trouble in Paradise (1932), Alice in Wonderland (1933), The Gay Divorcee (1934, the first of several Astaire/Rogers films in which Horton appeared), Top Hat (1935), Danger - Love at Work (1937), Lost Horizon (1937), Holiday (1938), Here Comes Mr. Jordan (1941), Arsenic and Old Lace (1944), Pocketful of Miracles (1961), It's a Mad, Mad, Mad, Mad World (1963), and Sex and the Single Girl (1964). His last role was in the comedy film Cold Turkey (1971), in which his character communicated only through facial expressions.
John Robertson Hare, OBE (17 December 1891 – 25 January 1979) was an English actor, who came to fame in the Aldwych farces. He is remembered by modern audiences for his performances as the Archdeacon in the popular BBC sitcom, All Gas and Gaiters.
Short in stature and of unheroic appearance, Hare made his stage career in character roles. From his early days as an actor he was cast as older men. One of his favourite parts, which he played in the provinces before achieving West End success, was "Grumpy", a retired lawyer, in which he toured before the First World War.
After war service in the army, Hare got his big break. He was cast in a long-running farce with Ralph Lynn and Tom Walls. His meek and put-upon character was repeated in various incarnations in the eleven Aldwych farces presented by Walls between 1923 and 1933. He also appeared in film versions of most of the farces. After the Aldwych series came to an end, Hare continued to be cast in similar roles in new plays by Ben Travers and many others.
Occasionally Hare took a break from farce, appearing in revue with Benny Hill and in a musical with Frankie Howerd. His final major role was on television in the late 1960s, as the Archdeacon of St Ogg's in the BBC comedy series All Gas and Gaiters.
From Wikipedia, the free encyclopedia.
From Wikipedia, the free encyclopedia.
Wendy Barrie (18 April 1912 – 2 February 1978) was a British actress who worked in British and American films.
Barrie was born in London to English parents. Her father, Francis Charles John Graigoe Jenkin KC (1883 – 1936), was an employee of Great Western (according to the 1901 census), who then joined the Royal Fusiliers in 1902. Her mother was Ellen McDonagh. Hollywood gave her a more exotic parentage with her father being a King's Counsel and her mother a Russian-Jewish actress who had performed in the world's first professional Yiddish-language theater troupe. She received her education at a convent school in England and a finishing school in Switzerland.
In 1932, Barrie made her screen debut in the film Threads, which was based upon a play. She went on to make a number of motion pictures for London Films under the Korda brothers, Alexander and Zoltan, the best known of which is 1933's The Private Life of Henry VIII, in which she portrayed Jane Seymour.
In 1934, she appeared in Freedom of the Seas and was contracted by Fox Film Corporation for a film directed by Scott Darling that was made in Britain. The following year, she moved to the United States and made her first Hollywood film for Fox opposite Spencer Tracy in the romantic comedy It's a Small World, followed by Under Your Spell with Lawrence Tibbett. Loaned to MGM, Barrie starred opposite James Stewart in the 1936 film Speed. In 1939 she starred with Richard Greene and Basil Rathbone in the 20th Century Fox version of The Hound of the Baskervilles, and with Lucille Ball in RKO's Five Came Back. During 1939 and the early 1940s, Barrie made several of The Saint and The Falcon mystery films with George Sanders. She made her final motion picture in 1954.
With the dawn of television, in the late 1940s, Barrie turned to roles in that medium.
In 1956, she had a disc jockey program, the Wendy Barrie Show, on WMGM in New York City. She also hosted a widely syndicated radio interview show into the mid-1960s.
After appearances in more than 15 films in Britain and more than 30 in Hollywood, Barrie's contribution to the industry was recognized with a motion pictures star on the Hollywood Walk of Fame at 1708 Vine Street, near the corner of Hollywood and Vine. Her star was dedicated February 8, 1960.
Barrie became a naturalized American citizen in 1942. She was reportedly engaged to and had a daughter named Carolyn with the infamous gangster Benjamin "Bugsy" Siegel, and at one time was married to textile manufacturer David L. Meyer.
She died in Englewood, New Jersey, in 1978, aged 65, following a stroke that had left her debilitated for several years. She was buried in the Kensico Cemetery in Valhalla, New York.
Finlay Jefferson Currie (20 January 1878 – 9 May 1968) was a Scottish actor of stage, screen and television.
Born in Edinburgh, Scotland, Currie's acting career began on the stage. He and his wife Maude Courtney (1884–1959) did a song and dance act in the US in the 1890s. He made his first film (The Old Man) in 1931. He appeared as a priest in the 1943 Ealing World War II movie Undercover. His most famous film role was as the convict Abel Magwitch in David Lean's Great Expectations (1946), based on the novel, 'Great Expectations' by Charles Dickens. He later began to appear in Hollywood film epics, including the 1951 Quo Vadis (as Saint Peter), the multi-Oscar winning 1959 Ben-Hur, as Balthazar, one of the Three Wise Men, and The Fall of the Roman Empire (1964) as an aged, wise senator; He appeared in People Will Talk with Cary Grant; and he also portrayed Robert Taylor's embittered father in MGM's Technicolor 1952 version of Ivanhoe. In 1962, he starred in an episode of The DuPont Show of the Week (NBC) entitled The Ordeal of Dr. Shannon, an adaptation of A. J. Cronin's novel, Shannon's Way. Currie's last role was as Mr. Lundie, the minister, in the 1966 television adaptation of the musical Brigadoon. In one of his very last performances, Currie plays a dying mafioso boss in the two part "Vendetta For The Saint" (1968) starring Roger Moore.
Later in life he became a much respected antiques dealer, specialising in coins and precious metals. He had been a long time collector of the works of Robert Burns.
Description above from the Wikipedia article Finlay Currie, licensed under CC-BY-SA, full list of contributors on Wikipedia.
