This turn-of-the-century tragedy chronicles the sorrowful travails of a woman who endures a series of devastating losses.
06-08-1933
1h 25m
THIS
HELLA
Doesn't have an image right now... sorry!has no image... sorry!
Main Cast
Movie Details
Production Info
Director:
Marion Gering
Writers:
S.K. Lauren, Josephine Lovett, Joseph Moncure March, Frank Partos
Production:
Paramount Pictures, B.P. Schulberg Productions
Key Crew
Producer:
B.P. Schulberg
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Sylvia Sidney
Sylvia Sidney (born Sophia Kosow, August 8, 1910 – July 1, 1999) was an American stage, screen and film actress whose career spanned over 70 years. She rose to prominence in dozens of leading roles in the 1930s. She later gained attention for her role as Juno, a case worker in the afterlife, in Tim Burton's film Beetlejuice, for which she won a Saturn Award as Best Supporting Actress. She also was nominated for the Academy Award for Best Supporting Actress for her performance in Summer Wishes, Winter Dreams (1973).
Mary Astor (May 3, 1906 - September 25, 1987) was an American actress. Most remembered for her role as Brigid O'Shaughnessy in The Maltese Falcon (1941) with Humphrey Bogart, Astor began her long motion picture career as a teenager in the silent movies of the early 1920s. She eventually made a successful transition to talkies, but almost saw her career destroyed due to public scandal in the mid-1930s. She was sued for support by her parents and was later branded an adulterous wife by her ex-husband during a custody fight over her daughter.
Overcoming these stumbling blocks in her private life, Astor went on to even greater success on the screen, eventually winning the Academy Award for Best Supporting Actress for her portrayal of Sandra Kovak in The Great Lie (1941). She was an MGM contract player through most of the 1940s and continued to act in movies, on television and on stage until her retirement from the screen in 1964.
Astor was the author of five novels. Her autobiography became a bestseller, as did her later book, A Life on Film, which was specifically about her career. Director Lindsay Anderson wrote of her in 1990: "...(W)hen two or three who love the cinema are gathered together, the name of Mary Astor always comes up, and everybody agrees that she was an actress of special attraction, whose qualities of depth and reality always seemed to illuminate the parts she played."
Description above from the Wikipedia article Mary Astor, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Edward Arnold was born as Gunther Edward Arnold Schneider in 1890, on the Lower East Side of New York City, the son of German immigrants, Elizabeth (Ohse) and Carl Schneider. Arnold began his acting career on the New York stage and became a film actor in 1916. A burly man with a commanding style and superb baritone voice, he was a popular screen personality for decades, and was the star of such film classics as Diamond Jim (1935) (a role he reprised in Le roman de Lillian Russell (1940)) Arnold appeared in over 150 films and was President of The Screen Actors Guild shortly before his death in 1956.
Henry Byron Warner was the definitive cinematic Jesus Christ in Cecil B. DeMille's The King of Kings (1927). He was born into a prominent theatrical family on October 26, 1875 in London. His father was Charles Warner, and his grandfather was James Warner, both prominent English actors. He replaced J.B. Warner as Jesus in The King of Kings (1927) when J.B. died of tuberculosis at age 29. (J.B. was not Henry's brother. J.B. had taken the professional last name "Warner" because Henry's family took him in.)
Henry Warner's family wanted him to become a doctor, and he graduated from London University but eventually gave up his medical studies. The theater was in his blood, and he studied acting in Paris and Italy before joining his father's stock company, making his debut in the English production of "Drink." It was from his father that he honed his craft.
Warner made it to America in the early 1900s, after touring the British Empire. Billed as Harry Warner, he made his Broadway debut in the American colonial drama "Audrey" at Hoyt's Theatre on November 24, 1902, starring James O'Neill, the father of playwright Eugene O'Neill. He was billed as H.B. Warner in his next appearance on Broadway, in the 1906 comedy "Nurse Marjorie." He appeared in 13 more Broadway productions in his career, from the twin-bill of "Susan in Search of a Husband" & "A Tenement Tragedy" (also 1906) to "Silence" in 1925.
He moved into motion pictures, making his debut in the Mutual short Harp of Tara (1914). Also in 1914, he appeared in a film written by Cecil B. DeMille for Famous Players Lasky, The Ghost Breaker (1914), in which he had played on Broadway the year before. Warner became a leading man and a star in silent pictures, reaching the zenith of his career playing Jesus in DeMille's The King of Kings (1927). His excellent performance was actually enhanced by the silent screen, allowing the audience to imagine how Jesus would sound. Warner could be extremely moving in silent pictures, notably in the melodrama Sorrell and Son (1927) as a war veteran father who sacrifices all for his son.
When talkies arrived, he became a busy supporting player. A favorite of Frank Capra , appeared in Mr. Deeds Goes to Town (1936). Cast again by Capra, he was nominated for Best Supporting Actor in Lost Horizon (1937). He also appeared in You Can't Take It with You (1938), and Mr. Smith Goes to Washington (1939). Other major talkies included The Devil and Daniel Webster (1941) and Topper Returns (1941). Other than Jesus, the role he is best remembered role for today is in It's a Wonderful Life (1946), in which he played Mr. Gower, the druggist who is saved from committing a lethal medication error by the young George Bailey (the James Stewart character as a child). H.B. Warner appeared in Sunset Blvd. (1950) as himself. His last credited role was as Amminadab in DeMille's The Ten Commandments (1956), a remake of the earlier silent The Ten Commandments (1923). He last role was an uncredited bit part in Darby's Rangers (1958).
From Wikipedia, the free encyclopedia
Jane Darwell (October 15, 1879 – August 13, 1967) was an American film and stage actress. With appearances in over 100 major motion pictures, Darwell is perhaps best-remembered for her portrayal of the matriarch and leader of the Joad family in the film adaptation of The Grapes of Wrath, for which she received the Academy Award for Best Supporting Actress, and her role as the Bird Woman in Mary Poppins.
Description above from the Wikipedia article Jane Darwell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Frank Reicher (December 2, 1875 – January 19, 1965) was a German-born American stage and film actor, director and producer. He is best known for playing Captain Englehorn in the 1933 film King Kong.
Reicher made his Broadway debut the year he came to America playing Lord Tarquin in Harrison Fiske's production of Becky Sharp, a comedy by Langdon Mitchell based on William Makepeace Thackeray’s Vanity Fair. His early career was spent in legitimate theater on and off Broadway. He was head of the Brooklyn Stock Company when Jacob P. Adler performed The Merchant of Venice in Yiddish while the rest of the cast remained in English. Reicher was for a number of years affiliated with the Little Theatre on West Forty-Fourth Street as an actor and manager and would remain active on Broadway as actor, director or producer well into the 1920s. On stage, Reicher starred in such plays as the first Broadway production of Georg Kaiser's From Morning to Midnight (as the cashier), and the original production of Percy MacKaye's The Scarecrow (in the title role).
Frank Reicher is probably more familiar to modern audiences as a supporting character actor in films. He began his cinema career with an uncredited role in the 1915 film The Case for Becky and would go on to work in over two hundred motion pictures. He is probably best remembered for playing the character of Captain Englehorn in King Kong and The Son of Kong, and for his work in such films as The Secret Life of Walter Mitty (1947) and Kiss Tomorrow Goodbye (1950). His last Hollywood role was in the very first theatrical Superman movie, Superman and the Mole Men, in 1951.
Frank Reicher died at a hospital in Inglewood, California, aged 89. He was survived by his sister and a brother. His interment was at Inglewood Park Cemetery.