Prohibition is ending so bootlegger Bugs Ahearn decides to crack California society. He leases a house from down-on-her-luck Ruth and hires her as social secretary. He rescues Polly Cass from a horsefall and goes home to meet her dad who sells him some phony stock certificates. When he learns about this he sends to Chicago for mob help.
05-20-1933
1h 16m
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Main Cast
Movie Details
Production Info
Director:
Roy Del Ruth
Production:
First National Pictures, The Vitaphone Corporation
Key Crew
Screenplay:
Robert Lord
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Edward G. Robinson
Edward G. Robinson (born Emanuel Goldenberg; December 12, 1893 – January 26, 1973) was a Romanian-born American actor. Although he played a wide range of characters, he is best remembered for his roles as a gangster, most notably in his star-making film Little Caesar.
Description above from the Wikipedia article Edward G. Robinson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Mary Astor (May 3, 1906 - September 25, 1987) was an American actress. Most remembered for her role as Brigid O'Shaughnessy in The Maltese Falcon (1941) with Humphrey Bogart, Astor began her long motion picture career as a teenager in the silent movies of the early 1920s. She eventually made a successful transition to talkies, but almost saw her career destroyed due to public scandal in the mid-1930s. She was sued for support by her parents and was later branded an adulterous wife by her ex-husband during a custody fight over her daughter.
Overcoming these stumbling blocks in her private life, Astor went on to even greater success on the screen, eventually winning the Academy Award for Best Supporting Actress for her portrayal of Sandra Kovak in The Great Lie (1941). She was an MGM contract player through most of the 1940s and continued to act in movies, on television and on stage until her retirement from the screen in 1964.
Astor was the author of five novels. Her autobiography became a bestseller, as did her later book, A Life on Film, which was specifically about her career. Director Lindsay Anderson wrote of her in 1990: "...(W)hen two or three who love the cinema are gathered together, the name of Mary Astor always comes up, and everybody agrees that she was an actress of special attraction, whose qualities of depth and reality always seemed to illuminate the parts she played."
Description above from the Wikipedia article Mary Astor, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Charles Kenneth Thomson (January 7, 1899 – January 26, 1967) was an American character actor active during the silent and early sound film eras. Born in Pittsburgh, Thomson along with his wife Alden Gay were founding members of the Screen Actors Guild. The group was founded after meetings held at the Thomsons' home during 1933. During his brief twelve-year career in front of the camera, he appeared in over 60 films. After appearing in several Broadway plays during the early and mid-1920s, Thomson would make his film debut with a starring role in 1926's Risky Business. Over the next four years, he would appear in over a dozen films, in either starring or featured roles. In 1930 alone he would appear in ten films, half of which were in starring roles, such as Lawful Larceny, which also starred Bebe Daniels and Lowell Sherman (who also directed), and Reno, whose other stars were Ruth Roland and Montagu Love; the other half would see him in featured roles as in A Notorious Affair, starring Billie Dove, Basil Rathbone, and Kay Francis. During the rest of the 1930s, he would appear in numerous films, mostly in either supporting or featured roles, such as The Little Giant (1933), starring Edward G. Robinson and Mary Astor, and Hop-Along Cassidy (1935), starring William Boyd; although he occasionally would have a starring role, as in opposite Harold Lloyd in 1932's Movie Crazy.
From Wikipedia, the free encyclopedia
Lester Dorr (born Harry Lester Dorr; May 8, 1893 - August 25, 1980) was an American actor who between 1917 and 1975 appeared in well over 500 productions on stage, in feature films and shorts, and in televised plays and weekly series. His extensive filmography attests to his versatility as a supporting actor and reliability as a bit player. Although Dorr's screen roles are at times credited, the great majority of his work is uncredited. Dorr was cast in more than 250 films in just the 1930s alone.
Dorr continued to appear regularly in studio productions throughout the 1940s, but with reduced frequency when compared to the preceding decade; nevertheless, he still added more than 140 Hollywood films to his résumé in that decade. His work on the big screen decreased even further in the 1950s as acting opportunities increased on television. He was, though, cast in at least 45 feature films and shorts during the 1950s. By the late 1940s and early 1950s, programming in the rapidly expanding medium of television attracted the talents of many experienced personnel in the film industry, including Dorr.
As with his film career, Dorr’s 15 years of being cast in television series consisted predominantly of brief appearances on screen and portraying characters who had relatively few lines. Yet, his characterizations on television, like in films, were highly diverse and can be seen in at least 84 episodes of Westerns, crime and detective series, courtroom and hospital dramas, adventure programs, and sitcoms of the period.
From Wikipedia, the free encyclopedia
Wild Bill Elliott (October 16, 1904 – November 26, 1965) was an American film actor. He specialized in playing the rugged heroes of B Westerns, particularly the Red Ryder series of films. By 1925, he was getting occasional extra work in films. He took classes at the Pasadena Playhouse and appeared in a few stage roles there. By 1927, he had made his first Western, The Arizona Wildcat, playing his first featured role. Several co-starring roles followed, and he renamed himself Gordon Elliott. But as the studios made the transition to sound films, he slipped back into roles as an extra and bit parts, as in Broadway Scandals, in 1929. For the next eight years, he appeared in over a hundred films for various studios, but almost always in unbilled parts as an extra.
Elliott began to be noticed in some minor B Westerns, enough so that Columbia Pictures offered him the title role in a serial, The Great Adventures of Wild Bill Hickok (1938). The serial was so successful, and Elliott so personable, that Columbia promoted him to starring in his own series of Western features, replacing Columbia's number-two cowboy star Robert "Tex" Allen. Henceforth Gordon Elliott would be known as Bill Elliott. Within two years, he was among the Motion Picture Herald's Top Ten Western Stars, where he would remain for the next 15 years.
In 1943, Elliott signed with Republic Pictures, which cast him in a series of Westerns alongside George "Gabby" Hayes. The first of these, Calling Wild Bill Elliott, gave Elliott the name by which he would be best known and by which he would be billed almost exclusively for the rest of his career.
Following several films in which both actor and character shared the name Wild Bill Elliott, he took the role for which he would be best remembered, that of Red Ryder in a series of sixteen movies about the famous comic strip cowboy and his young Indian companion, Little Beaver (played in Elliott's films by Bobby Blake). Elliott played the role for only two years but would forever be associated with it. Elliott's trademark was a pair of six guns worn butt-forward in their holsters.
Elliott's career thrived during and after the Red Ryder films, and he continued making B Westerns into the early 1950s. He also had his own radio show during the late 1940s. His final contract as a Western star was with Monogram Pictures, where budgets declined as the B Western lost its audience to television. When Monogram became Allied Artists Pictures Corporation in 1953, it phased out its Western productions, and Elliott finished out his contract playing a homicide detective in a series of five modern police dramas, his first non-Westerns since 1938.
Elliott retired from films (except for a couple of TV Western pilots which were not picked up). He worked for a time as a spokesman for Viceroy cigarettes and hosted a local TV program in Las Vegas, Nevada, which featured many of his Western films.
From Wikipedia, the free encyclopedia
Sidney Bracey (18 December 1877 – 5 August 1942) was an Australian-born American actor. After a stage career in Australia, on Broadway and in Britain, he appeared in 321 films between 1909 and 1942.
Bracey was born in Melbourne, Victoria, with the name Sidney Bracy, later changing the spelling of his last name. He was the son of Welsh tenor Henry Bracy and English actress Clara T. Bracy. His aunt was actress and dancer Lydia Thompson.
He began his stage career in Australia in the 1890s, with J. C. Williamson's comic opera companies. On Broadway, in 1900, he appeared as the tenor lead, Yussuf, in the first American production of The Rose of Persia at Daly's Theatre in New York. He then moved to England, appearing as Moreno in the Edwardian musical comedy hit The Toreador at the Gaiety Theatre, London in June 1901. He next joined the D'Oyly Carte Opera Company on tour in Britain, playing Terence O'Brian in The Emerald Isle from September 1901 to May 1902. He then left the D'Oyly Carte, continuing his stage career in Britain. He appeared in Amorelle at London's Comedy Theatre in 1904, The Winter's Tale in 1904–05, and A Persian Princess at Queen's Theatre in 1909.
Back on Broadway, in 1912, he played as Sir Guy of Gisborne in a revival of Reginald de Koven's Robin Hood at the New Amsterdam Theatre, followed by Rob Roy at the Liberty Theatre in 1913. He then moved into film acting, making first silent films and then "talkies", until his death in 1942. Early in his film career, he wrote and directed a silent movie called Sid Nee's Finish, (Thanhouser Company (1914), in which he played the title character. In 1916, he changed the spelling of his last name to "Bracey". Silent film authority Diane MacIntyre gave this description of him: "Bracey, a stately looking character man, was in big demand for authority like roles; such as movie directors, bosses and, most of the time, the most respectable and poised butler in all of Hollywood. He was thin, dark haired and had an earnest, yet sober, face that could break into a look of wide-eyed exasperation."
Bracy died in Hollywood, California on 5 August 1942, aged 64.
