Bob Norton, seeking his brother's killer, tangles with outlaws, wild horses, and a "wild" boy.
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Henry DeWitt Carey II (January 16, 1878 - September 21, 1947) was an American actor and one of silent film's earliest superstars, usually cast as a Western hero. One of his best known performances is as the president of the United States Senate in the drama film Mr. Smith Goes to Washington (1939), for which he was nominated for the Academy Award for Best Supporting Actor. He was the father of Harry Carey Jr., who was also a prominent actor. Born in New York City to a Judge of Special Sessions who was also president of a sewing machine company. Grew up on City Island, New York. Attended Hamilton Military Academy and turned down an appointment to West Point to attend New York University, where his law school classmates included future New York City mayor James J. Walker. After a boating accident which led to pneumonia, Carey wrote a play while recuperating and toured the country in it for three years, earning a great deal of money, all of which evaporated after his next play was a failure. In 1911, his friend Henry B. Walthall introduced him to director D.W. Griffith, for whom Carey was to make many films. Carey married twice, the second time to actress Olive Fuller Golden (aka Olive Carey, who introduced him to future director John Ford. Carey influenced Universal Studios head Carl Laemmle to use Ford as a director, and a partnership was born that lasted until a rift in the friendship in 1921. During this time, Carey grew into one of the most popular Western stars of the early motion picture, occasionally writing and directing films as well. In the '30s he moved slowly into character roles and was nominated for an Oscar for one of them, the President of the Senate in Mr. Smith Goes to Washington (1939). He worked once more with Ford, in The Prisoner of Shark Island (1936), and appeared once with his son, Harry Carey Jr., in Howard Hawks' Red River (1948). He died after a protracted bout with emphysema and cancer. Ford dedicated his remake of 3 Godfathers (1948) "To Harry Carey--Bright Star Of The Early Western Sky."
Born into a show-business family - his parents were circus aerialists - Frankie Darro appeared in his first film at age six. Due to his small size and youthful appearance, he played teenagers well into his 20s. Always a physical performer, Darro often did his own stunts, many times out of necessity - his small stature made it difficult to find stunt doubles his size. He was an accomplished horseman and, in addition to westerns, made several films where he played jockeys. In 1933 he played the lead as a troubled teen in a major film for Warner Brothers, "Wild Boys Of The Road." It is a pre-code film with a realistic look at "The Great Depression," from the point of view of the youth of the time. This film seems to have been rediscovered only recently and has received critical acclaim.That same year, he played a troubled youth in the James Cagney classic, "The Mayor Of Hell". Later in 1935, he had a key role in the cult serial classic "The Phantom Empire"(1935). As Darro got older, however, he found it increasingly difficult to secure employment, and by the late 1940s was doing uncredited stunt work and bit parts. He had a recurring role on The Red Skelton Hour (1951), unrecognized by his fans, he played "Robby The Robot" in the groundbreaking sci-fi film "The Forbidden Planet" (1956), though Marvin Miller, best remembered as Michael Anthony of TVs "Millionaire"(1955-60), was the robot's voice. After that Frankie appeared sporadically in films and on TV .
Edward Peil Sr. was an American stage and screen actor. He appeared in films from 1906 to 1951.
Jack Mower (born Benjamin Allen Mower) was an American screen and television actor. He appeared in hundreds of films between 1914 and 1964. Mower also, during the mid 1920s, produced seven silent films.
Al Bridge was an American character actor, a fixture both in Westerns and in the comedies of Preston Sturges. Although frequently billed as Alan Bridge, he was born Alfred Morton Bridge in Philadelphia, Pennsylvania in 1891 (not as Alford Bridge in 1890, as his tombstone erroneously states). Following service as a corporal in the U.S. Army infantry in the first World War, Bridge joined a theatrical troupe. He dabbled in writing and in 1930 sold a script to a short film, Her Hired Husband (1930). He followed this with a B-Western script, God's Country and the Man (1931), in which he made his film debut as an actor. For the next quarter century, he managed the atypical achievement of maintaining a career in both B-Westerns and in bigger dramatic and comedy features. Ten films for director Preston Sturges represent probably his most familiar contribution to Hollywood history. Bridge also appeared frequently on television until his death in 1957 at 66.
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From Wikipedia, the free encyclopedia Yakima Canutt (November 29, 1895 – May 24, 1986), also known as Yak Canutt, was an American rodeo rider, actor, stuntman and action director. Description above from the Wikipedia article Yakima Canutt, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Lane Chandler (1899–1972) was an American actor specializing in Westerns. In the early 1920s he moved to Los Angeles, California, and started working as an auto mechanic. His real-life experiences growing up on a horse ranch landed him bit parts in westerns from 1925, for Paramount Pictures. Studio executives suggested changing his name to Lane Chandler, and as such he began achieving leading roles, the first being The Legion of the Condemned. As a silent film star Chandler performed well, but when talkies arrived he was cast more in supporting roles, as in The Great Mike of 1944. He starred in a few low-budget westerns in the 1930s, but was more often cast as the leading man's partner, or saddle pal, or a sheriff or army officer. With the advent of television Chandler began making appearance on numerous series, often in Westerns such as The Lone Ranger, The Adventures of Wild Bill Hickok, Lawman, Have Gun – Will Travel, Rawhide, Maverick, Cheyenne, and Gunsmoke. He continued acting on TV and in films through 1966. He died in Los Angeles of heart disease in 1972, aged 73.
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From Wikipedia, the free encyclopedia Wilfred Lucas (January 30, 1871 – December 13, 1940) was a Canadian-born American stage actor who found success in film as an actor, director, and screenwriter. Wilfred Lucas made his Broadway debut in 1904, playing in both the The Blue Grass Handicap and The Superstition of Sue. Following his 1906 role in the highly successful play The Chorus Lady, he was recruited to the fledgling Biograph Studios by D. W. Griffith. At the time, the film business was still looked down upon by many members of the theatrical community. In her 1925 book titled When the Movies Were Young, Griffith's wife, actress Linda Arvidson, told the story of the early days at Biograph Studios. In it, she referred to Lucas as the "first real grand actor, democratic enough to work in Biograph movies." In 1908 Lucas made his motion picture debut in Griffith's The Greaser's Gauntlet, appearing in more than 50 of these short (usually 17 minutes) films over the next two years. In 1910 while still acting, he wrote the script for Griffith's film Sunshine Sue, which was followed by many more scripts by 1924. Lucas also began directing in 1912 with Griffith on An Outcast Among Outcasts, and directed another 44 films over the next 20 years. In early 1916 he starred as John Carter in Acquitted, about which Photoplay wrote, "No single performance in the records of active photography has surpassed his visualization of the humble book-keeper in Acquitted." Later in 1916 he appeared in D.W. Griffith's film Intolerance. Part of the group of Canadian pioneers in early Hollywood, Lucas became friends and sometimes starred with Mary Pickford, Sam De Grasse, and Marie Dressler. Canadian-born director Mack Sennett hired him to both direct and act in a large number of films at his Keystone Studios. Lucas made the successful transition from silent film to sound. While working in Hollywood, in 1926 he returned to the stage, performing in several Broadway plays. He later appeared as a foil for Laurel and Hardy in their feature films Pardon Us and A Chump at Oxford. During his long career, Wilfred Lucas appeared in more than 375 films. Although for a time he was cast in leading roles, he became very successful as secondary and minor characters, making a good living in the film industry for more than three decades.
Cliff Lyons was an American actor, stuntman and second-unit director, primarily of Westerns, particularly the films of John Ford and John Wayne. Lyons, the son of Garrett Thomas Lyons and Wilhamena Johnson Lyons, was raised on a South Dakota farm, though his family lived for a time in Memphis, TN, where he attended business school. An expert horseman, he gave up the notion of a business career and opted for the rodeo arena instead, touring the country;y and eventually reaching Los Angeles at the age of 21. With accomplished cowboys in great demand, Lyons quickly became involved in movies, working both as a stuntman and an actor. After only a couple of bit parts, he was signed by producer Bud Barsky to do seven inexpensive Westerns directed by Paul Hurst, with Lyons and Al Hoxie alternating as the hero and the heavy. Lyons and Hoxie alternated in another Western series produced by Morris R. Schlank, and, as Cliff 'Tex' Lyons, he seemed headed for minor stardom as a B-Western lead. However, Lyons' voice was not well-suited for sound and the talkie revolution confined him to small roles. As his small shot at stardom faded, however, his career as a stunt double for stars big and small was on the rise. He doubled such cowboy stars as Tom Mix, Ken Maynard, Buck Jones and Johnny Mack Brown. In 1936 he worked with John Wayne for the first and struck up a personal and business relationship that would remain strong for three decades. Wayne was influential in getting Lyons his first work as a second-unit director and in introducing Lyons to John Ford, for whom Lyons would do some of his finest work. Lyons' reputation as a stunt coordinator is comparable to that of acknowledged master Yakima Canutt, with whom Lyons partnered on numerous occasions. Perhaps Lyons' most impressive work was the massive and dynamic battle sequences of Wayne's The Alamo (1960). He was married from 1938 to 1955 to actress Beth Marion, with whom he had two sons. Cliff Lyons died in 1974 at 72, not long after coordinating stunts for Wayne's The Train Robbers (1973). Date of Birth 4 July 1901, near Clarno Township, Lake County, South Dakota Date of Death 6 January 1974, Los Angeles, California
Robert Donald Walker (June 18, 1888 – March 4, 1954) was an American film actor. He appeared in more than 200 films between 1913 and 1953. He was born in Bethlehem, Pennsylvania and died in Los Angeles. Description above from the Wikipedia article Robert Walker (actor, born 1888), licensed under CC-BY-SA, full list of contributors on Wikipedia.
