Stymie takes Dickie for a ride in his runaway car and cures his stiff neck.
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Matthew 'Stymie' Beard was born on January 1, 1925 in Los Angeles, California, USA as Matthew Beard Jr. He was an actor, known for Jezebel (1938), School's Out (1930) and The Kid from Borneo (1933). He died on January 8, 1981 in Los Angeles.
George 'Spanky' McFarland was born on October 2, 1928 in Dallas, Texas, USA as George Robert Phillips McFarland. He was an actor, known for General Spanky (1936), Our Gang Follies of 1938 (1937) and Beginner's Luck (1935). He was married to Doris. He died of a heart attack on June 30, 1993 in Grapevine, Texas.
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1933
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1933
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1931
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1937
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1943
From Wikipedia, the free encyclopedia Creighton Hale (24 May 1888 — 9 August 1965) was an Irish-American theatre, film, and television actor whose career extended more than a half-century, from the early 1900s to the end of the 1950s. Born Patrick Fitzgerald in County Cork, Ireland, he was educated in Dublin and London, and later attended Ardingly College in Sussex. He immigrated to America in his early twenties, traveling with a troupe of actors. While starring in Charles Frohman's Broadway production of Indian Summer, Hale was spotted by a representative of the Pathe Film Company. He eventually became known professionally as Creighton Hale, although the derivation of those names remains unknown. His first movie was The Exploits of Elaine in 1914. He starred in hit films such as Way Down East, Orphans of the Storm, and The Cat and the Canary. When talkies came about, his career declined. He made several appearances in Hal Roach's Our Gang series (School's Out, Big Ears, Free Wheeling), and also played unbilled bits in major talking films such as Larceny, Inc., The Maltese Falcon, and Casablanca. He died in the Los Angeles County city of South Pasadena and was buried at Duncans Mills Cemetery in Northern California.
From Wikipedia, the free encyclopedia Wilfred Lucas (January 30, 1871 – December 13, 1940) was a Canadian-born American stage actor who found success in film as an actor, director, and screenwriter. Wilfred Lucas made his Broadway debut in 1904, playing in both the The Blue Grass Handicap and The Superstition of Sue. Following his 1906 role in the highly successful play The Chorus Lady, he was recruited to the fledgling Biograph Studios by D. W. Griffith. At the time, the film business was still looked down upon by many members of the theatrical community. In her 1925 book titled When the Movies Were Young, Griffith's wife, actress Linda Arvidson, told the story of the early days at Biograph Studios. In it, she referred to Lucas as the "first real grand actor, democratic enough to work in Biograph movies." In 1908 Lucas made his motion picture debut in Griffith's The Greaser's Gauntlet, appearing in more than 50 of these short (usually 17 minutes) films over the next two years. In 1910 while still acting, he wrote the script for Griffith's film Sunshine Sue, which was followed by many more scripts by 1924. Lucas also began directing in 1912 with Griffith on An Outcast Among Outcasts, and directed another 44 films over the next 20 years. In early 1916 he starred as John Carter in Acquitted, about which Photoplay wrote, "No single performance in the records of active photography has surpassed his visualization of the humble book-keeper in Acquitted." Later in 1916 he appeared in D.W. Griffith's film Intolerance. Part of the group of Canadian pioneers in early Hollywood, Lucas became friends and sometimes starred with Mary Pickford, Sam De Grasse, and Marie Dressler. Canadian-born director Mack Sennett hired him to both direct and act in a large number of films at his Keystone Studios. Lucas made the successful transition from silent film to sound. While working in Hollywood, in 1926 he returned to the stage, performing in several Broadway plays. He later appeared as a foil for Laurel and Hardy in their feature films Pardon Us and A Chump at Oxford. During his long career, Wilfred Lucas appeared in more than 375 films. Although for a time he was cast in leading roles, he became very successful as secondary and minor characters, making a good living in the film industry for more than three decades.
