Jenny is carrying the child of a young man who dies in the San Francisco earthquake (1906). After giving birth, she decides to place her child in the custody of a wealthy married couple. Years later, thanks to the protection of a corrupt politician, she becomes the main "madame" of San Francisco, in addition to participating in various illegal activities.
01-14-1933
1h 13m
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Main Cast
Movie Details
Production Info
Director:
William A. Wellman
Production:
First National Pictures
Key Crew
Screenplay:
Robert Lord
Costume Design:
Orry-Kelly
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Ruth Chatterton
Ruth Chatterton (December 24, 1892 – November 24, 1961) was an American stage, film, and television actress. She was at her most popular in the early to mid-1930s, and in the same era gained prominence as an aviator, one of the few female pilots in the United States at the time. In the late 1930s, Chatterton retired from film acting but continued her career on the stage. She had several TV roles beginning in the late 1940s and became a successful novelist in the 1950s.
Carl Henry Vogt (February 19, 1895 – May 12, 1956), known professionally as Louis Calhern, was an American stage and screen actor. For portraying Oliver Wendell Holmes in the film The Magnificent Yankee (1950), he was nominated for an Academy Award for Best Actor. Calhern began working in silent films for director Lois Weber in the early 1920s; the most notable being The Blot in 1921. A 1921 newspaper article commented, "The new arrival in stardom is Louis Calhern, who, until Miss Weber engaged him to enact the leading male role in What's Worth While?, had been playing leads in the Morosco Stock company of Los Angeles."
In 1923 Calhern left the movies, but would return to the screen eight years later after the advent of sound pictures. He was primarily cast as a character actor in films while he continued to play leading roles on the stage. He reached his peak in the 1950s as a Metro-Goldwyn-Mayer contract player. Among his many memorable screen roles were Ambassador Trentino in the Marx Brothers classic Duck Soup (1933) and three that he appeared in at MGM in 1950: a singing role as Buffalo Bill in the film version of the musical Annie Get Your Gun, the double-crossing lawyer and sugar-daddy to Marilyn Monroe in John Huston's film noir The Asphalt Jungle, and his Oscar-nominated performance as Oliver Wendell Holmes in The Magnificent Yankee (re-creating his role from the Broadway stage). He was also praised for his portrayal of the title role in the John Houseman production of Julius Caesar (adapted from the Shakespeare play) in 1953, directed by Joseph L. Mankiewicz. Calhern also played the role of the devious George Caswell, the manipulative board member of Tredway Corporation in the 1954 production of Executive Suite.
Calhern's other film roles included the grandfather in The Red Pony (1949), adapted from the novel by John Steinbeck and starring Robert Mitchum, and the spy boss of Cary Grant in the Alfred Hitchcock suspense classic Notorious (1946). A performance as Uncle Willie in High Society (1956), a musical remake of The Philadelphia Story, turned out to be his final film.
Description above from the Wikipedia article Louis Calhern, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Helen Jerome Eddy (February 25, 1897 – January 27, 1990) was a motion picture actress from New York, New York. She was noted as a character actress who played genteel heroines in films such as Rebecca of Sunnybrook Farm (1917).
Eddy was born on February 25, 1897, and was raised in Los Angeles, California. As a youth, she acted in productions put on by the Pasadena Playhouse. She became interested in films through the studios of Siegmund Lubin, which was based in Philadelphia, Pennsylvania. In her youth they opened a backlot in her Los Angeles neighborhood. Eddy died of heart failure on January 27, 1990, in Alhambra, California, at the age of 92.
Eddy's first movie was The Discontented Man (1915). Soon after, she left Lubin and joined Paramount Pictures. At this time she began to play the roles for which she is best remembered. Other films in which the actress participated include The March Hare (1921), The Dark Angel, Camille, Quality Street, The Divine Lady (1929) and the first Our Gang talkie Small Talk (1929).
She made Girls Demand Excitement in 1931 and her final film, The Secret Life of Walter Mitty, in 1947. Even as a seasoned performer in the late 1920s it was remarked that Eddy looked "astonishingly young in appearance to have been in pictures for so many years".
Often confused with the British-born comic actor J. Pat O'Malley, who is the better remembered, silent dramatic film star Pat O'Malley had an enduring career that stands on its own. He was of solid Irish-American stock, born in Forest City, Pennsylvania, in 1890. A one-time railroad switchman, he also had circus experience by the time he discovered an interest in movie making. He began with the Kalem Studio in 1913 and appeared in a few Irish films before signing on with Thomas Edison's company in 1914. The following year, he married actress Lillian Wilkes, and three of their children, Eileen, Mary Katherine, and Sheila, would become actors as well. His brother Charles O'Malley was a sometime actor, appearing in westerns on occasion. His first identifiable film is The Alien (1913). He began freelancing in 1916 and from then on, appeared in scores of silents as both a rugged and romantic lead, some classic films being The Heart of Humanity (1918), My Wild Irish Rose (1922), and The Virginian (1923). He did not age well come sound pictures, and he was quickly relegated to supporting parts. He appeared in hundreds upon hundreds of bits (mostly unbilled) until 1956, when he retired. He died a decade later.
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Robert Emmett O'Connor (March 18, 1885 – September 4, 1962) was an American film actor. He appeared in 204 films between 1919 and 1950. He is probably best known as the warmhearted bootlegger Paddy Ryan in The Public Enemy (1931) and as Detective Sergeant Henderson pursuing the Marx Brothers in A Night at the Opera (1935). He also appeared as Jonesy (the older Paramount gate guard) in Billy Wilder's 1950 film Sunset Boulevard, as well as made a cameo appearance at the very beginning and very end of the Metro-Goldwyn-Mayer cartoon short Who Killed Who? (1943).
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Willard Robertson (January 1, 1886 – April 5, 1948) was an American actor and writer. He appeared in 147 films between 1924 and 1948. He was born in Runnels, Texas and died in Hollywood, California.
Willard Robertson first worked as a lawyer in Texas, but he left his profession for a sudden interest in acting. He appeared on Broadway in 16 plays between 1907 and 1930. Robertson played supporting roles in many Hollywood films from 1930 until the year he died, typically portraying men of authority such as doctors, elected officials, military officers, and also lawyers. He played Jackie Cooper's stern but loving father in the oscar-winning drama Skippy (1931) and its sequel Sooky (1931). Robertson also portrayed a flamboyant lawyer in Remember the Night (1940) and the straight sheriff in The Ox-Bow Incident (1943).
Willard Robertson was also a notable writer of numerous plays, two of them were adapted into films. He also wrote the novel Moon Tide (1940) which was turned into Archie Mayo's drama thriller Moontide (1942) starring Jean Gabin and Ida Lupino.
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Clarence Muse (October 14, 1889 – October 13, 1979) was an American actor, screenwriter, director, composer, and lawyer. He was inducted in the Black Filmmakers Hall of Fame in 1973. Muse was the first Negro to "star" in a film. He acted for more than sixty years appearing in more than 150 movies.
Born in Baltimore, Maryland, the son of Alexander and Mary Muse, he studied at Dickinson College, Carlisle, Pennsylvania, and received an international law degree in 1911. He was acting in New York by the 1920s, during the Harlem Renaissance with two Harlem theatres, Lincoln Players and Lafayette Players.
Muse moved to Chicago for a while, and then moved to Hollywood and performed in Hearts in Dixie (1929), the first all-black movie. For the next fifty years, he worked regularly in minor and major roles. While with the Lafayette Players, Muse worked under the management of producer Robert Levy on productions that helped black actors to gain prominence and respect. In regards to the Lafayette Theatre's staging of Dr. Jekyll and Mr. Hyde, Muse said the play was relevant to black actors and audiences "because, in a way, it was every black man's story. Black men too have been split creatures inhabiting one body.". Muse appeared as an opera singer, minstrel show performer, vaudeville and Broadway actor; he also wrote songs, plays, and sketches. In 1943, he became the first African American Broadway director with Run Little Chillun.
Muse was also the co-writer of several notable songs. In 1931, with Leon René and Otis René, Muse wrote "When It's Sleepy Time Down South", also known as "Sleepy Time Down South". The song was sung by Nina Mae McKinney in the movie Safe in Hell (1931), and later became a signature song of Louis Armstrong.
He was the major star in Broken Earth (1936), which related the story of a black sharecropper whose son miraculously recovers from fever through the father's fervent prayer. Shot on a farm in the South with nonprofessional actors (except for Muse), the film's early scenes focused in a highly realistic manner on the incredible hardship of black farmers, with plowing scenes. In 1938, Muse co-starred with boxer Joe Louis in Spirit of Youth, the fictional story of a champion boxer which featured an all black cast. Muse and Langston Hughes wrote the script for Way Down South (1939).
Muse performed in Broken Strings (1940), as a concert violinist who opposes the desire of his son to play "swing". From 1955-56, Muse was a regular on the weekly TV version of Casablanca, playing Sam the pianist (a part he was under consideration for in the original Warner Brothers film), and in 1959, he played Peter, the Honey Man, in Porgy and Bess.
He appeared on Disney's TV miniseries The Swamp Fox. Other film credits include Buck and the Preacher (1972), The World's Greatest Athlete (1973) and as Gazenga's Assistant, "Snapper" in Car Wash (1976). His last acting role was in The Black Stallion (1979).