A fast-talking reporter befriends a young woman and her male companion who are wanted for a policeman's shooting.
05-28-1932
1h 13m
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Main Cast
Movie Details
Production Info
Director:
Michael Curtiz
Production:
First National Pictures
Key Crew
Screenplay:
Brown Holmes
Screenplay:
Erwin S. Gelsey
Orchestrator:
Leo F. Forbstein
Adaptation:
Brown Holmes
Adaptation:
Erwin S. Gelsey
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Ann Dvorak
Ann Dvorak (born Anna McKim; August 2, 1911 – December 10, 1979) was an American stage and film actress. Asked how to pronounce her adopted surname, she told The Literary Digest: "My fake name is properly pronounced vor'shack. The D remains silent."
Dvorak was the daughter and only child of silent film actress Anna Lehr and director Edwin McKim. While in New York, she attended St. Catherine's Convent. After moving to California, she attended Page School for Girls in Hollywood.
She made her film debut when she was five years old in the silent film version of Ramona (1916), credited as "Baby Anna Lehr". She continued in children's roles in The Man Hater (1917) and Five Dollar Plate (1920), but then stopped acting in films. Her parents separated in 1916 and divorced in 1920; she did not see her father again until 13 years later, when she made a public plea to the press to help her find him.
In the late 1920s, Dvorak worked as a dance instructor and gradually began to appear on film as a chorus girl. Her friend, actress Karen Morley, introduced her to billionaire movie producer Howard Hughes, who groomed her as a dramatic actress. She was a success in such pre-Code films as Scarface (1932) as Paul Muni's sister; in Three on a Match (1932) with Bette Davis and Joan Blondell as the doomed, unstable Vivian; in The Crowd Roars (1932) with James Cagney; and in Sky Devils (1932) opposite Spencer Tracy. Known for her style and elegance, she was a popular leading lady for Warner Bros. during the 1930s, and appeared in numerous contemporary romances and melodramas. At age 19, Dvorak eloped with Leslie Fenton, her English co-star from The Strange Love of Molly Louvain (1932), and they married on March 17, 1932. They left for a year-long honeymoon in spite of her contractual obligations to the studio, which led to a period of litigation and pay disputes during which she discovered she was making the same amount of money as the boy who played her son in Three on a Match. She completed her contract on permanent suspension, then worked as a freelancer. Although she worked regularly, the quality of her scripts declined sharply. She appeared as secretary Della Street to Donald Woods' Perry Mason in The Case of the Stuttering Bishop (1937). With her then-husband, Leslie Fenton, Dvorak traveled to England where she supported the war effort by working as an ambulance driver and acted in several British films. She appeared as a saloon singer in Abilene Town with Randolph Scott and Edgar Buchanan, released in 1946. The following year she adeptly handled comedy by giving an assured performance in Out of the Blue (1947). In 1948, Dvorak gave her only performance on Broadway in The Respectful Prostitute.
Dvorak's marriage to Fenton ended in divorce in 1946. In 1947, she married Igor Dega, a Russian dancer who danced with her briefly in The Bachelor's Daughters. The marriage ended two years later.
Dvorak retired from the screen in 1951, when she married her third and last husband, Nicholas Wade, to whom she remained married until his death in 1975. She had no children.
Charles Brown Middleton (October 3, 1874 – April 22, 1949) was an American stage and film actor. During a film career that began at age 46 and lasted almost 30 years, he appeared in nearly 200 films as well as numerous plays. Sometimes credited as Charles B. Middleton, he is perhaps best remembered for his role as the villainous emperor Ming the Merciless in the three Flash Gordon serials made between 1936 and 1940.
Thomas E. Jackson (July 4, 1886 – September 7, 1967) was an American stage and screen actor. His 67-year career spanned eight decades and two centuries, during which time he appeared in over a dozen Broadway plays, produced two others, acted in over a 130 films, as well as numerous television shows. He was most frequently credited as Thomas Jackson and occasionally as Tom Jackson or Tommy Jackson.
Description above from the Wikipedia article Thomas Jackson (actor), licensed under CC-BY-SA, full list of contributors on Wikipedia.
C. Henry Gordon (born Henry Racke) was an American stage and screen actor. Sources conflict as to whether his June 17 birth date was in 1884 or in 1883. (1884 is most commonly accepted, though most of his obituaries state he died at age 57.)
From Wikipedia, the free encyclopedia
Louise Beavers (March 8, 1902 – October 26, 1962) was an American film and television actress. Beavers appeared in dozens of films and two hit television shows from the 1920s until 1960, most often cast in the role of a maid, servant, or slave. She was a native of Cincinnati, Ohio, and a member of Sigma Gamma Rho sorority, one of the four African-American sororities.
Beavers was a breakthrough actress for black women and became known as a symbol of a "mammy" on the screen. A mammy archetype "is the portrayal within a narrative framework or other imagery of a black domestic servant, generally good-natured, often overweight, and loud".
Louise Beavers started her career in the 1920s. At the time, black people in films were limited to acting in only very few roles, usually as slaves or domestic help. She played the "mammy" in many of the movies she acted in. She started to gain more attention in the acting world after she played the role of Julia in Coquette, which starred Mary Pickford. In this film she played the black maid and mother figure to a young white woman.
She once received a review which stated: "Personally, Miss Beavers is just splendid, just as fine as she appears on screen, but she also has a charm all her own, which needs no screen role for recognition. She has a very pleasing personality, one that draws people to her instantly and makes them feel that they are meeting a friend instead of a Hollywood Star."
Beavers had an attractive personality, and often played roles in which she helps a white protagonist mature in the course of the movie.
In 1934, Beavers played Delilah in Imitation of Life in a dramatic role. Her character again plays a black maid, but instead of the usual stereotypical comedic or purely functional role, Delilah's story line is a secondary parallel plot. The public reacted positively to Beavers' performance. It was not only a breakthrough for Beavers, but was also "the first time in American cinema history that a black woman's problems were given major emotional weight in a major Hollywood motion picture". Some in the media recognized the unfairness of Hollywood's double standard regarding race. For example, California Graphic Magazine wrote, "the Academy could not recognize Miss Beavers. She is black!"
As Beavers' career grew, some criticized her for the roles she accepted, alleging that such roles institutionalized the view that blacks were subservient to whites. Beavers dismissed the criticism. She acknowledged the limited opportunities available, but said: "I am only playing the parts. I don't live them." As she became more famous, Beavers began to speak against Hollywood's portrayal and treatment of black Americans, both during production and after promoting the films. Beavers became active in public life, seeking to help support African Americans.
In later life, Beavers was plagued by health issues, including diabetes. She died on October 26, 1962, at the age of 60, following a heart attack.
Beavers was inducted into the Black Filmmakers Hall of Fame in 1976.
From Wikipedia, the free encyclopedia
Wade Boteler (October 3, 1888 – May 7, 1943) was an American film actor. He appeared in more than 430 films between 1919 and 1943. He was born in Santa Ana, California, and died in Hollywood, California from a heart attack.
On Broadway, Boteler appeared in the play The Silent Voice (1914).
From Wikipedia, the free encyclopedia
George Chandler (June 30, 1898 – June 10, 1985), born in Waukegan, Illinois, was an American actor. He made his screen debut in 1928, ultimately appearing, throughout his career, in over 140 films, usually in smaller supporting roles. Chandler is perhaps best known for playing the character of Uncle Petrie Martin on the television series Lassie.
Early in his performing career he had a vaudeville act, billed as "George Chandler, the Musical Nut", which featured comedy and his violin. He served in the United States Army during World War I.
In addition to many film roles throughout the years 1928-1979, Chandler appeared, from 1951 onward, in numerous television series.
He was elected president of the Screen Actors Guild in 1960.
George Chandler died in Panorama City, California, the result of cancer, on June 10, 1985. He was 86.
From Wikipedia, the free encyclopedia
John Farrell MacDonald (June 6, 1875 – August 2, 1952) was an American character actor and director. He played supporting roles and occasional leads. He appeared in over 325 films over a 41-year career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917.
MacDonald was the principal director of L. Frank Baum's Oz Film Manufacturing Company, and he can frequently be seen in the films of Frank Capra, Preston Sturges and, especially, John Ford.
Early in his career, MacDonald was a singer in minstrel shows, and he toured the United States extensively for two years with stage productions. He made his first silent film in 1911, a dramatic short entitled The Scarlett Letter made by Carl Laemmle's Independent Moving Pictures Company (IMP), the forerunner of Universal Pictures,. He continued to act in numerous films each year from that time on, and by 1912 he was directing them as well. The first film he directed was The Worth of a Man, another dramatic short, again for IMP, and he was to direct 43 more films until his last in 1917, Over the Fence, which he co-directed with Harold Lloyd. MacDonald had crossed paths with Lloyd several years earlier, when Lloyd was an extra and MacDonald had given him much-needed work – and he did the same with Hal Roach, both of whom appearing in small roles in The Patchwork Girl of Oz, which MacDonald directed in 1914. When Roach set up his own studio, with Lloyd as his principal attraction, he hired MacDonald to direct.
By 1918, MacDonald, who was to become one of the most beloved character men in Hollywood, had given up directing and was acting full-time, predominantly in Westerns and Irish comedies. He first worked under director John Ford in 1919's A Fight for Love. In all, Ford would use MacDonald on twenty-five films between 1919 and 1950.
With a voice that matched his personality, MacDonald made the transition to sound films easily, with no noticeable drop in his acting output – if anything, it went up. In 1931, for instance, MacDonald appeared in 14 films – among them the first version of The Maltese Falcon, in which he played "Detective Tom Polhaus" – and in 22 of them in 1932. Although he played laborers, policemen, military men and priests, among many other characters, his roles were usually a cut above a "bit part". His characters usually had names, and he was most often credited for his performances. A highlight of this period was his performance as the hobo "Mr. Tramp" in Our Little Girl with Shirley Temple (1935).
In the 1940s, MacDonald was part of Preston Sturges' unofficial "stock company" of character actors, appearing in seven films written and directed by Sturges. MacDonald appeared in Sullivan's Travels, The Palm Beach Story, The Miracle of Morgan's Creek, The Great Moment, The Sin of Harold Diddlebock, Unfaithfully Yours and The Beautiful Blonde from Bashful Bend, Sturges' last American film. Earlier, MacDonald had also appeared in The Power and the Glory, which Sturges wrote. His work on Sturges' films was generally uncredited. He was notable in 1946 in John Ford's My Darling Clementine in which he played "Mac," the bartender in the town saloon. MacDonald also had uncredited roles in It's a Wonderful Life and Here Comes The Groom.
Claire McDowell (2 November 1877 – 23 October 1966) was an American actress. She appeared in 360 films between 1908 and 1945.
Still somewhat of a youthful beauty when she started in early silent films, McDowell appeared in numerous films, eventually graduating to playing character and mother types. She can be seen to good advantage in Douglas Fairbanks's 1920 The Mark of Zorro. McDowell appeared in two of the biggest films of the silent era, The Big Parade (1925) and Ben-Hur: A Tale of the Christ (1925), both in which she played mothers.
She was married to silent screen character actor Charles Hill Mailes from 1906 to his 1937 death. The couple appeared in numerous silent films together, including The Mark of Zorro. They had two sons, Robert Mailes and Eugene Mailes.
Claire McDowell died, aged 88, in Hollywood, California.
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