Extra-marital fun and games at a convention of the Honeywell Rubber Company in Atlantic City.
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Rose Joan Blondell (August 30, 1906 – December 25, 1979) was an American actress. After winning a beauty pageant, Blondell embarked upon a film career. Establishing herself as a sexy wisecracking blonde, she was a pre-Code staple of Warner Brothers and appeared in more than 100 movies and television productions. She was most active in films during the 1930s, and during this time she co-starred with Glenda Farrell in nine films, in which the duo portrayed gold-diggers. Blondell continued acting for the rest of her life, often in small character roles or supporting television roles. She was nominated for an Academy Award for Best Supporting Actress for her work in The Blue Veil (1951). Blondell was seen in featured roles in two films, Grease (1978) and the remake of The Champ (1979), released shortly before her death from leukemia. Description above from the Wikipedia article Joan Blondell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Adolphe Jean Menjou (February 18, 1890 – October 29, 1963) was an American actor. His career spanned both silent films and talkies. He appeared in such films as Charlie Chaplin's A Woman of Paris, where he played the lead role; Stanley Kubrick's Paths of Glory with Kirk Douglas; Ernst Lubitsch's The Marriage Circle; The Sheik with Rudolph Valentino; Morocco with Marlene Dietrich and Gary Cooper; and A Star Is Born with Janet Gaynor and Fredric March, and was nominated for an Academy Award for The Front Page in 1931. [biography (excerpted) from Wikipedia]
Richard Ewing "Dick" Powell (November 14, 1904 – January 2, 1963) was an American singer, actor, producer, director and studio boss. Born in Mountain View, the seat of Stone County in northern Arkansas, Powell attended the former Little Rock College in the state capital, before he started his entertainment career as a singer with the Charlie Davis Orchestra, based in the midwest. He recorded a number of records with Davis and on his own, for the Vocalion label in the late 1920s. Powell moved to Pittsburgh, where he found great local success as the Master of Ceremonies at the Enright Theater and the Stanley Theater. In April 1930, Warner Bros. bought up Brunswick Records which at that time owned Vocalion. Warner Bros. was sufficiently impressed by Powell's singing and stage presence to offer him a film contract in 1932. He made his film debut as a singing bandleader in Blessed Event. He went on to star as a boyish crooner in movie musicals such as 42nd Street, Footlight Parade, Gold Diggers of 1933, Dames, Flirtation Walk, and On the Avenue, often appearing opposite Ruby Keeler and Joan Blondell. Powell desperately wanted to expand his range but Warner Bros. wouldn't allow him to do so, although they did (mis)cast him in A Midsummer Night's Dream (1935) as Lysander. This was to be Powell's only Shakespearean role and one he did not want to play, feeling that he was completely wrong for the part. Finally, reaching his forties and knowing that his young romantic leading man days were behind him he lobbied to play the lead in Double Indemnity. He lost out to Fred MacMurray, another Hollywood nice guy. MacMurray’s success, however, fueled Powell’s resolve to pursue projects with greater range and in 1944, he was cast in the first of a series of films noir, as private detective Philip Marlowe in Murder, My Sweet, directed by Edward Dmytryk. The film was a big hit and Powell had successfully reinvented himself as a dramatic actor. The following year Dmytryk and Powell re-teamed to make Cornered, a gripping, post-WWII thriller that helped define the film noir style. He became a popular "tough guy" lead appearing in movies such as Johnny O'Clock and Cry Danger. But 1948 saw him step out of the brutish type when he starred in Pitfall, a film noir that sees a bored insurance company worker fall for an innocent but dangerous femme fatale, played by Lizabeth Scott. Even when he appeared in lighter fare such as The Reformer and the Redhead and Susan Slept Here (1954) he never sang in his later roles. The latter, his final onscreen appearance in a feature film, did include a dance number with costar Debbie Reynolds. From 1949-1953, Powell played the lead role in the National Broadcasting Company radio theater production Richard Diamond, Private Detective. His character in the 30-minute weekly was a likable private detective with a quick wit. When Richard Diamond came to television in 1957, the lead role was portrayed by David Janssen.
Mary Astor (May 3, 1906 - September 25, 1987) was an American actress. Most remembered for her role as Brigid O'Shaughnessy in The Maltese Falcon (1941) with Humphrey Bogart, Astor began her long motion picture career as a teenager in the silent movies of the early 1920s. She eventually made a successful transition to talkies, but almost saw her career destroyed due to public scandal in the mid-1930s. She was sued for support by her parents and was later branded an adulterous wife by her ex-husband during a custody fight over her daughter. Overcoming these stumbling blocks in her private life, Astor went on to even greater success on the screen, eventually winning the Academy Award for Best Supporting Actress for her portrayal of Sandra Kovak in The Great Lie (1941). She was an MGM contract player through most of the 1940s and continued to act in movies, on television and on stage until her retirement from the screen in 1964. Astor was the author of five novels. Her autobiography became a bestseller, as did her later book, A Life on Film, which was specifically about her career. Director Lindsay Anderson wrote of her in 1990: "...(W)hen two or three who love the cinema are gathered together, the name of Mary Astor always comes up, and everybody agrees that she was an actress of special attraction, whose qualities of depth and reality always seemed to illuminate the parts she played." Description above from the Wikipedia article Mary Astor, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Grant Mitchell (born John Grant Mitchell Jr.) was an American stage and screen actor. He is best remembered for his portrayals of fathers, husbands, bank clerks, businessmen, school principals and similar type characters, usually supporting, in films of the 1930s and 1940s. Mitchell, a Yale post graduate at Harvard Law, gave up his law practice to become an actor, making his stage debut at age 27. He appeared in lead roles on Broadway in such plays as "It Pays to Advertise", "The Champion", "The Whole Town's Talking", and "The Baby Cyclone", the last which was specially written for him by George M. Cohan. His screen career took off with the advent of sound (years earlier he had appeared in at least two silent films). He appeared primarily in B films, though from time to time enjoyed being a part of A-quality productions such as Dinner at Eight (1933), A Midsummer Night's Dream (1935), Mr. Smith Goes to Washington (1939), The Man Who Came to Dinner (1942), and Arsenic and Old Lace (1944). Grant Mitchell retired from show business in 1948. He died, age 82, in Los Angeles in 1957.
From Wikipedia, the free encyclopedia. Ruth Donnelly (May 17, 1896 – November 17, 1982) was an American stage and film actress. Her father was the mayor of Trenton, New Jersey. She began her stage career at the age of 17 in 1913, in The Quaker Girl. Her Broadway debut brought her to the attention of George M. Cohan, who proceeded to cast her in numerous comic-relief roles in such musicals as Going Up (1917). Though she made her first film appearance in 1913, her Hollywood career began in earnest in 1931 and lasted until 1957. In her films she often played the wife of Guy Kibbee (Footlight Parade, Wonder Bar, Mr. Smith Goes to Washington). Among her roles was the part of Sister Michael in The Bells of St. Mary's, starring Bing Crosby and Ingrid Bergman.
From Wikipedia, the free encyclopedia Egon Brecher (18 February 1880 – 12 August 1946) was an Austria-Hungary-born actor and director, who also served as the chief director of Vienna's Stadts Theatre, before entering the motion picture industry. The son of a professor, Brecher began studying philosophy in 1900 at the University of Heidelberg in Germany. He did not finish his studies, deciding to become an actor. He appeared on several provincial stages in Germany and Austria until 1910, and then played in Vienna on various occasions, directed by Josef Jarno until 1921. In 1907, he founded an initiative (which lasted for something like one or two years) to play modern Yiddish theatre in German language with Siegfried Schmitz and members of the student club ‘Theodor Herzl’ like Hugo Zuckermann and Oskar Rosenfeld. In 1919 he was co-founder of the Freie Jüdische Volksbühne in Vienna, a Yiddish theatre, which existed for three years. Then, in 1921, he moved to New York to act on Broadway. He moved to Hollywood in the late 1920s to appear in foreign-language versions of American films. In the mid-1930s he appeared in classic horror films The Black Cat, Werewolf of London, The Black Room, Mark of the Vampire and The Devil-Doll, and worked steadily in the espionage films of the 1930s/40s, his Slavic accent landing him roles both noble and villainous. One of his largest screen roles was in 1946's So Dark the Night. He died later in 1946, aged 66, of a heart attack in Los Angeles, California.
From Wikipedia, the free encyclopedia Sheila Terry (March 5, 1910 – January 19, 1957) was an American film actress. She was born Kay Clark in Warroad, Minnesota. Terry first studied dramatics at Dickson-Kenwin academy, a school affiliated with London's Royal Academy. Later she moved to New York, where she continued her studies and appeared in a number of plays. While appearing on Broadway in The Little Racketeer, she was spotted by an alert film scout and given a test which led to a contract with Warner Bros. She played in 1930s for Warner Bros. She appeared with John Wayne in the Western films Haunted Gold (1932); Neath the Arizona Skies and The Lawless Frontier (1934). She appeared with Bette Davis, Louis Calhern and Spencer Tracy in 20,000 Years in Sing Sing (1932). She appeared with Cary Grant and Sylvia Sidney in Marion Gering's film Madame Butterfly (1932). In 1933 she left Hollywood briefly for the New York stage. She married Major Laurence E. Clark, a wealthy Toronto socialite on August 16, 1928. She divorced him February 16, 1934. In 1937, she married William Magee of San Francisco, and retired from show business. After his death, Terry wanted to return to show business, but couldn't find a job. In 1947, she said in a newspaper-interview: "I'm going back into show business and I need an act, I can't sing, I can't dance and I can't play the piano. I should be terrific in night clubs". She worked as a press agent for 15 years. In January 1957, her body was discovered in the third floor apartment, which was both her home and office. A friend and neighbour, Jerry Keating, went to the apartment when he failed to reach her on the telephone. The door was locked, and Terry did not answer the bell. Keating called the police; they broke in and found Terry's body on the bedroom floor, her back leaning against the bed. Five capsules, their contents gone, were on the floor beside her. Friends told the police that she returned from a trip to Mexico a few days before her death and that she was ill when she came home. It was later discovered that she died broke; she left only a scanty wardrobe. She was buried in Potter's Field in New York City.
Gordon Westcott (born Myrthus Hickman, November 6, 1903 – October 30, 1935) was an American film actor.
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From Wikipedia, the free encyclopedia Samuel Southey Hinds (April 4, 1875 – October 13, 1948) was an American actor and former lawyer. He was often cast as kindly authoritarian figures and appeared in over 200 films until his death. Hinds was born in Brooklyn, New York, the son of Joseph E. Hinds and Mary A. Beetham Hinds. He was a graduate of Phillips Andover Academy and Harvard Law School and worked for over 32 years as a lawyer before becoming a professional actor. After he lost most of his money in the financial crisis of 1929, Hinds retired as a lawyer and joined the Pasadena Community Playhouse. He started acting in Broadway shows at age 54. Hinds is perhaps best remembered for playing Peter Bailey, the father of James Stewart and founder of the Bailey Building and Loan, in It's a Wonderful Life (1946) and for his part as Paul Sycamore in You Can't Take It With You (1938), both films directed by Frank Capra. Hinds was also known for his roles in the Abbott & Costello films such as Buck Privates (1941), Ride 'Em Cowboy (1942) and Pardon My Sarong (1942). He also portrayed Lew Ayres' father in the Dr. Kildare film series during the early 1940s. Hinds mostly played supporting roles, often kind and dignified authority figures; often lawyers, doctors, mayors, judges or the father of the main figure. Hinds' first film was If I Had a Million (1932); his second film was The Road Is Open Again (1933) where he portrayed President Woodrow Wilson. His earlier career was reflected in the role of Judge Thatcher, tortured by the mad Dr. Richard Vollin (Bela Lugosi) in The Raven (1935). Hinds acted in a total of 214 films. His last film was The Bribe, released in 1949, after his death. Hinds died of pneumonia in Pasadena, California, on October 13, 1948 at age 73. He was married to Dorothy Cruickshack, they had two children.
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