A pretty but virtuous small-town bank clerk is the victim of a vicious rumor from an unsuccessful suitor that she spent the night with a notorious womanizer.
10-28-1932
1h 13m
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Main Cast
Movie Details
Production Info
Director:
William A. Seiter
Production:
Paramount Pictures
Key Crew
Adaptation:
Josephine Lovett
Screenplay:
Seton I. Miller
Adaptation:
Joseph Moncure March
Associate Producer:
William LeBaron
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Cary Grant
Cary Grant (born Archibald Alec Leach; January 18, 1904 – November 29, 1986) was an English-born American actor, known as one of classic Hollywood's definitive leading men. He was known for his transatlantic accent, debonair demeanor, light-hearted approach to acting, and sense of comic timing.
Grant was born in Horfield, Bristol. He became attracted to theater at a young age and began performing with a troupe known as "The Penders" at age six. At the age of 16, he went as a stage performer with the Pender Troupe for a tour of the US. After a series of successful performances in New York City, he decided to stay there. He established a name for himself in vaudeville in the 1920s and toured the United States before moving to Hollywood in the early 1930s.
Grant initially appeared in crime films or dramas such as Blonde Venus (1932) with Marlene Dietrich and She Done Him Wrong (1933) with Mae West, but later gained renown for his performances in romantic and screwball comedies such as The Awful Truth (1937) with Irene Dunne, Bringing Up Baby (1938) with Katharine Hepburn, His Girl Friday (1940) and The Philadelphia Story (1940) with Hepburn and James Stewart, often with some of the biggest female stars of the day. These films are frequently cited among the greatest comedy films of all time. Other well-known films in which he starred in this period were the adventure Gunga Din (1939) and the dark comedy Arsenic and Old Lace (1944). He also began to move into dramas such as Only Angels Have Wings (1939), Penny Serenade (1941) and Clifford Odets' None but the Lonely Heart (1944); he was nominated for the Academy Award for Best Actor for the latter two.
During the 1940s and 1950s, Grant developed a close working relationship with director Alfred Hitchcock, who cast the popular actor in several of his critically acclaimed films, including Suspicion (1941), Notorious (1946), To Catch a Thief (1955), and North by Northwest (1959). The suspense-dramas Suspicion and Notorious both involved Grant showing a darker, more ambiguous nature in his characters. Toward the end of his film career, Grant was praised by critics as a romantic leading man, and he received five nominations for the Golden Globe Award for Best Actor, including Indiscreet (1958) with Ingrid Bergman, That Touch of Mink (1962) with Doris Day, and Charade (1963) with Audrey Hepburn. He is remembered by critics for his unusually broad appeal as a handsome, suave actor who did not take himself too seriously, able to play with his own dignity in comedies without sacrificing it entirely.
Description above from the Wikipedia article Cary Grant, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Randolph Scott (January 23, 1898 – March 2, 1987) was an American film actor whose career spanned from 1928 to 1962.
As a leading man for all but the first three years of his cinematic career, Scott appeared in a variety of genres, including social dramas, crime dramas, comedies, musicals (albeit in non-singing and non-dancing roles), adventure tales, war films, and even a few horror and fantasy films. However, his most enduring image is that of the tall-in-the-saddle Western hero. Out of his more than 100 film appearances more than 60 were in Westerns; thus, "of all the major stars whose name was associated with the Western, Scott most closely identified with it."
Scott's more than thirty years as a motion picture actor resulted in his working with many acclaimed screen directors, including Henry King, Rouben Mamoulian, Michael Curtiz, John Cromwell, King Vidor, Alan Dwan, Fritz Lang, and Sam Peckinpah. He also worked on multiple occasions with some noted directors: Henry Hathaway (8 times), Ray Enright (7), Edwin R. Marin (7), Andre DeToth (6), and most notably, his seven film collaborations with Budd Boetticher.
Scott also worked with a diverse array of cinematic leading ladies, from Shirley Temple and Irene Dunne to Mae West and Marlene Dietrich. He also appeared with Gene Tierney, Ann Sheridan, Maureen O'Hara, Nancy Carroll, Donna Reed, Gail Russell, Margaret Sullavan, Virginia Mayo, Bebe Daniels, Carole Lombard, and Joan Bennett.
Tall (6 ft. 2 in.; 188 cm), lanky, and handsome, Scott displayed an easygoing charm and courtly Southern drawl in his early films that helped offset his limitations as an actor, where he was frequently found to be stiff or "lumbering". As he matured, however, Scott's acting improved while his features became burnished and leathery, turning him into the ideal "strong, silent" type of stoic hero. The BFI Companion to the Western noted: "In his earlier Westerns...the Scott persona is debonair, easy-going, graceful, though with the necessary hint of steel. As he matures into his fifties his roles change. Increasingly Scott becomes the man who has seen it all, who has suffered pain, loss, and hardship, and who has now achieved (but at what cost?) a stoic calm proof against vicissitude."
During the early 1950s, Scott was a consistent box-office draw. In the annual Motion Picture Herald Top Ten Polls, he ranked tenth in 1950, eighth in 1951, and again tenth in 1952. Scott also appeared in the Quigley’s Top Ten Money Makers Poll from 1950 to 1953.
From Wikipedia, the free encyclopedia.
Edward Woods (July 5, 1903, Los Angeles -- October 8, 1989, Salt Lake City) was an American actor best known for his lead role in The Public Enemy opposite James Cagney.
Description above from the Wikipedia article Edward Woods, licensed under CC-BY-SA, full list of contributors on Wikipedia
From Wikipedia, the free encyclopedia
Lilian Bond (January 18, 1908 – January 25, 1991) was a British-born, United States-based film actress from the late 1920s to the 1950s. Bond was born in London and made her first public appearance at the age of 14 when she was in the pantomime Dick Whittington. Later she joined the chorus of Piccadilly Revels and continued on the stage when she went to the United States. Her stage activities included performing in Earl Carroll's Vanities
She began her film career in the 1929 film No More Children. Between 1929 and 1931, she starred in nine films, most notably the 1931 western Rider of the Plains with Tom Tyler. In 1932, she was named a WAMPAS Baby Star, along with, among others, Gloria Stuart and Ginger Rogers
From 1932 to 1953, she had roles in 39 films, some of which were uncredited, with others having her in the lead role. Bond played Gladys DuCane in The Old Dark House, a chorus girl who falls in love with Roger Penderel (played by Melvyn Douglas). Possibly her best-known film role was in the 1940 film The Westerner, in which she played Lillie Langtry. By the 1950s, her career had declined, with her having mostly TV appearances. She retired from acting at the age of 50 in 1958.
From Wikipedia, the free encyclopedia
Jane Darwell (October 15, 1879 – August 13, 1967) was an American film and stage actress. With appearances in over 100 major motion pictures, Darwell is perhaps best-remembered for her portrayal of the matriarch and leader of the Joad family in the film adaptation of The Grapes of Wrath, for which she received the Academy Award for Best Supporting Actress, and her role as the Bird Woman in Mary Poppins.
Description above from the Wikipedia article Jane Darwell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Oscar C. Apfel (January 17, 1878 – March 21, 1938) was an American film actor, director, screenwriter and producer. He appeared in 167 films between 1913 and 1939, and also directed 94 films between 1911 and 1927.
Apfel was born in Cleveland, Ohio. After a number of years in commerce, he decided to adopt the stage as a profession. He secured his first professional engagement in 1900, in his hometown. He rose rapidly and soon held a position as director and producer and was at the time noted as being the youngest stage director in America.[1] He spent eleven years on the stage on Broadway then joined the Edison Manufacturing Company. Apfel first directed for Thomas A. Edison, Inc. in 1911–12, where he made the innovative short film The Passer-By (1912). He also did some experimental work at Edison's laboratory in Orange, on the Edison Talking Pictures devices.
After many years as a director, he gradually returned to acting. On March 21, 1938, Apfel died in Hollywood from a heart attack.
From Wikipedia, the free encyclopedia
Nora Cecil (September 20, 1878 – May 1, 1951) was a British-American character actress whose 30-year career spanned both the silent and sound film eras. Cecil's career began on the stage, where she appeared in a single Broadway production, The Sleeping Beauty and the Beast, which ran for more than 240 performances at the Broadway Theatre in 1901-02. (A 1930 newspaper article says that Cecil "made her debut, three decades ago, on the London stage.")
Cecil appeared in well over 100 feature films and film shorts.
In 1915, she moved from the stage into films, her first appearance being in a starring role in The Arrival of Perpetua, directed by Émile Chautard. She often played "thin-lipped, stern-visaged dowagers and forbidding mothers-in-law" and "welfare workers, landladies, schoolmistresses and maiden aunts".
One of the most significant roles was in the W.C. Fields vehicle, The Old Fashioned Way in 1934. Some of the other notable films in which Cecil appeared include: Ernst Lubitsch's historical romance, The Merry Widow, starring Maurice Chevalier and Jeanette MacDonald; the 1939 version of The Adventures of Huckleberry Finn, starring Mickey Rooney; the John Ford classic, Stagecoach, with John Wayne.
Her final acting performance was in a featured role in Mourning Becomes Electra in 1947, starring Rosalind Russell.
Kemp was born on January 3, 1908 in Concho, Arizona. Kemp first started appearing in films in uncredited minor roles in the early 1930's and began popping up in numerous TV shows in the early 1950's. Moreover, Kenner not only also worked as both a stuntman and an occasional stand-in for.
From Wikipedia, the free encyclopedia
Dave O'Brien (born David Poole Fronabarger, May 31, 1912 – November 8, 1969) was an American film actor, director, and writer.
O'Brien was best known to movie audiences in the 1940s as the hero of the Metro-Goldwyn-Mayer comedy short film series Pete Smith Specialties narrated by Pete Smith. O'Brien wrote and directed many of these subjects under the name David Barclay. He also appeared in many low-budget Westerns, often billed as Tex O'Brien. In 1942, O'Brien starred in the movie serial Captain Midnight.
Modern audiences perhaps best remember O'Brien as a frantic dope addict in the 1936 low-budget exploitation film Tell Your Children (better known under its reissue title, Reefer Madness).
As a writer for The Red Skelton Show, O'Brien shared an Emmy Award for Outstanding Writing for a Comedy Series in 1961 and shared a nomination for the same award in 1963.
O'Brien died, aged 57, of a heart attack while competing in a yachting race.
From Wikipedia, the free encyclopedia
Marjorie Main (born Mary Tomlinson, February 24, 1890 – April 10, 1975) was an American actress, best known as a Metro-Goldwyn-Mayer contract player and for her role as Ma Kettle in a series of ten Ma and Pa Kettle movies.
Main worked in vaudeville on the Orpheum circuit and in Chautauqua presentations, and debuted on Broadway in 1916. Her first film was A House Divided in 1931.
Main began playing upper class dowagers, but ultimately was typecast in abrasive, domineering, salty roles, for which her distinctive voice was well suited. She repeated her stage role in Dead End in the 1937 film version, and was subsequently cast repeatedly as the mother of gangsters. She again transferred a strong stage performance, as a dude-ranch operator in The Women, to film in 1939. At this time, she guest-starred on radio programs such as Columbia Presents Corwin and The Goldbergs.
Main was signed to a Metro-Goldwyn-Mayer contract in 1940 and stayed with the studio until the mid-1950s. She made six films with Wallace Beery in the 1940s, including Barnacle Bill (1941), Jackass Mail (1942), and Bad Bascomb (1946). She played Sonora Cassidy, the chief cook, in The Harvey Girls (1946). The director George Sidney remarked in the commentary for the film that Miss Main was a "great lady" as well as a great actress who donated most of her paychecks over the years to the support of a school.
Perhaps her most famous role is that of Ma Kettle, which she first played in The Egg and I in 1947 opposite Percy Kilbride as Pa Kettle. She was nominated for an Academy Award for Best Actress in a Supporting Role for the part and portrayed the character in nine more Ma and Pa Kettle films.
By the early 1950s, she had appeared in several MGM musicals, including, Meet Me in St. Louis and The Belle of New York. She played Mrs. Wrenley in the studio's all-star film It's a Big Country (1951). In 1954, Marjorie Main played her last roles for the studio: Mrs. Hittaway in The Long, Long Trailer and Jane Dunstock in Rose Marie. In 1956, Main's performance as the widow Hudspeth in the hit film Friendly Persuasion was well-received, earning her a Golden Globe nomination for Best Supporting Actress.
In 1958, Main appeared twice as rugged frontierswoman Cassie Tanner in the episodes "The Cassie Tanner Story" and "The Sacramento Story" on NBC's television series Wagon Train. In the first segment, she joins the wagon train, casts her romantic interest on Ward Bond as Major Adams, and helps the train locate needed horses despite a Paiute threat.
