When the boyfriend of a rich, bored socialite dies from a weak heart, she finds herself attracted to the doctor who treated him, a hard-working idealist decidedly different from the usual spoiled society rich kids she is used to.
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From Wikipedia, the free encyclopedia Carole Lombard (born Jane Alice Peters, October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. She was the third wife of actor Clark Gable. Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures. Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks' pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, at the end of the decade, Lombard began to move towards more serious roles. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role. Lombard's career was cut short when she died at the age of 33 in an airplane crash on Mount Potosi, Nevada while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema.
Ricardo Cortez (September 19, 1900 – April 28, 1977) was an American film actor who began his career during the silent film era. Born Jacob Krantz in New York City into a Jewish family, he worked on Wall Street in a broker's office and as a boxer before his looks got him into the film business. Hollywood executives changed his name to Cortez to appeal to film-goers as a "Latin lover" to compete with such highly popular actors of the era as Rudolph Valentino, Ramon Novarro and Antonio Moreno. When rumour began to circulate that Cortez was not actually Spanish, the studios tried to pass him off as a different type of Latin, French, before they finally admitted his (supposedly) Viennese origin. Cortez appeared in over 100 films. He played opposite Joan Crawford in Montana Moon in 1930, played Sam Spade in the original The Maltese Falcon in 1931, co-starred with Charles Farrell and Bette Davis in The Big Shakedown and Wonder Bar (with Al Jolson and Dolores del Río) in 1934. He also played Perry Mason in the 1936 film The Case of the Black Cat. Although he began his career playing romantic leads with actresses like Greta Garbo, when sound cinema arrived, his powerful delivery and New York accent made him an ideal villain and conman, and he switched from sex symbol to character actor. Cortez was married to silent film actress Alma Rubens until her death of pneumonia in 1931. When he retired from the film business, Cortez went to work as a stockbroker for Solomon Brothers on New York's Wall Street. He died in New York City in 1977 and was interred at Woodlawn Cemetery in The Bronx. He was the older brother of noted cinematographer Stanley Cortez (born Stanislaus Krantz).
Paul Lukas (originally named Pál Lukács) was a Hungarian born stage, screen, radio, and television actor, in Hollywood from 1927.
From Wikipedia Juliette Compton (May 3, 1899 – March 19, 1989) was an American actress whose career began in the silent film era and concluded with That Hamilton Woman in 1941. She had started her career with a season in the Ziegfeld Follies and then stage appearances in London where she also acted in British films. Compton married James Bartram in 1931. They separated in 1936 and finally divorced in 1942.
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1936
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1933
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1932
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1932
From Wikipedia, the free encyclopedia Irving Bacon (September 6, 1893 – February 5, 1965) was an American character actor who appeared in almost 500 films. Bacon played on the stage for a number of years before getting into films in 1920. He was sometimes cast in films directed by Lloyd Bacon (incorrectly named as his brother in some sources) such as The Amazing Dr. Clitterhouse (1938). He often played comical "average guys". In the late 1930s and early 1940s, he played the weary postman Mr. Crumb in Columbia Pictures' Blondie film series. One of his bigger roles was as a similarly flustered postman in the thriller Cause for Alarm! in 1952. During the 1950s, Bacon worked steadily in a number of television sitcoms, most notably I Love Lucy, where he appeared in two episodes, one which cast him as Ethel Mertz's father.
