A private stationed in Hawaii gets involved with the general's engaged daughter. In order to avoid a scandal, the pair break up, but meet again years later when he's at West Point producing the annual play that turns out to star her.
12-01-1934
1h 37m
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Main Cast
Movie Details
Production Info
Director:
Frank Borzage
Production:
First National Pictures, Warner Bros. Pictures
Key Crew
Producer:
Frank Borzage
Costume Design:
Orry-Kelly
Production Supervisor:
Robert Lord
Music Arranger:
Ray Heindorf
Stage Director:
Bobby Connolly
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Dick Powell
Richard Ewing "Dick" Powell (November 14, 1904 – January 2, 1963) was an American singer, actor, producer, director and studio boss.
Born in Mountain View, the seat of Stone County in northern Arkansas, Powell attended the former Little Rock College in the state capital, before he started his entertainment career as a singer with the Charlie Davis Orchestra, based in the midwest. He recorded a number of records with Davis and on his own, for the Vocalion label in the late 1920s.
Powell moved to Pittsburgh, where he found great local success as the Master of Ceremonies at the Enright Theater and the Stanley Theater. In April 1930, Warner Bros. bought up Brunswick Records which at that time owned Vocalion. Warner Bros. was sufficiently impressed by Powell's singing and stage presence to offer him a film contract in 1932. He made his film debut as a singing bandleader in Blessed Event. He went on to star as a boyish crooner in movie musicals such as 42nd Street, Footlight Parade, Gold Diggers of 1933, Dames, Flirtation Walk, and On the Avenue, often appearing opposite Ruby Keeler and Joan Blondell.
Powell desperately wanted to expand his range but Warner Bros. wouldn't allow him to do so, although they did (mis)cast him in A Midsummer Night's Dream (1935) as Lysander. This was to be Powell's only Shakespearean role and one he did not want to play, feeling that he was completely wrong for the part. Finally, reaching his forties and knowing that his young romantic leading man days were behind him he lobbied to play the lead in Double Indemnity. He lost out to Fred MacMurray, another Hollywood nice guy. MacMurray’s success, however, fueled Powell’s resolve to pursue projects with greater range and in 1944, he was cast in the first of a series of films noir, as private detective Philip Marlowe in Murder, My Sweet, directed by Edward Dmytryk. The film was a big hit and Powell had successfully reinvented himself as a dramatic actor.
The following year Dmytryk and Powell re-teamed to make Cornered, a gripping, post-WWII thriller that helped define the film noir style. He became a popular "tough guy" lead appearing in movies such as Johnny O'Clock and Cry Danger. But 1948 saw him step out of the brutish type when he starred in Pitfall, a film noir that sees a bored insurance company worker fall for an innocent but dangerous femme fatale, played by Lizabeth Scott. Even when he appeared in lighter fare such as The Reformer and the Redhead and Susan Slept Here (1954) he never sang in his later roles. The latter, his final onscreen appearance in a feature film, did include a dance number with costar Debbie Reynolds.
From 1949-1953, Powell played the lead role in the National Broadcasting Company radio theater production Richard Diamond, Private Detective. His character in the 30-minute weekly was a likable private detective with a quick wit. When Richard Diamond came to television in 1957, the lead role was portrayed by David Janssen.
Pat O’Brien (born William Joseph Patrick O'Brien) was an American stage, screen, radio, and television actor. He was a star during the first several years of his film career, the height of his popularity being during the 1930s and 1940s.
From Wikipedia, the free encyclopedia
Johnson Lundy Arledge (March 12, 1906 – May 15, 1947) was an American film and stage actor. He played dozens of supporting roles in the Hollywood movies of the 1930s–1940s, including the tractor driver who destroys a house in The Grapes of Wrath.
Henry O'Neill (1891–1961) was an American film actor known for playing gray-haired fathers, lawyers, and similarly roles during the 1930s and 1940s.
O'Neill began his acting career on the stage, after dropping out of college to join a traveling theatre company. He served in the military in World War I, then returned to the stage.
In the early 1930s he began appearing in films, including The Big Shakedown, Santa Fe Trail, Anchors Aweigh, The Green Years, and The Reckless Moment. His last film was The Wings of Eagles.
Henry O'Neill died in 1961 at the age of 69.
From Wikipedia
Guinn Terrell Williams Jr. (April 26, 1899 – June 6, 1962) was an American actor who appeared in memorable westerns such as Dodge City (1939), Santa Fe Trail (1940), and The Comancheros (1961). He was nicknamed "Big Boy" as he was 6' 2" and had a muscular build from years of working on ranches and playing semi-pro and professional baseball.
Williams made his screen debut in the 1919 comedy, Almost A Husband, with Will Rogers and Cullen Landis, and was featured in a large supporting role ten years later in Frank Borzage's Lucky Star with Janet Gaynor and Charles Farrell. Throughout the 1920s Williams would have a string of successful films, mostly westerns.
He then appeared in The Great Meadow alongside Johnny Mack Brown, which was Brown's breakout film. Throughout the 1930s, Williams acted in supporting roles, mostly in westerns, sports, or outdoor dramas. Although not the lead actor in any of them, he was always employed, and was successful as a supporting actor. He often played alongside Hoot Gibson and Harry Carey during that period. In 1941, he became one of many actors cast by Universal Pictures in their large film series, Riders of Death Valley. From the late 1930s to the mid-1940s, Williams appeared in supporting roles in a number of A-pictures, sometimes with high billing, such as You Only Live Once, and in Columbia's first Technicolour film The Desperadoes (1943).
Williams was frequently teamed with Alan Hale, Sr. as sidekicks to Errol Flynn in several of his pictures. In 1960, he was cast in the epic film The Alamo and in Home from the Hill with Robert Mitchum. His last role was opposite his close friend John Wayne and Stuart Whitman in The Comancheros.
Virginia Grey (March 22, 1917 – July 31, 2004) was an American actress.
She was born in Los Angeles, California, the daughter of director Ray Grey. One of her early babysitters was Gloria Swanson. Grey debuted at the age of ten in the silent film Uncle Tom's Cabin (1927) as Little Eva. She continued acting for a few more years, but then left movies in order to finish her education.
Grey returned to films in the 1930s with bit parts and extra work, but she eventually signed a contract with MGM and appeared in such movies as Another Thin Man, Hullabaloo and The Big Store. She played Consuela McNish in The Hardys Ride High (1939) with Mickey Rooney.
She left MGM in 1942, and signed with several different studios over the years, working steadily. During the 1950s and 1960s, producer Ross Hunter frequently included Grey in his popular soap melodramas, such as All That Heaven Allows, Back Street and Madame X.
She had an on again/off again relationship with Clark Gable in the 1940s. After his wife Carole Lombard died and he returned from military service, Clark and Virginia were often seen at restaurants and nightclubs together. Many, including Virginia herself, expected him to marry her. The tabloids were all expecting the wedding announcement. It was a great surprise when he hastily married Lady Sylvia Ashley in 1949. Virginia was heartbroken. They divorced in 1952, but much to Virginia's dismay their brief romance was never rekindled. Her friends say that her hoping and waiting for Clark was the reason she never married.
She was a regular on television in the 1950s and 1960s, appearing on Playhouse 90, General Electric Theater, The DuPont Show with June Allyson, Your Show of Shows, Wagon Train, Bonanza, Marcus Welby, M.D., Love, American Style, Burke's Law, The Virginian, Peter Gunn and many others.
She was portrayed by Anna Torv in the HBO Mini-series The Pacific.
Description above from the Wikipedia article Virginia Grey, licensed under CC-BY-SA, full list of contributors on Wikipedia.
One of the great romantic swashbuckling stars of the mid-twentieth century, and the third Tyrone Power of four in a famed acting dynasty reaching back to the eighteenth century. His great-grandfather was the first Tyrone Power (1795-1841), a famed Irish comedian. His father, known to historians as Tyrone Power Sr., but to his contemporaries as either Tyrone Power or Tyrone Power the Younger, was a huge star in the theater (and later in films) in both classical and modern roles. His mother, Patia Riaume (Mrs. Tyrone Power), was also a Shakespearean actress as well as a respected dramatic coach.
Tyrone Edmund Power, Jr., (also called Tyrone Power III; May 5, 1914 - November 15, 1958) was born at his mother's home of Cincinnati, Ohio, in 1914. A frail, sickly child, he was taken by his parents to the warmer climate of southern California. After his parents' divorce, he and his sister Anne Power returned to Cincinnati with their mother. There he attended school while developing an obsession with acting. Although raised by his mother, he corresponded with his father, who encouraged his acting dreams. He was a supernumerary in his father's stage production of 'The Merchant of Venice' in Chicago and held him as he died suddenly of a heart attack later that year.
Startlingly handsome, young Tyrone nevertheless struggled to find work in Hollywood. He appeared in a few small roles, then went east to do stage work. A screen test led to a contract at 20th Century Fox in 1936, and he quickly progressed to leading roles. Within a year or so, he was one of Fox's leading stars, playing in contemporary and period pieces with ease. Most of his roles were colorful without being deep, and his swordplay was more praised than his wordplay. He served in the Marine Corps in World War II as a transport pilot, and he saw action in the Pacific Theater of operations.
After the war, he got his best reviews for an atypical part as a downward-spiraling con-man in Nightmare Alley (1947). Although he remained a huge star, much of his postwar work was unremarkable. He continued to do notable stage work and also began producing films. Following a fine performance in Billy Wilder's Witness for the Prosecution (1957), Power began production on Solomon and Sheba (1959). Halfway through shooting, he collapsed during a dueling scene with George Sanders, and he died of a heart attack before reaching a hospital.
Dick Winslow's parents were Winonian Breazeala (a writer) and Sidney R. Johnson. Graduated from Belmont High School in Los Angeles, and first appeared in films when he was five years old. Appeared in the play "Silver Thread" at the Egan Theatre in Los Angeles, and in "The Emperor's Clothes" at the Belmont Theatre in Los Angeles.
He played the pipe organ, piano, marimba, bag pipes, accordion, drums, saxophone and other wind instruments. Had appeared in 75 films by 1934.
- IMDb Mini Biography