The various residents and occupants of a resort hotel await the outcome of a horse race at a nearby track, as it will affect each of their lives in different ways.
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From Wikipedia, the free encyclopedia Carole Lombard (born Jane Alice Peters, October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. She was the third wife of actor Clark Gable. Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures. Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks' pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, at the end of the decade, Lombard began to move towards more serious roles. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role. Lombard's career was cut short when she died at the age of 33 in an airplane crash on Mount Potosi, Nevada while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema.
Jack Oakie (November 12, 1903 – January 23, 1978) was an American actor, starring mostly in films, but also working on stage, radio and television.
From Wikipedia, the free encyclopedia Adrienne Ames (August 3, 1907 – May 31, 1947) was an American film actress. Born Adrienne Ruth McClure in Fort Worth, Texas, Ames began her film career in 1927 as a stand-in for Pola Negri. Ames was soon cast in small film roles in silent films. With the advent of talking pictures, Ames' popularity grew and she was usually cast as society women, or in musicals. She made thirty films during the 1930s with her biggest success in George White's Scandals (1934), a film which was also notable as the debut of Alice Faye. Ames also appeared with the three leading men from the 1931 version of Dracula (Bela Lugosi, David Manners, and Edward Van Sloan) in The Death Kiss (1932). By the end of the decade Ames' popularity had diminished and, discouraged, she left Hollywood for New York. In 1941 she became a radio personality, headlining a talk show on station WHN in New York City. Her program was successful, and was scheduled regularly until just before her death in 1947. Ames was married three times, including to actor Bruce Cabot from 1933 until 1937. Ames died of cancer on May 31, 1947 in New York City. She is interred in the Oakwood Cemetery in her hometown of Fort Worth, Texas. For her contributions to the motion picture industry, Adrienne Ames has a star on the Hollywood Walk of Fame at 1612 Vine Street. Description above from the Wikipedia article Adrienne Ames, licensed under CC-BY-SA, full list of contributors on Wikipedia.
David Joseph Manners (born Rauff de Ryther Duan Acklom, April 30, 1900 – December 23, 1998) was a Canadian-American actor who played John Harker in Todd Browning's 1931 horror classic Dracula. The following year he portrayed the archaeologist Frank Whemple in another pre-Code thriller by Universal Pictures, The Mummy. Manners abandoned his film career in 1936, and his theatrical career seventeen years later.
Sidney Alderman Blackmer (13 July 1895 – 6 October 1973) was an American actor. Blackmer was born and raised in Salisbury, North Carolina. He started off in an insurance and financial business but gave up on it. While working as a builder's laborer on a new building, he saw a Pearl White serial being filmed and immediately decided to go into acting. Blackmer went to New York hoping to act on the stage. While in the city, he took jobs and extra work at various film studios at the then motion picture capital, Fort Lee, New Jersey, including a bit part in the highly popular serial, The Perils of Pauline (1914). He made his Broadway debut in 1917, but his career was interrupted by service in the U.S. military in World War I. After the war, he returned to the theatre and in 1929 returned to motion pictures and went on to be a major character actor in more than 120 films. He won the 1950 Tony Award for Best Actor (Drama) for his role in the Broadway play, Come Back, Little Sheba. In film, Blackmer is remembered for his more than a dozen portrayals of U.S. President Theodore Roosevelt and for his role in the Academy Award-winning 1968 Roman Polanski film about urban New York witches, Rosemary's Baby, in which he played an over-solicitous neighbor. A humanitarian, Blackmer served as the national vice president of the United States Muscular Dystrophy Association. In 1972, he was honored with the North Carolina Award in the Fine Arts category. It is the state of North Carolina's highest civilian award. On his passing in 1973, Blackmer was interred in the Chestnut Hill Cemetery in his hometown of Salisbury, North Carolina. Description above from the Wikipedia article Sidney Blackmer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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From Wikipedia, the free encyclopedia Cecil Cunningham (August 2, 1888 – April 17, 1959) was an American film and stage actress. With whitish hair cut like a man's, she was a Hollywood character actress, often cast in roles as a general "know-it-all". She made more than 80 appearances in movies between 1929 and 1946, many of them uncredited. Cunningham started her working life as a switchboard operator in a commerce bank and did some sittings as a photographer's model. Her first show business job was in the chorus line of 'Mademoiselle Modiste' at the age of eighteen. Cunningham trained as a singer and appeared in opera. She worked as a vaudeville comedian at the Palace Theatre in New York City until the commencement of her movie career in 1929.
From Wikipedia, the free encyclopedia Clarence Muse (October 14, 1889 – October 13, 1979) was an American actor, screenwriter, director, composer, and lawyer. He was inducted in the Black Filmmakers Hall of Fame in 1973. Muse was the first Negro to "star" in a film. He acted for more than sixty years appearing in more than 150 movies. Born in Baltimore, Maryland, the son of Alexander and Mary Muse, he studied at Dickinson College, Carlisle, Pennsylvania, and received an international law degree in 1911. He was acting in New York by the 1920s, during the Harlem Renaissance with two Harlem theatres, Lincoln Players and Lafayette Players. Muse moved to Chicago for a while, and then moved to Hollywood and performed in Hearts in Dixie (1929), the first all-black movie. For the next fifty years, he worked regularly in minor and major roles. While with the Lafayette Players, Muse worked under the management of producer Robert Levy on productions that helped black actors to gain prominence and respect. In regards to the Lafayette Theatre's staging of Dr. Jekyll and Mr. Hyde, Muse said the play was relevant to black actors and audiences "because, in a way, it was every black man's story. Black men too have been split creatures inhabiting one body.". Muse appeared as an opera singer, minstrel show performer, vaudeville and Broadway actor; he also wrote songs, plays, and sketches. In 1943, he became the first African American Broadway director with Run Little Chillun. Muse was also the co-writer of several notable songs. In 1931, with Leon René and Otis René, Muse wrote "When It's Sleepy Time Down South", also known as "Sleepy Time Down South". The song was sung by Nina Mae McKinney in the movie Safe in Hell (1931), and later became a signature song of Louis Armstrong. He was the major star in Broken Earth (1936), which related the story of a black sharecropper whose son miraculously recovers from fever through the father's fervent prayer. Shot on a farm in the South with nonprofessional actors (except for Muse), the film's early scenes focused in a highly realistic manner on the incredible hardship of black farmers, with plowing scenes. In 1938, Muse co-starred with boxer Joe Louis in Spirit of Youth, the fictional story of a champion boxer which featured an all black cast. Muse and Langston Hughes wrote the script for Way Down South (1939). Muse performed in Broken Strings (1940), as a concert violinist who opposes the desire of his son to play "swing". From 1955-56, Muse was a regular on the weekly TV version of Casablanca, playing Sam the pianist (a part he was under consideration for in the original Warner Brothers film), and in 1959, he played Peter, the Honey Man, in Porgy and Bess. He appeared on Disney's TV miniseries The Swamp Fox. Other film credits include Buck and the Preacher (1972), The World's Greatest Athlete (1973) and as Gazenga's Assistant, "Snapper" in Car Wash (1976). His last acting role was in The Black Stallion (1979).
From Wikipedia, the free encyclopedia Nydia Eileen Westman (February 19, 1902 – May 23, 1970) was an American actress and singer of stage, screen and television. Westman's parents, Theodore and Lily (Wren) Westman were active in vaudeville in her native New York City. In addition to their working together on stage, her mother was a writer and her father was a composer. She attended the Professional Children's School. Her sisters, Lolita and Neville were actresses, and her brother, Theodore (d. November 20, 1927), was an actor and playwright. Westman's career ranged from episodic appearances on TV series such as That Girl and Dragnet and uncredited bit roles in movies to appearances in groundbreaking films (such as Craig's Wife, which starred Rosalind Russell, and the first film version of Little Women. Westman's screen debut came in Strange Justice (1922). She appeared in 31 films in the 1930s. She appeared as the housekeeper Mrs. Featherstone in the 1962–1963 ABC series, Going My Way, which starred Gene Kelly and Leo G. Carroll as Roman Catholic priests in New York City. Westman's first Broadway play was Pigs (1924); her last was Midgie Purvis (1961). She broke ground on stage, debuting the role of Nell off-Broadway in Samuel Beckett's Endgame, for which she won one of the first Obie awards. Westman was married to Robert Sparks, a producer, from 1930 until 1937; they had a daughter, actress Kate Williamson, born on September 19, 1931. Westman died of cancer at the age of sixty-eight in Burbank, California.
Eddie "Rochester" Anderson (September 18, 1905 – February 28, 1977) was an American comic actor who became famous playing Rochester, the valet to Jack Benny's eponymous title character on the long-running radio and television series The Jack Benny Program.
Dennis O'Keefe (March 29, 1908 – August 31, 1968) was an American actor. He was the son of Irish vaudevillians working in the United States. As a small child he joined his parents' act and later wrote skits for the stage. O'Keefe started in films as an extra in the early 1930s. After a small but impressive role in Saratoga, Clark Gable recommended O'Keefe to Metro-Goldwyn-Mayer, which signed him to a contract in 1937. His film roles were bigger after that, starting with The Bad Man of Brimstone and Burn 'Em Up O'Connor. O'Keefe left MGM around 1940 but continued to work in mostly lower budget productions. In the 1950s he did some directing, wrote mystery stories and by the mid-1950s found work on television shows such as Justice, The Martha Raye Show, The Ford Show as well as his own series The Dennis O'Keefe Show.
