Society matron Mrs. Livingston Baldwin Crane is selected as a juror in the trial of former chorus girl Yvette Gordon, who's accused of murdering her rich older husband. In court and during deliberations, Mrs. Crane proves to be a disruptive and unorthodox juror.
02-02-1932
1h 3m
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Main Cast
Movie Details
Production Info
Director:
Lowell Sherman
Writer:
Marion Dix
Production:
RKO Radio Pictures
Key Crew
Associate Producer:
Douglas MacLean
Producer:
William LeBaron
Additional Dialogue:
Eddie Welch
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Edna May Oliver
Edna May Oliver (November 9, 1883 – November 9, 1942) was an American stage and film actress. During the 1930s, she was one of the best-known character actresses in American films, often playing tart-tongued spinsters.
She was born Edna May Nutter in Malden, Massachusetts. The daughter of Ida May and Charles Edward Nutter, Edna was a descendant of the 6th American president John Quincy Adams. Miss Oliver took an early interest in the stage, and she would quit school at the age of 14 to pursue her ambitions in the theater.
Despite abandoning traditional schooling, Edna continued to study the performing arts, including speech and piano. One of her first jobs was as pianist with an all female orchestra which toured America around the turn of the century. By 1917 she had achieved success on Broadway in the hit play "Oh, Boy". By 1923 she had appeared in her first film. Edna May Oliver seems to have been born to play the classics of American and British literature. Some of her most memorable film roles were in adaptations of works of Charles Dickens. Although some have described her as plain or "horse faced", Edna May Oliver's comedic talents lent a beautiful droll warmth to her characters. She was usually called upon to play less glamorous roles such as a spinsters, but she played them with such soul, wit, and depth that to this day she remains one of the best loved of Hollywood's character actresses. A fine example of her comedic talent can be found in Laugh and Get Rich (1931). Here we find her playing a role almost autobiographical in nature, that of a proud woman with Boston roots who has married "down". As the plot unwinds, she is invited to a society gala despite her modest circumstances. At the gala she becomes tipsy. With a frolicsome air Edna May seems to use the role to gently mock her real self. Her slightly drunk character seizes upon a bit of flattery, and alluding to her old New England family, proudly proclaims to each who will listen, "I am a Cranston. That explains everything!". In real life, Edna May Oliver was a Nutter, and perhaps that explains everything.
Edna May Oliver married stock broker David Pratt in 1928, but the marriage ended in divorce five years later. In 1939 she received an Oscar nomination for her supporting role as Widow McKlennar in the picture Drums Along the Mohawk (1939). That was to be one of her last films. Miss Oliver was struck ill in August of 1942. Although she seemed to recover briefly, she was re-admitted to Los Angeles's Cedars of Lebanon hospital in October Her dear friend actress Virginia Hammond flew out from New York to stay by her bedside. Edna May Oliver died on her 59th birthday, 9th November 1942. Virginia Hammond was with her and said, "She died without ever being aware of the gravity of her condition. She just went peacefully asleep."
From Wikipedia, the free encyclopedia.
Jill Esmond (26 January 1908 – 28 July 1990) was an English actress and first wife of Sir Laurence Olivier.
In 1928 Esmond (billed as Jill Esmond Moore) appeared in the production of Bird in the Hand, where she met fellow cast member Laurence Olivier for the first time. Three weeks later, he proposed to her. In his autobiography Olivier later wrote that he was smitten with Esmond, and that her cool indifference to him did nothing but further his ardour. When Bird in the Hand was being staged on Broadway, Esmond was chosen to join the American production – but Olivier was not.
Determined to be near Esmond, Olivier travelled to New York City where he found work as an actor. Esmond won rave reviews for her performance. Olivier continued to follow Esmond, and after proposing to her several times, she agreed and the couple were married on 25 July 1930 at All Saints', Margaret Street; within weeks, the couple regretted their marriage. They had one son, Tarquin Olivier (born 21 August 1936).
Returning to the United Kingdom, Esmond made her film debut with a starring role in an early Alfred Hitchcock film The Skin Game (1931), and over the next few years appeared in several British and (pre-Code) Hollywood films, including Thirteen Women (1932). She also appeared in two Broadway productions with Olivier, Private Lives in 1931 with Noël Coward and Gertrude Lawrence and The Green Bay Tree in 1933.
Esmond's career continued to ascend while Olivier's own career languished, but after a couple of years, when his career began to show promise, she began to refuse roles. Esmond had been promised a role by David O. Selznick in A Bill of Divorcement (1932) but at only half-salary. Olivier had discovered that Katharine Hepburn had been offered a much greater salary, and convinced Esmond to turn down the role. Description above from the Wikipedia article Jill Esmond, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Ken Murray (born Kenneth Abner Doncourt, July 14, 1903 – October 12, 1988) was an American comedian, actor, radio and television personality and author.
After finding success on the vaudeville stage, Murray moved to Hollywood and made his film debut in the 1929 romantic drama Half Marriage, followed by a role in Leathernecking in 1930. Murray was the host of a weekly radio variety show (The Ken Murray Show) on NBC 1932-33 and on CBS 1936–37. He later was the original host (1945-57) of Queen for a Day, on the Mutual Broadcasting System radio show, which was simulcast on KTSL (now KCBS-TV), Channel 2 in Los Angeles.
During World War II, Murray was one of the many celebrities to volunteer at the Hollywood Canteen. In 1947, he produced Bill and Coo, a feature film using trained birds and other animals as actors. Bill and Coo won a special Academy Award for "novel and entertaining use of the medium of motion picture" and "artistry and patience" .
He was also the host of The Ken Murray Show, a weekly music and comedy show on CBS Television that ran from 1950 to 1953. The show was the first to win a Freedom Foundation Award. Murray also guest starred on several television series, including The Ford Show, Starring Tennessee Ernie Ford and The Bing Crosby Show.
Murray produced and co-starred as "Smiling Billy Murray" in a 1953 film, The Marshal's Daughter, a western that featured his protege Laurie Anders in the title role, her sole film performance. In 1962, Murray portrayed the top hat wearing, cigar chewing, drunken Doc Willoughby in John Ford's The Man Who Shot Liberty Valance starring John Wayne and James Stewart, arguably his most memorable screen role. Paired off for most of the picture with Edmond O'Brien as an alcoholic newspaper editor, he drunkenly rolls over the gunshot corpse of villain Liberty Valance (Lee Marvin) with his boot, looks around off-handedly, and says "Dead" to the surrounding crowd of euphoric Mexicans.
In 1964, Murray played Whipsaw, the operator of a stagecoach depot in the episode "Little Cayuse" of the television series Death Valley Days, hosted by Stanley Andrews. He and his partner take in a Cayuse orphan (Larry Domasin), who demonstrates his loyalty to the men during an Indian attack. In 1965, Murray played a THRUSH financier and owner of a caribbean casino in The Man from U.N.C.L.E.. In 1966, Murray was cast as Melody Murphy in the Walt Disney film Follow Me, Boys! starring Fred MacMurray, Vera Miles and Kurt Russell.
From Wikipedia
Roscoe Ates (January 20, 1895 – March 1, 1962) was an American vaudeville performer, actor of stage and screen, comedian and musician who primarily was featured in western films and television. He was best known as western character Soapy Jones.
From Wikipedia, the free encyclopedia
George Beranger (27 March 1893 – 8 March 1973), also known as André Beranger, was an Australian actor and Hollywood and stage director.
Beranger began playing Shakespearean roles at the age of sixteen with the Walter Bentley Players. He then emigrated from Australia to California, United States in 1912 and worked in the silent film industry in Hollywood. According to a researcher, he "reinvented himself in Hollywood, claiming French parentage, birth on a French ocean liner off the coast of Australia and a Paris education." Beranger worked under the names George Alexandre Beranger and André de Beranger.
By the 1920s, Beranger had become a star, appearing in the movies of Ernst Lubitsch and D. W. Griffith. He also directed ten films between 1914 and 1924. Beranger owned a large Spanish-style home in Laguna Beach, rented a room at the Hollywood Athletic Club and owned an apartment in Paris, France.
Beranger eventually appeared in more than 140 films between 1913 and 1950. Beranger's career dissipated following the 1930s Great Depression and the advent of sound film, and his roles in later films were small and often uncredited. He supplemented his income as a draftsman for the Los Angeles City Council. He sold his large properties and moved into a modest cottage beside his house in Laguna Beach.
He entered into a "lavender marriage" with a neighbouring widow, but they never shared the same house and he continued his gay lifestyle unabated.
Beranger retired in 1952 and lived his later years in seclusion. He was found dead of natural causes in his home on 8 March 1973.
Description above from the Wikipedia article George Beranger licensed under CC-BY-SA, full list of contributors on Wikipedia.
Leyland Hodgson (5 October 1892 – 16 March 1949), also known as Leland Hodgson, was an English-born American character actor of the 1930s and 1940s. Born in London on 5 October 1892, Hodgson entered the theatre in 1898. In his early 20s Hodgson was part of a touring theatre company, spending his time in the British areas of the Far East, before entering the stage in Australia. In 1930 moved to the United States, where he made his film debut in the Oscar-nominated film, The Case of Sergeant Grischa in 1930.
George Humbert (born Umberto Gianni; July 29, 1880 – May 8, 1963) was an Italian-born American actor who appeared in more than 100 films between 1918 and the 1950s. He emigrated to the United States as a steerage passenger on board the Italian steamer Sannio, which sailed from Genoa, Italy and arrived at the Port of New York in June 1907; he was examined by the U.S. immigration service on Ellis Island and allowed to enter the United States legally. He became a United States citizen in 1933.
From Wikipedia
Florence Lake (born Florence Silverlake, November 27, 1904 – April 11, 1980) was an American actress best known as the leading lady in most of the Edgar Kennedy comedy shorts.
Florence was petite, with a high-pitched speaking voice. She perfected a comical singsong delivery that established her in "dumb" roles. She personified flightiness in the Kennedy shorts, as the scatterbrained Mrs. Kennedy. After the series ended upon Kennedy's death in 1948, she continued to play character roles in films and television. Her best-known TV role was Jenny, the Claverton telephone operator in Lassie. Lake played the role for the entire ten year "farm seasons" of the show (1954–1964), thus becoming the Lassie player with the longest tour of duty on the series.
She played the role of Mama Angel in a 1957 episode of the The Lone Ranger TV series entitled "The Angel and the Outlaw". She also appeared in the first color episode of the TV series Superman in 1957 as a cave woman.
In her later years, Lake appeared as Elvira Norton on an episode of Dragnet entitled "Frauds". She also played a blind date for the character Lou Grant on The Mary Tyler Moore Show episode, "Lou's First Date". Her last roles were in the TV series Emergency! and Baretta in 1976.
From Wikipedia
Guinn Terrell Williams Jr. (April 26, 1899 – June 6, 1962) was an American actor who appeared in memorable westerns such as Dodge City (1939), Santa Fe Trail (1940), and The Comancheros (1961). He was nicknamed "Big Boy" as he was 6' 2" and had a muscular build from years of working on ranches and playing semi-pro and professional baseball.
Williams made his screen debut in the 1919 comedy, Almost A Husband, with Will Rogers and Cullen Landis, and was featured in a large supporting role ten years later in Frank Borzage's Lucky Star with Janet Gaynor and Charles Farrell. Throughout the 1920s Williams would have a string of successful films, mostly westerns.
He then appeared in The Great Meadow alongside Johnny Mack Brown, which was Brown's breakout film. Throughout the 1930s, Williams acted in supporting roles, mostly in westerns, sports, or outdoor dramas. Although not the lead actor in any of them, he was always employed, and was successful as a supporting actor. He often played alongside Hoot Gibson and Harry Carey during that period. In 1941, he became one of many actors cast by Universal Pictures in their large film series, Riders of Death Valley. From the late 1930s to the mid-1940s, Williams appeared in supporting roles in a number of A-pictures, sometimes with high billing, such as You Only Live Once, and in Columbia's first Technicolour film The Desperadoes (1943).
Williams was frequently teamed with Alan Hale, Sr. as sidekicks to Errol Flynn in several of his pictures. In 1960, he was cast in the epic film The Alamo and in Home from the Hill with Robert Mitchum. His last role was opposite his close friend John Wayne and Stuart Whitman in The Comancheros.
