International con artist Martha Hicks a.k.a. Countess von Claudwig is released from another stay in prison and decides to treat her rheumatism with a stay at her estranged husband's hotel at a Wisconsin spa. There undercover, she checks in on the two daughters she abandoned as infants.
07-23-1932
1h 12m
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George Raft (born George Ranft; September 26, 1895 – November 24, 1980) was an American film actor and dancer identified with portrayals of gangsters in crime melodramas of the 1930s and 1940s. A stylish leading man in dozens of movies, today Raft is mostly known for his gangster roles in the original Scarface (1932), Each Dawn I Die (1939), and Billy Wilder's 1959 comedy Some Like It Hot, as a dancer in Bolero (1934), and a truck driver in They Drive by Night (1940).
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John Farrell MacDonald (June 6, 1875 – August 2, 1952) was an American character actor and director. He played supporting roles and occasional leads. He appeared in over 325 films over a 41-year career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917.
MacDonald was the principal director of L. Frank Baum's Oz Film Manufacturing Company, and he can frequently be seen in the films of Frank Capra, Preston Sturges and, especially, John Ford.
Early in his career, MacDonald was a singer in minstrel shows, and he toured the United States extensively for two years with stage productions. He made his first silent film in 1911, a dramatic short entitled The Scarlett Letter made by Carl Laemmle's Independent Moving Pictures Company (IMP), the forerunner of Universal Pictures,. He continued to act in numerous films each year from that time on, and by 1912 he was directing them as well. The first film he directed was The Worth of a Man, another dramatic short, again for IMP, and he was to direct 43 more films until his last in 1917, Over the Fence, which he co-directed with Harold Lloyd. MacDonald had crossed paths with Lloyd several years earlier, when Lloyd was an extra and MacDonald had given him much-needed work – and he did the same with Hal Roach, both of whom appearing in small roles in The Patchwork Girl of Oz, which MacDonald directed in 1914. When Roach set up his own studio, with Lloyd as his principal attraction, he hired MacDonald to direct.
By 1918, MacDonald, who was to become one of the most beloved character men in Hollywood, had given up directing and was acting full-time, predominantly in Westerns and Irish comedies. He first worked under director John Ford in 1919's A Fight for Love. In all, Ford would use MacDonald on twenty-five films between 1919 and 1950.
With a voice that matched his personality, MacDonald made the transition to sound films easily, with no noticeable drop in his acting output – if anything, it went up. In 1931, for instance, MacDonald appeared in 14 films – among them the first version of The Maltese Falcon, in which he played "Detective Tom Polhaus" – and in 22 of them in 1932. Although he played laborers, policemen, military men and priests, among many other characters, his roles were usually a cut above a "bit part". His characters usually had names, and he was most often credited for his performances. A highlight of this period was his performance as the hobo "Mr. Tramp" in Our Little Girl with Shirley Temple (1935).
In the 1940s, MacDonald was part of Preston Sturges' unofficial "stock company" of character actors, appearing in seven films written and directed by Sturges. MacDonald appeared in Sullivan's Travels, The Palm Beach Story, The Miracle of Morgan's Creek, The Great Moment, The Sin of Harold Diddlebock, Unfaithfully Yours and The Beautiful Blonde from Bashful Bend, Sturges' last American film. Earlier, MacDonald had also appeared in The Power and the Glory, which Sturges wrote. His work on Sturges' films was generally uncredited. He was notable in 1946 in John Ford's My Darling Clementine in which he played "Mac," the bartender in the town saloon. MacDonald also had uncredited roles in It's a Wonderful Life and Here Comes The Groom.
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Oscar C. Apfel (January 17, 1878 – March 21, 1938) was an American film actor, director, screenwriter and producer. He appeared in 167 films between 1913 and 1939, and also directed 94 films between 1911 and 1927.
Apfel was born in Cleveland, Ohio. After a number of years in commerce, he decided to adopt the stage as a profession. He secured his first professional engagement in 1900, in his hometown. He rose rapidly and soon held a position as director and producer and was at the time noted as being the youngest stage director in America.[1] He spent eleven years on the stage on Broadway then joined the Edison Manufacturing Company. Apfel first directed for Thomas A. Edison, Inc. in 1911–12, where he made the innovative short film The Passer-By (1912). He also did some experimental work at Edison's laboratory in Orange, on the Edison Talking Pictures devices.
After many years as a director, he gradually returned to acting. On March 21, 1938, Apfel died in Hollywood from a heart attack.
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Irving Bacon (September 6, 1893 – February 5, 1965) was an American character actor who appeared in almost 500 films.
Bacon played on the stage for a number of years before getting into films in 1920. He was sometimes cast in films directed by Lloyd Bacon (incorrectly named as his brother in some sources) such as The Amazing Dr. Clitterhouse (1938). He often played comical "average guys".
In the late 1930s and early 1940s, he played the weary postman Mr. Crumb in Columbia Pictures' Blondie film series. One of his bigger roles was as a similarly flustered postman in the thriller Cause for Alarm! in 1952.
During the 1950s, Bacon worked steadily in a number of television sitcoms, most notably I Love Lucy, where he appeared in two episodes, one which cast him as Ethel Mertz's father.
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Ed Brady (December 6, 1889 – March 31, 1942) was an American film actor. He appeared in more than 350 films between 1911 and 1942.
