A naive farmer encounters a beautiful burlesque dancer on the streets of New York and agrees to pose as her husband during her mother's visit.
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Jeanette Loff was born Janette Löv in Orofino, Idaho, on October 9, 1906. Her father Maurice was a successful violinist who moved their family to Canada when Jeanette was a child. She loved to sing and she studied music at the Ellison and White Conservatory. At age sixteen she had a starring role in the operetta Treasure Hunters. Jeanette moved to Oregon and got a job playing the organ. She made her acting debut in the 1927 film Uncle Tom's Cabin. Cecil B. Demille offered her a contract and she quickly became one of Hollywood busiest starlets. In 1928 she appeared in Annapolis, Love Over Night, and Hold 'Em Yale. After her parents divorced Jeanette's mother Inga and sisters Irene and Myrtle came to live with her in California. Jeanette married a salesman named Harry Rosenbloom but they divorced in 1929. She also had a love affairs with producer Paul Bern, song writer Walter O'Keefe, and actor Gilbert Roland. Jeanette got the chance to show off her soprano voice in films like King Of Jazz and Party Girl. By 1931 she was tired of playing ingénues and decided to take a break from making movies. She moved to New York city and starred in several Broadway shows. Jeanette tried to make a comeback with the 1934 drama St. Louis Woman but it was not a hit. After a few more small roles her career stalled. Her final film was the comedy Million Dollar Baby. She retired from acting and married producer and liquor salesman Bert E. Friedlob. Sadly she did not get to enjoy her new life for very long. On August 5, 1942 Jeanette died after ingesting ammonia. She was only thirty-five years old. Although many believe she committed suicide her death may have been accidental. Her family does not believe she took her own life. Jeanette is buried at Forest Lawn Memorial Park in Glendale, California.
Nicholas Benton "Ben" Alexander III (June 27, 1911 – July 5, 1969) was an American motion picture actor, who started out as a child actor in 1916. He is best remembered for his role as Officer Frank Smith in the Dragnet franchise.
From Wikipedia, the free encyclopedia Emma Dunn (26 February 1875 – 14 December 1966) was an English character actress on the stage and in motion pictures. Emma Dunn appeared onstage in her early teens, graduating to the London stage for several years and later became a noted Broadway actress. She appeared in the first American production of Ibsen's Peer Gynt (1906) with Richard Mansfield as Peer. She played Peer's mother, Ase, even though she was, in real life, 20 years younger than Mansfield. She appeared in three productions for theatre impresario David Belasco: The Warrens of Virginia (1907), The Easiest Way (1909) and The Governor's Lady (1912). In The Easiest Way, Dunn portrayed Annie, who was black, in blackface. In 1913 Dunn appeared in vaudeville. Dunn made her first film in 1914, a silent film of her 1910 stage success, Mother, directed by Maurice Tourneur. This was Tourneur's first American film. Dunn's second film was 1920's Old Lady 31, reprising the role she played in the 1916 Broadway play of the same name. One more silent film followed in 1924, Pied Piper Malone, before she made her talkie debut in Side Street, co-starring the Moore brothers, Matt, Owen and Tom as her sons. Dunn wrote two books on elocution and speech: Thought Quality in the Voice (1933) and You Can Do It (1947). Emma Dunn was born 26 February 1875, in Birkenhead, England, although she sometimes gave her year of birth as 1883. Dunn married Harry Beresford, an actor who was then known professionally as Harry J. Morgan, in Chicago on 4 October 1897. They divorced on 10 February 1909, in New York City. She was awarded sole custody of their young daughter, Dorothy. On 19 May 1909, Dunn married John W. Stokes (John W. S. Sullivan), an actor, playwright and theatrical manager. They subsequently adopted a second daughter, Helen. The couple divorced sometime between 1923 and Stokes' death in 1931. After suffering a heart attack some months before, Dunn died 14 December 1966, in Los Angeles, California, aged 91.
From Wikipedia, the free encyclopedia Franklin Pangborn (January 23, 1889 – July 20, 1958) was an American comedic character actor famous for playing small but memorable roles with comic flair. He appeared in scores of feature films playing essentially the same character: prissy, polite, elegant, highly energetic, often officious, fastidious, somewhat nervous, prone to becoming flustered but essentially upbeat, and with immediately recognizable high-speed, patter-type speech. He typically played an officious desk clerk in a hotel, a self-important musician, a fastidious headwaiter, an enthusiastic birdwatcher, and the like, and was usually put in a situation of frustration or flustered by the antics of others. Pangborn was an effective foil for many major comedians.
Hattie McDaniel (June 10, 1893 - October 26, 1952) was an American actress whose portrayal of Mammy in Gone with the Wind (1939) won her the Oscar for Best Supporting Actress, making her the first black person to win an Academy Award. After working as early as the 1910s as a band vocalist, Hattie McDaniel debuted as a maid in The Golden West (1932). Her maid-mammy characters became steadily more assertive, showing up first in Judge Priest (1934) and becoming pronounced in Alice Adams (1935). In this one, directed by George Stevens and aided and abetted by star Katharine Hepburn, she makes it clear she has little use for her employers' pretentious status seeking. By The Mad Miss Manton (1938) the character she portrays actually tells off her socialite employer Barbara Stanwyck and her snooty friends. This path extends into the greatest role of McDaniel's career, Mammy in Gone with the Wind (1939). Mammy is, in a number of ways, superior to most of the white folk surrounding her. From that point, McDaniel's roles unfortunately descended, with the characters becoming more and more menial. McDaniel played on the "Amos and Andy" and Eddie Cantor radio shows in the 1930s and 1940s, the title character in her own radio show "Beulah" (1947-51), and the same part on TV (Beulah, 1950).
