In this The Boy Friends series short, college students Mickey and Alabam stay at a city friend's place for what they tell him will be one night - though it stretches into several months.
04-16-1932
19 min
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Main Cast
Movie Details
Production Info
Director:
Robert A. McGowan
Production:
Hal Roach Studios
Key Crew
Dialogue:
H.M. Walker
Producer:
Hal Roach
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Mickey Daniels
From Wikipedia, the free encyclopedia
Richard Daniels Jr. (October 11, 1914 – August 20, 1970), professionally known as Mickey Daniels, was an American actor. Signed by Hal Roach in 1921, he was a regular in the popular Our Gang comedies during the silent era of the series, between 1922 and 1926.
From Wikipedia, the free encyclopedia
Gordon Douglas (born Gordon Douglas Brickner; December 15, 1907 – September 29, 1993) was an American film director, who directed many different genres of films over the course of a five-decade career in motion pictures.
From Wikipedia
Julie Bishop (August 30, 1914 – August 30, 2001) was an American film and television actress. She appeared in over 80 films between 1923 and 1957.
Bishop was born Jacqueline Wells and used her birth name professionally through 1941. She also appeared on stage (and in one film) as Diane Duval. She was a child actress, beginning her career in 1923. Early on, she appeared in several Laurel and Hardy films (Any Old Port! and The Bohemian Girl), and she settled on the name by which she is best remembered when offered a contract by Warner Bros. on the condition that she change her name, which was associated with her almost exclusively B-movie appearances through 1941 (amounting to nearly 50 films over 17 years). She chose the name because it matched the monograms on her luggage (she had for a time been married to Walter Booth Brooks III, a writer).
She made 16 films at Warners, including a supporting role in 1943's Princess O'Rourke, supporting Olivia de Havilland and Robert Cummings. While filming, she met her second husband, Clarence Shoop, a pilot. She was Humphrey Bogart's leading lady in Action in the North Atlantic (1943), played Ira Gershwin's wife in the biopic Rhapsody in Blue (1945), and closed out her Warners years in 1946's Cinderella Jones.
In 1949, Bishop played a down-on-her-luck wife and mother in the Sands of Iwo Jima, opposite John Wayne. She was among several former Wayne co-stars (including Laraine Day, Ann Doran, Jan Sterling, and Claire Trevor) who joined the actor in 1954's aviation drama, The High and the Mighty.
Thrice married, Bishop had a son, Steve, a physician and pilot, and a daughter, actress Pamela Susan Shoop, both by her second marriage, Gen. Clarence A. Shoop, a test pilot who flew for Howard Hughes and later became vice president of Hughes Aircraft; they were married from 1944 until his death in 1968. Her first marriage ended in divorce and her third with her death.
Julie Bishop died of pneumonia on her 87th birthday, August 30, 2001, in Mendocino, California.
From Wikipedia, the free encyclopedia.
Billy Gilbert (September 12, 1894 – September 23, 1971) was an American comedian and actor known for his comic sneeze routines. He appeared in over 200 feature films, short subjects and television shows starting in 1929. He is not to be confused with silent film actor Billy Gilbert (a.k.a. Little Billy Gilbert, born William V. Campbell, 1891–1961).
From Wikipedia, the free encyclopedia
Louise Beavers (March 8, 1902 – October 26, 1962) was an American film and television actress. Beavers appeared in dozens of films and two hit television shows from the 1920s until 1960, most often cast in the role of a maid, servant, or slave. She was a native of Cincinnati, Ohio, and a member of Sigma Gamma Rho sorority, one of the four African-American sororities.
Beavers was a breakthrough actress for black women and became known as a symbol of a "mammy" on the screen. A mammy archetype "is the portrayal within a narrative framework or other imagery of a black domestic servant, generally good-natured, often overweight, and loud".
Louise Beavers started her career in the 1920s. At the time, black people in films were limited to acting in only very few roles, usually as slaves or domestic help. She played the "mammy" in many of the movies she acted in. She started to gain more attention in the acting world after she played the role of Julia in Coquette, which starred Mary Pickford. In this film she played the black maid and mother figure to a young white woman.
She once received a review which stated: "Personally, Miss Beavers is just splendid, just as fine as she appears on screen, but she also has a charm all her own, which needs no screen role for recognition. She has a very pleasing personality, one that draws people to her instantly and makes them feel that they are meeting a friend instead of a Hollywood Star."
Beavers had an attractive personality, and often played roles in which she helps a white protagonist mature in the course of the movie.
In 1934, Beavers played Delilah in Imitation of Life in a dramatic role. Her character again plays a black maid, but instead of the usual stereotypical comedic or purely functional role, Delilah's story line is a secondary parallel plot. The public reacted positively to Beavers' performance. It was not only a breakthrough for Beavers, but was also "the first time in American cinema history that a black woman's problems were given major emotional weight in a major Hollywood motion picture". Some in the media recognized the unfairness of Hollywood's double standard regarding race. For example, California Graphic Magazine wrote, "the Academy could not recognize Miss Beavers. She is black!"
As Beavers' career grew, some criticized her for the roles she accepted, alleging that such roles institutionalized the view that blacks were subservient to whites. Beavers dismissed the criticism. She acknowledged the limited opportunities available, but said: "I am only playing the parts. I don't live them." As she became more famous, Beavers began to speak against Hollywood's portrayal and treatment of black Americans, both during production and after promoting the films. Beavers became active in public life, seeking to help support African Americans.
In later life, Beavers was plagued by health issues, including diabetes. She died on October 26, 1962, at the age of 60, following a heart attack.
Beavers was inducted into the Black Filmmakers Hall of Fame in 1976.