Showgirl Tony Landers, supported by her friend Flip Daly, fights for the custody of her son during a divorce hearing.
02-24-1933
1h 1m
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Main Cast
Movie Details
Production Info
Director:
Sidney Lanfield
Production:
Fox Film Corporation
Key Crew
Producer:
Sol M. Wurtzel
Art Direction:
Gordon Wiles
Original Music Composer:
Arthur Lange
Screenplay:
Arthur Kober
Assistant Director:
Lesley Selander
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Joan Blondell
Rose Joan Blondell (August 30, 1906 – December 25, 1979) was an American actress.
After winning a beauty pageant, Blondell embarked upon a film career. Establishing herself as a sexy wisecracking blonde, she was a pre-Code staple of Warner Brothers and appeared in more than 100 movies and television productions. She was most active in films during the 1930s, and during this time she co-starred with Glenda Farrell in nine films, in which the duo portrayed gold-diggers. Blondell continued acting for the rest of her life, often in small character roles or supporting television roles. She was nominated for an Academy Award for Best Supporting Actress for her work in The Blue Veil (1951).
Blondell was seen in featured roles in two films, Grease (1978) and the remake of The Champ (1979), released shortly before her death from leukemia.
Description above from the Wikipedia article Joan Blondell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Ginger Rogers (July 16, 1911 – April 25, 1995) was an American actress, dancer, and singer who appeared in film, and on stage, radio, and television throughout much of the twentieth century.
During her long career, she made a total of 73 films and is noted for her role as Fred Astaire's partner in a series of ten musical films. She achieved great success in a variety of film roles and won the Academy Award for Best Actress for her performance in Kitty Foyle. After winning a 1925 Charleston dance contest that launched a successful vaudeville career, she gained recognition as a Broadway actress for her stage debut in Girl Crazy. This led to a contract with Paramount Pictures, which ended after five films. Rogers had her first successful film role as a supporting actress in 42nd Street.
In the 1930s, Rogers' nine films with Fred Astaire gave RKO Pictures some of its biggest successes, most notably Top Hat and Swing Time. But after two commercial failures with Astaire, she branched out into dramatic and comedy films. Her acting was well received by critics and audiences, and she became one of the biggest box-office draws and highest paid actresses of the 1940s. Her performance in Kitty Foyle won her the Oscar for Best Actress.
Rogers' popularity peaked by the end of the decade. She reunited with Astaire in 1949 in the commercially successful The Barkleys of Broadway. After an unsuccessful period in the 1950s, she returned to Broadway in 1965, playing the lead role in Hello, Dolly!. More Broadway roles followed, along with her stage directorial debut in 1985 of an off-Broadway production of Babes in Arms. She also made television acting appearances until 1987. In 1992, Rogers was recognized at the Kennedy Center Honors. She died of a heart attack in 1995, at age 83.
Rogers is associated with the phrase "backwards and in high heels", which is attributed to Bob Thaves' Frank and Ernest 1982 cartoon with the caption "Sure he [Astaire] was great, but don't forget that Ginger Rogers did everything he did...backwards and in high heels". This phrase is sometimes incorrectly attributed to Ann Richards, who used it in her keynote address to the 1988 Democratic National Convention.
A Republican and a devout Christian Scientist, Rogers married five times with all of them ending in divorce, and having no children. During her long career, Rogers made 73 films, and her musical films with Astaire are credited with revolutionizing the genre. Rogers was a major movie star during the "Golden Age" of Hollywood and is often considered an American icon. She ranks number 14 on the AFI's 100 Years...100 Stars list of female stars of classic American cinema. Her autobiography Ginger: My Story was published in 1991.
Ricardo Cortez (September 19, 1900 – April 28, 1977) was an American film actor who began his career during the silent film era.
Born Jacob Krantz in New York City into a Jewish family, he worked on Wall Street in a broker's office and as a boxer before his looks got him into the film business. Hollywood executives changed his name to Cortez to appeal to film-goers as a "Latin lover" to compete with such highly popular actors of the era as Rudolph Valentino, Ramon Novarro and Antonio Moreno. When rumour began to circulate that Cortez was not actually Spanish, the studios tried to pass him off as a different type of Latin, French, before they finally admitted his (supposedly) Viennese origin.
Cortez appeared in over 100 films. He played opposite Joan Crawford in Montana Moon in 1930, played Sam Spade in the original The Maltese Falcon in 1931, co-starred with Charles Farrell and Bette Davis in The Big Shakedown and Wonder Bar (with Al Jolson and Dolores del Río) in 1934. He also played Perry Mason in the 1936 film The Case of the Black Cat. Although he began his career playing romantic leads with actresses like Greta Garbo, when sound cinema arrived, his powerful delivery and New York accent made him an ideal villain and conman, and he switched from sex symbol to character actor.
Cortez was married to silent film actress Alma Rubens until her death of pneumonia in 1931.
When he retired from the film business, Cortez went to work as a stockbroker for Solomon Brothers on New York's Wall Street. He died in New York City in 1977 and was interred at Woodlawn Cemetery in The Bronx.
He was the older brother of noted cinematographer Stanley Cortez (born Stanislaus Krantz).
From Wikipedia, the free encyclopedia
Adrienne Ames (August 3, 1907 – May 31, 1947) was an American film actress.
Born Adrienne Ruth McClure in Fort Worth, Texas, Ames began her film career in 1927 as a stand-in for Pola Negri. Ames was soon cast in small film roles in silent films. With the advent of talking pictures, Ames' popularity grew and she was usually cast as society women, or in musicals. She made thirty films during the 1930s with her biggest success in George White's Scandals (1934), a film which was also notable as the debut of Alice Faye. Ames also appeared with the three leading men from the 1931 version of Dracula (Bela Lugosi, David Manners, and Edward Van Sloan) in The Death Kiss (1932). By the end of the decade Ames' popularity had diminished and, discouraged, she left Hollywood for New York.
In 1941 she became a radio personality, headlining a talk show on station WHN in New York City. Her program was successful, and was scheduled regularly until just before her death in 1947. Ames was married three times, including to actor Bruce Cabot from 1933 until 1937. Ames died of cancer on May 31, 1947 in New York City. She is interred in the Oakwood Cemetery in her hometown of Fort Worth, Texas. For her contributions to the motion picture industry, Adrienne Ames has a star on the Hollywood Walk of Fame at 1612 Vine Street.
Description above from the Wikipedia article Adrienne Ames, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Francis McDonald (August 22, 1891 – September 18, 1968) was an American actor whose career spanned 52 years.
McDonald's started acting professionally in stock theater with the Forepaugh Stock Company in Cincinnati. Following eight months with it, he worked one season with a stock company in Seattle, after which he performed for three seasons with a troupe in San Diego and Honolulu. He concluded his tenure in stock theater as juvenile leading man with the American Stock Company in Spokane, Washington.
By 1913 McDonald began to perform in the rapidly expanding film industry, initially working for Marion Leonard's Monopole Company in Hollywood. He was cast in over 280 films between 1913 and 1965, including The Temptress in 1926 with Greta Garbo. After he was designated "Hollywood's Prettiest Man," McDonald sought a tougher image by shaving his mustache and seeking roles of villains.
McDonald was one of Cecil B. DeMille's favorite character actors.[citation needed] DeMille gave him credited supporting roles in six of his films: The Plainsman (1936), The Buccaneer (1938), Union Pacific (1939), North West Mounted Police (1940), Samson and Delilah (1949), and The Ten Commandments (1956).
Donald Crisp was born George William Crisp at the family home in Bow, London. Donald's parents were James Crisp and Elizabeth Crisp, his birth was registered by his mother on 4th September 1882. Donald's sisters were Elizabeth, Ann, Alice (known as Louisa) and Eliza and his brothers were James, John and Mark. Family memories state that Donald's brother-in-law James Needham (Louisa's husband) lent/gave Donald the fare to USA. The family have a photo of Donald which he sent to 'Jimmy' and signed. On 16th February 1937 Donald applied for a US Social Security account number giving his address as N Vista Street Hollywood California, and his employers Warner Brothers Pictures, Burbank California. On his application Donald did not know his mother's maiden name.