The Progressive Party convention is deadlocked for governor, so both sides nominate the dark horse Zachary Hicks. Kay Russell suggests they hire Hal Blake as campaign manager; but first they have to get him out of jail for not paying alimony. Blake organizes the office and coaches Hicks to answer every question by pausing and then saying, "Well yes, but then again no." Blake will sell Hicks as dumb but honest. Russell refuses to marry Blake, while Joe keeps people away from Blake's office. Blake teaches Hicks a speech by Lincoln. At the debate when the conservative candidate Underwood recites the same speech, Blake exposes him as a plagiarist. Hicks is presented for photo opportunities and gives his yes-and-no answer to any question, including whether he expects to win.
06-16-1932
1h 15m
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HELLA
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Main Cast
Movie Details
Production Info
Director:
Alfred E. Green
Writer:
Joseph Jackson
Production:
First National Pictures
Key Crew
Producer:
Darryl F. Zanuck
Story:
Darryl F. Zanuck
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Bette Davis
Ruth Elizabeth "Bette" Davis (April 5, 1908 – October 6, 1989) was an American actress of film, television and theater. Noted for her willingness to play unsympathetic characters, she was highly regarded for her performances in a range of film genres; from contemporary crime melodramas to historical and period films and occasional comedies, though her greatest successes were her roles in romantic dramas.
After appearing in Broadway plays, Davis moved to Hollywood in 1930, but her early films for Universal Studios were unsuccessful. She joined Warner Bros. in 1932 and established her career with several critically acclaimed performances. In 1937, she attempted to free herself from her contract and although she lost a well-publicized legal case, it marked the beginning of the most successful period of her career. Until the late 1940s, she was one of American cinema's most celebrated leading ladies, known for her forceful and intense style. Davis gained a reputation as a perfectionist who could be highly combative, and confrontations with studio executives, film directors and costars were often reported. Her forthright manner, clipped vocal style and ubiquitous cigarette contributed to a public persona which has often been imitated and satirized.
Davis was the co-founder of the Hollywood Canteen, and was the first female president of the Academy of Motion Picture Arts and Sciences. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute. Her career went through several periods of eclipse, and she admitted that her success had often been at the expense of her personal relationships. Married four times, she was once widowed and thrice divorced, and raised her children as a single parent. Her final years were marred by a long period of ill health, but she continued acting until shortly before her death from breast cancer, with more than 100 films, television and theater roles to her credit. In 1999, Davis was placed second, after Katharine Hepburn, on the American Film Institute's list of the greatest female stars of all time.
Warren William (born Warren William Krech; 2 December 1894 - 24 September 1948) was an American stage, screen, and radio actor, popular as a film leading man during the early 1930s, and later nicknamed the "King of Pre-Code". He is best remembered for portraying amoral businessmen, lawyers, and other heartless types.
Vera Vivienne Spragg (December 10, 1896 – June 10, 1961) was an American stage and film actress known for her work in Broadway theatre and in silent and sound films.
From Wikipedia, the free encyclopedia
Sam B. Hardy (March 21, 1883 – October 16, 1935) was an American stage and film actor who appeared in feature films during the silent and early sound eras. He died of intestinal problems. He was also known as Samuel Hardy.
Born in New Haven, Connecticut, Hardy attended Yale but left there to become an actor on stage. He entered the world of film with Biograph Studios.
Hardy became ill while he was working in the film Shoot the Chutes, starring Eddie Cantor. He did not survive emergency surgery at a hospital.
Charles Sellon was born on August 24, 1870 in Boston, Massachusetts, USA. He was an actor, known for Bright Eyes (1934), It's a Gift (1934) and The Painted Desert (1931). He was married to Florence E. Willis. He died on June 26, 1937 in La Crescenta, California, USA.
From Wikipedia, the free encyclopedia
Robert Emmett O'Connor (March 18, 1885 – September 4, 1962) was an American film actor. He appeared in 204 films between 1919 and 1950. He is probably best known as the warmhearted bootlegger Paddy Ryan in The Public Enemy (1931) and as Detective Sergeant Henderson pursuing the Marx Brothers in A Night at the Opera (1935). He also appeared as Jonesy (the older Paramount gate guard) in Billy Wilder's 1950 film Sunset Boulevard, as well as made a cameo appearance at the very beginning and very end of the Metro-Goldwyn-Mayer cartoon short Who Killed Who? (1943).
Robert Warwick (born Robert Taylor Bien; October 9, 1878 – June 6, 1964) was an American stage, screen, and television actor. He appeared in over 200 films during the 1914 through 1959 span of years. Warwick's television career (which began in 1949) continued to 1962.
From Wikipedia, the free encyclopedia
Louise Beavers (March 8, 1902 – October 26, 1962) was an American film and television actress. Beavers appeared in dozens of films and two hit television shows from the 1920s until 1960, most often cast in the role of a maid, servant, or slave. She was a native of Cincinnati, Ohio, and a member of Sigma Gamma Rho sorority, one of the four African-American sororities.
Beavers was a breakthrough actress for black women and became known as a symbol of a "mammy" on the screen. A mammy archetype "is the portrayal within a narrative framework or other imagery of a black domestic servant, generally good-natured, often overweight, and loud".
Louise Beavers started her career in the 1920s. At the time, black people in films were limited to acting in only very few roles, usually as slaves or domestic help. She played the "mammy" in many of the movies she acted in. She started to gain more attention in the acting world after she played the role of Julia in Coquette, which starred Mary Pickford. In this film she played the black maid and mother figure to a young white woman.
She once received a review which stated: "Personally, Miss Beavers is just splendid, just as fine as she appears on screen, but she also has a charm all her own, which needs no screen role for recognition. She has a very pleasing personality, one that draws people to her instantly and makes them feel that they are meeting a friend instead of a Hollywood Star."
Beavers had an attractive personality, and often played roles in which she helps a white protagonist mature in the course of the movie.
In 1934, Beavers played Delilah in Imitation of Life in a dramatic role. Her character again plays a black maid, but instead of the usual stereotypical comedic or purely functional role, Delilah's story line is a secondary parallel plot. The public reacted positively to Beavers' performance. It was not only a breakthrough for Beavers, but was also "the first time in American cinema history that a black woman's problems were given major emotional weight in a major Hollywood motion picture". Some in the media recognized the unfairness of Hollywood's double standard regarding race. For example, California Graphic Magazine wrote, "the Academy could not recognize Miss Beavers. She is black!"
As Beavers' career grew, some criticized her for the roles she accepted, alleging that such roles institutionalized the view that blacks were subservient to whites. Beavers dismissed the criticism. She acknowledged the limited opportunities available, but said: "I am only playing the parts. I don't live them." As she became more famous, Beavers began to speak against Hollywood's portrayal and treatment of black Americans, both during production and after promoting the films. Beavers became active in public life, seeking to help support African Americans.
In later life, Beavers was plagued by health issues, including diabetes. She died on October 26, 1962, at the age of 60, following a heart attack.
Beavers was inducted into the Black Filmmakers Hall of Fame in 1976.
From Wikipedia, the free encyclopedia
Wilfred Lucas (January 30, 1871 – December 13, 1940) was a Canadian-born American stage actor who found success in film as an actor, director, and screenwriter.
Wilfred Lucas made his Broadway debut in 1904, playing in both the The Blue Grass Handicap and The Superstition of Sue. Following his 1906 role in the highly successful play The Chorus Lady, he was recruited to the fledgling Biograph Studios by D. W. Griffith.
At the time, the film business was still looked down upon by many members of the theatrical community. In her 1925 book titled When the Movies Were Young, Griffith's wife, actress Linda Arvidson, told the story of the early days at Biograph Studios. In it, she referred to Lucas as the "first real grand actor, democratic enough to work in Biograph movies." In 1908 Lucas made his motion picture debut in Griffith's The Greaser's Gauntlet, appearing in more than 50 of these short (usually 17 minutes) films over the next two years.
In 1910 while still acting, he wrote the script for Griffith's film Sunshine Sue, which was followed by many more scripts by 1924. Lucas also began directing in 1912 with Griffith on An Outcast Among Outcasts, and directed another 44 films over the next 20 years.
In early 1916 he starred as John Carter in Acquitted, about which Photoplay wrote, "No single performance in the records of active photography has surpassed his visualization of the humble book-keeper in Acquitted." Later in 1916 he appeared in D.W. Griffith's film Intolerance.
Part of the group of Canadian pioneers in early Hollywood, Lucas became friends and sometimes starred with Mary Pickford, Sam De Grasse, and Marie Dressler. Canadian-born director Mack Sennett hired him to both direct and act in a large number of films at his Keystone Studios.
Lucas made the successful transition from silent film to sound. While working in Hollywood, in 1926 he returned to the stage, performing in several Broadway plays. He later appeared as a foil for Laurel and Hardy in their feature films Pardon Us and A Chump at Oxford.
During his long career, Wilfred Lucas appeared in more than 375 films. Although for a time he was cast in leading roles, he became very successful as secondary and minor characters, making a good living in the film industry for more than three decades.
Wilbur Mack (born George Frear Runyon, 29 July 1873 – 13 March 1964) was an American film actor and early vaudeville performer from the 1920s through the 1960s. His film acting career began during the silent film era.
Bert Moorhouse was born on November 20, 1894 in Chicago, Illinois, USA as Herbert Green Moorhouse. He was an actor, known for Rough Ridin' Red (1928), Hey Rube! (1928) and The Woman I Love (1929). He was married to Mary. He died on January 26, 1954 in Hollywood, California, USA.
From Wikipedia, the free encyclopedia
Edmund Mortimer (21 August 1874 – 21 May 1944) was an American actor and film director. He appeared in 251 films between 1913 and 1945. He also directed 23 films between 1918 and 1928. He was born in New York, New York and died in Los Angeles, California.
From Wikipedia, the free encyclopedia
Paul Wolfgang Panzerbeiter (3 November 1872 – 16 August 1958), known professionally as Paul Panzer, was a German-American silent film actor. He appeared in 333 films between 1905 and 1952. Panzer was best known for playing Koerner / Raymond Owen in The Perils of Pauline. From 1934 through the 1950s he was under contract to Warner Bros. as an extra.
From Wikipedia, the free encyclopedia
Cyril Ring (December 5, 1892 – July 17, 1967) was an American film actor. He began his career in silent films in 1921. By the time of his final performance in 1951, he had appeared in over 350 films, almost all in small and/or uncredited parts.
He is probably best remembered today for his role as Harvey Yates, a con artist captured and hand-cuffed to fellow con artist Penelope, played by Kay Francis at the very end of the Marx Brothers first film The Cocoanuts (1929).
Cliff Saum was born on December 18, 1882 in Columbus, Ohio, USA. He was an actor and assistant director, known for A Bum Mistake (1914), The Volunteer Fireman (1915) and The $5,000,000 Counterfeiting Plot (1914). He died on March 5, 1943 in Glendale, California, USA.
From Wikipedia, the free encyclopedia
James Francis Thorpe (Sac and Fox (Sauk): Wa-Tho-Huk, translated as "Bright Path"; May 22 or 28, 1887 – March 28, 1953) was an American athlete and Olympic gold medalist. A member of the Sac and Fox Nation, Thorpe became the first Native American to win a gold medal for the United States. Considered one of the most versatile athletes of modern sports, he won Olympic gold medals in the 1912 pentathlon and decathlon, and played American football (collegiate and professional), professional baseball, and basketball. He lost his Olympic titles after it was found he had been paid for playing two seasons of semi-professional baseball before competing in the Olympics, thus violating the amateurism rules that were then in place. In 1983, 30 years after his death, the International Olympic Committee (IOC) restored his Olympic medals.
Thorpe grew up in the Sac and Fox Nation in Oklahoma, and attended Carlisle Indian Industrial School in Carlisle, Pennsylvania, where he was a two-time All-American for the school's football team. After his Olympic success in 1912, which included a record score in the decathlon, he added a victory in the All-Around Championship of the Amateur Athletic Union. In 1913, Thorpe signed with the New York Giants, and he played six seasons in Major League Baseball between 1913 and 1919. Thorpe joined the Canton Bulldogs American football team in 1915, helping them win three professional championships; he later played for six teams in the National Football League (NFL). He played as part of several all-American Indian teams throughout his career, and barnstormed as a professional basketball player with a team composed entirely of American Indians.
From 1920 to 1921, Thorpe was nominally the first president of the American Professional Football Association (APFA), which became the NFL in 1922. He played professional sports until age 41, the end of his sports career coinciding with the start of the Great Depression. He struggled to earn a living after that, working several odd jobs. He suffered from alcoholism, and lived his last years in failing health and poverty. He was married three times and had eight children, before suffering from heart failure and dying in 1953.
Thorpe has received various accolades for his athletic accomplishments. The Associated Press named him the "greatest athlete" from the first 50 years of the 20th century, and the Pro Football Hall of Fame inducted him as part of its inaugural class in 1963. A Pennsylvania town was named in his honor and a monument site there is the site of his remains, which were the subject of legal action. Thorpe appeared in several films and was portrayed by Burt Lancaster in the 1951 film Jim Thorpe – All-American.
