Max Tracey is the head waiter at a London hotel. He falls in love at first sight with Sylvia Robertson, an aristocratic woman, and poses as a prince to win her love. In this venture, he is aided by Mr. Westlake, a Ruritanian monarch who owes him a favour. When Sylvia discovers Max's deception, she is appalled, but the situation is resolved when her father tells her that he was once a hotel dishwasher.
01-14-1932
1h 33m
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Main Cast
Movie Details
Production Info
Director:
Alexander Korda
Writer:
Ernest Vajda
Production:
Paramount British Pictures
Key Crew
Producer:
Alexander Korda
Editor:
Harold Young
Locations and Languages
Country:
GB
Filming:
GB
Languages:
en
Main Cast
Leslie Howard
Leslie Howard Steiner (3 April 1893 – 1 June 1943) was an English actor, director and producer. He wrote many stories and articles for The New York Times, The New Yorker, and Vanity Fair and was one of the biggest box-office draws and movie idols of the 1930s.
Active in both Britain and Hollywood, Howard played Ashley Wilkes in Gone with the Wind (1939). He had roles in many other films, often playing the quintessential Englishman, including Berkeley Square (1933), Of Human Bondage (1934), The Scarlet Pimpernel (1934), The Petrified Forest (1936), Pygmalion (1938), Intermezzo (1939), "Pimpernel" Smith (1941), and The First of the Few (1942). He was nominated for the Academy Award for Best Actor for Berkeley Square and Pygmalion.
Howard's World War II activities included acting and filmmaking. He helped to make anti-German propaganda and shore up support for the Allies—two years after his death the British Film Yearbook described Howard's work as "one of the most valuable facets of British propaganda". He was rumoured to have been involved with British or Allied Intelligence, sparking conspiracy theories regarding his death in 1943 when the Luftwaffe shot down BOAC Flight 777 over the Atlantic (off the coast of Cedeira, A Coruña), on which he was a passenger.
Description above from the Wikipedia article Leslie Howard, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Morton Selten (6 January 1860 – 27 July 1939) was a British stage and film actor. He was occasionally credited as Morton Selton.
Given the name Morton Richard Stubbs at birth, and claimed as the son of Morton Stubbs, it was generally acknowledged that Selten was an illegitimate son of the then Prince of Wales (and future King Edward VII).
He began acting on the stage in 1878, mainly in America. In 1889, Selten played Clarence Vane in Mrs. Hargrove's Our Flat at the Lyceum Theatre and Captain Heartsease in Bronson Howard's American Civil War epic, Shenandoah. He would go on to play in some twenty-five Broadway productions over the following three decades. His film career began in the 1920s. He appeared in Branded in 1921. His last film role was the King of the Land of Legend in the 1940 Alexander Korda production The Thief of Bagdad. Selten died during filming.
From Wikipedia, the free encyclopedia
Martita Edith Hunt (30 January 1900 – 13 June 1969) was an Argentine-born British theatre and film actress. She had a dominant stage presence and played a wide range of powerful characters. She is best remembered for her performance as Miss Havisham in David Lean's Great Expectations.
From Wikipedia, the free encyclopedia
Merle Oberon (18 February 1911 – 23 November 1979) was an Indian-born British actress.
She began her film career in British films, and a prominent role, as Anne Boleyn in The Private Life of Henry VIII (1933), brought her attention. Leading roles in such films as The Scarlet Pimpernel (1934) advanced her career, and she travelled to the United States to make films for Samuel Goldwyn. She was nominated for an Academy Award for Best Actress for her performance in The Dark Angel (1935).
A traffic collision in 1937 caused facial injuries that could have ended her career, but she soon followed this with her most renowned role, as Cathy in Wuthering Heights (1939).
Legendary for his preening, prancing, delightfully playful villain Captain Hook on the award-winning stage (as well as TV) opposite America's musical treasure Mary Martin, beloved musical star Cyril Ritchard had a vast career that would last six decades, but "Peter Pan" would become his prime legacy. Born in Australia just before the turn of the century, he was educated at St. Aloysius College and Sydney University wherein he slyly sidestepped a parental-guided career in medicine for entertainment, participating in numerous college productions that quickly got him "hooked." He began professionally in the chorus line of The Royal Comic Opera Company and quickly progressed to juvenile leads. A subsequent pairing with the already-established theatre actress Madge Elliott in 1918 proved successful, and the musical twosome eventually married in 1935. Together they would go on to become known as "The Musical Lunts" by their acting peers performing in scores of plays and revues together. Ritchard specialized in playing slick, dandified villains in musical comedy and developed a potent reputation of being a man of many talents. Not only directing and staging Broadway's finest, he became a renown performer of various operas and led many productions as such. Shortly before his wife's death of bone cancer in 1955, Ritchard ventured into TV infamy by repeating his Tony and Donaldson award-winning portrayal of Hook in Peter Pan (1955). He continued to earn acclaim and/or honors with such classic stage productions as "Visit to a Small Planet" (Tony-nominated), "The Pleasure of His Company" (Drama League award, Tony-nominated), "The Roar of the Greasepaint...the Smell of the Crowd" (Tony-nominated), "A Midsummer Night's Dream" and "Sugar," the musical version of the classic Billy Wilder film Some Like It Hot (1959) in which Ritchard played the Joe E. Brown role. Lesser regarded when it comes to film, he performed in the early Hitchcock classic Blackmail (1929) and made his last movie with the musical Half a Sixpence (1967) with Tommy Steele. While performing as the Narrator in a stage production of "Side by Side by Sondheim" in November 1977, Ritchard suffered a heart attack and died one month later. A one-of-a-kind talent, his nefarious, narcissistic humor was a career trademark that culminated in the role of a lifetime -- one that will certainly be enjoyed by children young and old for eons to come.
