Ruby falls in love with small-time con man Eddie. During a botched blackmail scheme, Eddie accidentally kills the man they were setting up. Eddie takes off and Ruby is sent to a reformatory for two years.
06-30-1933
1h 27m
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Main Cast
Movie Details
Production Info
Director:
Sam Wood
Production:
Metro-Goldwyn-Mayer
Budget:
$260,000
Key Crew
Story:
Anita Loos
Screenplay:
Anita Loos
Costume Design:
Adrian
Sound Director:
Douglas Shearer
Screenplay:
Howard Emmett Rogers
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Jean Harlow
Jean Harlow (born Harlean Harlow Carpenter; March 3, 1911 – June 7, 1937) was an American actress. Known for her portrayal of "bad girl" characters, she was the leading sex symbol of the early 1930s and one of the defining figures of the pre-Code era of American cinema. Often nicknamed the "Blonde Bombshell" and the "Platinum Blonde", Harlow was popular for her "Laughing Vamp" screen persona. Though her screen persona changed dramatically during her career, one constant was her sense of humor. She was given superior movie roles to show off her looks and nascent comedic talent. Harlow was in the film industry for only nine years, but she became one of the biggest stars in the US, whose image in the public eye has endured. Harlow was consistently voted one of the strongest box office draws in the United States from 1933 onward, often surpassing that of MGM's top leading ladies, such as Greta Garbo, Joan Crawford and Norma Shearer. Her movies also continued to make huge profits at the box office even during the middle of the Depression. In 1999, the American Film Institute ranked Harlow No. 22 on its greatest female screen legends of classical Hollywood cinema list.
William Clark Gable (February 1, 1901 – November 16, 1960) was an American film actor. In 1999, the American Film Institute named Gable seventh among the greatest male stars of all time.
Gable's most famous role was Rhett Butler in the 1939 Civil War epic film Gone with the Wind, in which he starred with Vivien Leigh. His performance earned him his third nomination for the Academy Award for Best Actor; he won for It Happened One Night (1934) and was also nominated for Mutiny on the Bounty (1935). Later performances were in Run Silent, Run Deep, a submarine war film, and his final film, The Misfits (1961), which paired Gable with Marilyn Monroe, also in her last screen appearance.
During his long film career, Gable appeared opposite some of the most popular actresses of the time. Joan Crawford, who was his favorite actress to work with, was partnered with Gable in eight films, Myrna Loy was with him seven times, and he was paired with Jean Harlow in six productions. He also starred with Lana Turner in four features, and with Norma Shearer in three. Gable was often named the top male star in the mid-30s, and was second only to the top box-office draw of all, Shirley Temple.
Description above from the Wikipedia article Clark Gable, licensed under CC-BY-SA, full list of contributors on Wikipedia
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Stuart Erwin (14 February 1903, Squaw Valley, California — 21 December 1967, Beverly Hills, California) was an American actor. Erwin began acting in college in the 1920s, first appearing on the stage, then breaking into films in 1928 in Mother Knows Best. He was cast as amiable oafs in several films such as The Sophomore, The Big Broadcast, Hollywood Cavalcade, Our Town, International House and Viva Villa!. In 1934 he was cast as Joe Palooka in the film Palooka, and in 1935 he had a supporting role in After Office Hours (starring Clark Gable). He co-starred in the Paramount Pictures all-star revue Paramount on Parade (1930).
In 1936, he was cast in Pigskin Parade, for which he was nominated for the Academy Award for Best Supporting Actor.
In Walt Disney's Bambi, he did the voice of a tree squirrel.
In 1950, Erwin made the transition to television, where he starred in Trouble with Father, which was eventually retitled The Stu Erwin Show. He co-starred with his wife, actress June Collyer. He later appeared in the Disney films Son of Flubber and The Misadventures of Merlin Jones. He also appeared with Jack Palance in the ABC series The Greatest Show on Earth during the 1963-1964 television season.
Erwin has a star on the Hollywood Walk of Fame at 6240 Hollywood Blvd. He is buried in Chapel of the Pines Crematory.
Description above from the Wikipedia article Stuart Erwin, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Inez Courtney (March 12, 1908 – April 5, 1975) was an American actress on the Broadway stage and in films.
Born in New York City, New York, she came from a large Irish-American family. Her father died when she was fifteen so she decided to go onto the stage. A year later she was doing a specialty dance which earned her the nicknames of St Vitis, Mosquito and Lightning.
Courtney's first role as a singer and dancer came in the musical The Wild Rose in 1926. She became well-known among New York theatrical audiences for her work in Good News (1927), a musical comedy about college life. Her other credits include Spring Is Here in 1929 and America's Sweetheart in 1931. In the early 1930s, Miss Courtney left Broadway and went to Hollywood.
Courtney acted in 58 films between 1930 and 1940. She secured her first movie work by asking Harry Cohn of Columbia Pictures for his assistance. The red-headed comedian made her screen debut as Cousin Betty in Loose Ankles (1930). The film co-starred Douglas Fairbanks, Jr. and Loretta Young. Her many movie credits include The Raven (1935), Suzy (1936), The Shop Around the Corner (1940), and Turnabout (1940), her last film.
Courtney was married to an Italian nobleman, whereby she acquired the title Marchesa, but did not use it. She died at the Jersey Shore Medical Center in Neptune, New Jersey in 1975 of undisclosed causes at the age of 67.
Blanche Friderici was a noted American stage and screen actress, her film career beginning in 1920. She is probably best remembered for her roles in Night Nurse (1931), A Farewell to Arms (1932), and Flying Down to Rio (1933). Although today typically indicated to have been born on 21 January 1878, Friderici's actual birth date was 12 September 1873, per multiple reliable records (including her Brooklyn, New York birth record) from throughout her lifetime.
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Louise Beavers (March 8, 1902 – October 26, 1962) was an American film and television actress. Beavers appeared in dozens of films and two hit television shows from the 1920s until 1960, most often cast in the role of a maid, servant, or slave. She was a native of Cincinnati, Ohio, and a member of Sigma Gamma Rho sorority, one of the four African-American sororities.
Beavers was a breakthrough actress for black women and became known as a symbol of a "mammy" on the screen. A mammy archetype "is the portrayal within a narrative framework or other imagery of a black domestic servant, generally good-natured, often overweight, and loud".
Louise Beavers started her career in the 1920s. At the time, black people in films were limited to acting in only very few roles, usually as slaves or domestic help. She played the "mammy" in many of the movies she acted in. She started to gain more attention in the acting world after she played the role of Julia in Coquette, which starred Mary Pickford. In this film she played the black maid and mother figure to a young white woman.
She once received a review which stated: "Personally, Miss Beavers is just splendid, just as fine as she appears on screen, but she also has a charm all her own, which needs no screen role for recognition. She has a very pleasing personality, one that draws people to her instantly and makes them feel that they are meeting a friend instead of a Hollywood Star."
Beavers had an attractive personality, and often played roles in which she helps a white protagonist mature in the course of the movie.
In 1934, Beavers played Delilah in Imitation of Life in a dramatic role. Her character again plays a black maid, but instead of the usual stereotypical comedic or purely functional role, Delilah's story line is a secondary parallel plot. The public reacted positively to Beavers' performance. It was not only a breakthrough for Beavers, but was also "the first time in American cinema history that a black woman's problems were given major emotional weight in a major Hollywood motion picture". Some in the media recognized the unfairness of Hollywood's double standard regarding race. For example, California Graphic Magazine wrote, "the Academy could not recognize Miss Beavers. She is black!"
As Beavers' career grew, some criticized her for the roles she accepted, alleging that such roles institutionalized the view that blacks were subservient to whites. Beavers dismissed the criticism. She acknowledged the limited opportunities available, but said: "I am only playing the parts. I don't live them." As she became more famous, Beavers began to speak against Hollywood's portrayal and treatment of black Americans, both during production and after promoting the films. Beavers became active in public life, seeking to help support African Americans.
In later life, Beavers was plagued by health issues, including diabetes. She died on October 26, 1962, at the age of 60, following a heart attack.
Beavers was inducted into the Black Filmmakers Hall of Fame in 1976.
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Henry Brazeale Walthall (March 16, 1878 – June 17, 1936) was an American stage and film actor. He appeared as the Little Colonel in D. W. Griffith's The Birth of a Nation (1915). In New York in 1901, Walthall won a role in Under Southern Skies by Charlotte Blair Parker. He performed in the play for three years, in New York and on tour. With the company of Henry Miller he gained recognition on Broadway in plays including Pippa Passes, The Only Way and William Vaughn Moody's The Great Divide (1906–08). His fellow cast member James Kirkwood introduced Walthall to D. W. Griffith, and at the conclusion of that engagement, Walthall joined the Biograph Company.
His career in movies began in 1909 at Biograph Studios in New York with a leading role in the film A Convict's Sacrifice. This film also featured James Kirkwood, and was directed by D. W. Griffith, a director that played a huge part in Walthall's rise to stardom. As the industry grew in size and popularity, Griffith emerged as a director and Walthall found himself a mainstay of the Griffith company, frequently working alongside such Griffith regulars as Owen Moore, Kate Bruce, Lillian and Dorothy Gish, Mae Marsh, Bobby Harron and Jack and Mary Pickford. He followed Griffith's departure from New York's Biograph to California's Reliance-Majestic Studios in 1913. After a few months with Reliance, he joined Pathé for a short period.
He decided to go into the producing business and formed The Union Feature Film Company, the first to be devoted entirely to full-length films. The venture was not successful, however, and he again became associated with Griffith's company.
Given the relatively short length of films in the early years, Walthall frequently found himself cast in dozens of films each year. He gained national attention in 1915 for his role as Colonel Ben Cameron in Griffith's highly influential and controversial epic, The Birth of a Nation. Walthall's portrayal of a Confederate veteran rounding up the Ku Klux Klan won him large-scale fame, and Walthall was soon able to emerge as a leading actor in the years leading up to the 1920s, parting ways with Griffith.
Walthall continued working in films through the 1920s, appearing in The Plastic Age with Gilbert Roland and Clara Bow. He portrayed Roger Chillingworth in Victor Seastrom's 1926 adaptation of The Scarlet Letter opposite Lillian Gish.
Walthall continued his career into the 1930s. After his performance in director John Ford's 1934 film Judge Priest starring Will Rogers he enjoyed a golden period of his career. He portrayed Dr. Manette in A Tale of Two Cities (1935), starring Ronald Colman. In 1936 he appeared as Marcel in The Devil-Doll. He was gravely ill during his final film, China Clipper.
Frank Capra wanted Walthall to portray the High Lama in his 1937 film, Lost Horizon. "Frail and failing, he died before we could test him," Capra wrote.
Walthall has a star on the Hollywood Walk of Fame located at 6201 Hollywood Boulevard.
Theresa Harris (December 31, 1906 [some sources indicate 1909] – October 8, 1985) was an American film and television actress, singer and dancer.
In 1929 Harris traveled to Hollywood, where she embarked on an acting career. She made her film debut in Thunderbolt, singing the song "Daddy Won't You Please Come Home". As she entered the 1930s she found herself playing maids to fictitious Southern belles, socialites and female molls. These parts were sometimes uncredited. She also floated around studios doing bit parts, usually at Warner Bros. or MGM. Aside from maids, she specialized in playing blues singers, waitresses, tribal women, prostitutes, and hatcheck girls.
Harris had a featured role as a friend of Jean Harlow in MGM's Hold Your Man (1932). In 1933 she appeared as Chico in the Warner Bros. pre-Code production of Baby Face, starring Barbara Stanwyck. That same year Harris starred in a substantial role opposite Ginger Rogers in Professional Sweetheart. As Rogers' character's maid, Harris' character subs for Rogers' character as a singer on the radio. Despite the fact that Harris' character was a major point for the story's plot development, she was uncredited for the role.
Throughout the 1930s, Harris played many uncredited parts in films such as Horse Feathers (1932), Gold Diggers of 1933 (1933), Mary Stevens, M.D. (1933) and Morning Glory (1933). She also played Bette Davis's maid Zette in the film Jezebel (1938). In 1937 she appeared in the race film Bargain With Bullets opposite Ralph Cooper for Million Dollar Productions. While doing promotion for the film, Harris spoke about her frustration over the difficulty African American actors faced in the film industry, stating, "I never had the chance to rise about the role of maid in Hollywood movies. My color was against me anyway you looked at it. The fact that I was not "hot" stamped me either as uppity or relegated me to the eternal role of stooge or servant....My ambition is to be an actress. Hollywood had no parts for me."
Harris continued to lobby for better parts but found few opportunities within Hollywood. In the 1939 movie Tell No Tales she was credited for her part as Ruby, the wife of a murdered man. Harris played an emotional scene with Melvin Douglas at the funeral. She appears in a small but vivid role as Kathie Moffat's ex-maid Eunice Leonard in Jacques Tourneur 1947 Out of the Past.
In addition to films, Harris performed in many radio programs. She was often paired with Eddie Rochester Anderson, who portrayed her on-screen boyfriend. She also appeared in several prominent roles for RKO Pictures as she was a favorite of RKO producer Val Lewton who routinely cast African American actors in non-stereotypical roles. In 1942 Lewton cast Harris as a sarcastic waitress in Cat People, followed by roles in I Walked with a Zombie (1943), Phantom Lady (1944), and Strange Illusion (1945).
During the 1950s Harris appeared several times on television shows. She made her last film appearance in an uncredited role in The Gift of Love in 1958.
Harris later married a doctor and retired from acting, living comfortably after having carefully invested the money she made during her career in the movies.
On October 8, 1985, Harris (then known as Theresa Robinson) died in Inglewood, California.
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