An "imaginative biography" of Anton Cermak, mayor of Chicago who was killed in the line of fire during an assassination attempt on President-elect Franklin D. Roosevelt in Miami on February 15, 1933.
06-30-1933
1h 17m
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Main Cast
Movie Details
Production Info
Director:
Hamilton MacFadden
Writers:
Dudley Nichols, Lamar Trotti
Production:
Fox Film Corporation
Key Crew
Director of Photography:
Arthur C. Miller
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Preston Foster
Preston Foster (August 24, 1900 – July 14, 1970) was an American stage and film actor, and singer. Foster entered films in 1929 after appearing as a Broadway stage actor. He was appearing in Broadway plays as late as October 1931 when he acted in a play titled Two Seconds starring Edward J. Pawley. Some of his notable films include: Doctor X (1932), I Am a Fugitive from a Chain Gang (1932), Annie Oakley (1935), The Last Days of Pompeii (also 1935), The Informer (1935) (as the head of the organization), and My Friend Flicka (1943).
He starred on the television drama, Waterfront (1954–1955), playing the role of Captain John Herrick. Foster has a star on the Hollywood Walk of Fame. He was sometimes credited in movies as Preston S. Foster. His first wife was stage actress Gertrude Warren (1926–1945; divorced). He had one daughter, Stephanie. He was married to his second wife, actress Sheila Darcy, from 1946 until his death.
During World War II while serving with the United States Coast Guard, he rose to the rank of Captain, Temporary Reserve. He eventually held the honorary rank of Commodore in the U.S. Coast Guard.
After the war and before his productive movie career, Foster became a singer of some note. In 1948 Foster created a trio with himself, Gene Leis and Foster’s wife, actress Sheila Darcy. Gene arranged the songs, and they played on radio and in clubs, appearing with Orrin Tucker, Peggy Ann Garner and Rita Hayworth.
Description above from the Wikipedia article Preston Foster, licensed under CC-BY-SA, full list of contributors on Wikipedia
From Wikipedia, the free encyclopedia
Joan Marsh (born Nancy Ann Rosher, July 10, 1913 – August 10, 2000) was an American child actress in silent films between 1915 and 1921. Later, during the sound era, she resumed her acting career and performed in a variety of films during the 1930s and 1940s.
From Wikipedia, the free encyclopedia
June Lang (born Winifred June Vlasek, May 5, 1917 – May 16, 2005) was an American film actress. Born in Minneapolis, Minnesota, the daughter of Edith and Clarence Vlasek, Lang originally trained as a dancer in "kiddie revues" and went to Hollywood at the urging of her mother. She made her film debut in 1931 and caught the eye of Darryl F. Zanuck at 20th Century Fox, gradually securing second lead roles in mostly B movies. Noted for her fragile and demure appearance, she was usually cast as the little sister or the heroine's best friend in light comedies and adventure films. She soon graduated to leading roles, most notably in Bonnie Scotland (with Laurel and Hardy, 1935), in The Road to Glory (with Fredric March, Warner Baxter and Lionel Barrymore—written in part by William Faulkner—1936), and in Wee Willie Winkie (directed by John Ford, with Shirley Temple, Cesar Romero, and Victor McLaglen, 1937).
From Wikipedia, the free encyclopedia.
Leon Ames (January 20, 1902 – October 12, 1993) was an American film and television actor. He is best remembered for playing fatherly figures in such films as Meet Me in St. Louis (1944), as Judy Garland's father, and in Little Women (1949).
Description above from the Wikipedia article Leon Ames licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Douglass Rupert Dumbrille (October 13, 1889 – April 2, 1974) was a Canadian actor and one of the Canadian pioneers in early Hollywood.
In 1913, the East Coast film industry was flourishing and that year he appeared in the film What Eighty Million Women Want, but it would be another 11 years before he appeared on screen again.
In 1924, he made his Broadway debut and worked off and on in the theatre for several years while supplementing his income by selling such products as car accessories, tea, insurance, real estate, and books.
During the Great Depression, Dumbrille moved to the West Coast of the U.S., where he specialized in playing secondary character roles alongside the great stars of the day. His physical appearance and suave voice equipped him for roles as slick politician, corrupt businessman, crooked sheriff, or unscrupulous lawyer.
He was highly regarded by the studios and was sought out by Cecil B. DeMille, Frank Capra, Hal Roach and other prominent Hollywood filmmakers. A friend of fellow Canadian-born director Allan Dwan, Dumbrille played Athos in Dwan’s 1939 adaptation of The Three Musketeers.
Dumbrille had roles in more than 200 motion pictures and, with the advent of television, made numerous appearances in the 1950s and 1960s. He had the ability to project a balance of menace and pomposity in roles as the "heavy" in comedy films, such as those of the Marx Brothers or Abbott and Costello.
From Wikipedia, the free encyclopedia
Matthew O. McHugh (January 22, 1894 – February 22, 1971) was an American film actor who appeared in more than 200 films between 1931 and 1955, primarily in small cameo parts.
McHugh came from a theatrical family. His parents ran a stock theatre company and, as a young child, he performed on stage. His brother, Frank, who went on to become part of the Warner Bros. stock company in the 1930s and 1940s, and sister Kitty performed an act with him by the time he was fourteen years old, but the family quit the stage around 1930. His brother Ed became an agent in New York.
Matt made his Broadway debut in Elmer Rice's Street Scene in 1929, along with his brother Ed, and also appeared in Swing Your Lady in 1936.
Despite his actual origins, McHugh usually performed his roles with a Brooklyn accent, and was often cast as characters explicitly from Brooklyn. In Star Spangled Rhythm (1941), his one scene is a protracted monologue during the climactic "Old Glory" sequence, in which McHugh plays a character who literally embodies the spirit of Brooklyn.
