Innocent Sally Brown thinks men are only attracted to experienced women, so she poses as the wife of an unmarried businessman on a trip to Paris.
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Joan Geraldine Bennett (February 27, 1910 – December 7, 1990) was an American stage, film and television actress. Besides acting on the stage, Bennett appeared in more than 70 motion pictures from the era of silent movies well into the sound era. She is possibly best-remembered for her film noir femme fatale roles in director Fritz Lang's movies such as The Woman in the Window (1944) and Scarlet Street (1945). Bennett had three distinct phases to her long and successful career, first as a winsome blonde ingenue, then as a sensuous brunette femme fatale (with looks that movie magazines often compared to those of Hedy Lamarr), and finally as a warmhearted wife/mother figure. In 1951, Bennett's screen career was marred by scandal after her third husband, film producer Walter Wanger, shot and injured her agent Jennings Lang. Wanger suspected that Lang and Bennett were having an affair, a charge which she adamantly denied. In the 1960s, she achieved success for her portrayal of Elizabeth Collins Stoddard on TV's Dark Shadows, for which she received an Emmy nomination. For her final movie role, as Madame Blanc in Suspiria (1977), she received a Saturn Award nomination. Description above from the Wikipedia article Joan Bennett, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia. Minna Gombell (May 28, 1892 – April 14, 1973) was an American film actress of the 1930s and 1940s. She appeared in 50 Hollywood films including; Laurel and Hardy's Block-Heads, The Merry Widow, The First Year, Boom Town, High Sierra, Hoop-La, The Thin Man, and The Best Years of Our Lives. Her third husband was the film writer, producer and director Myron Coureval Fagan. Description above from the Wikipedia article Minna Gombell, licensed under CC-BY-SA,full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia Johnson Lundy Arledge (March 12, 1906 – May 15, 1947) was an American film and stage actor. He played dozens of supporting roles in the Hollywood movies of the 1930s–1940s, including the tractor driver who destroys a house in The Grapes of Wrath.
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1961
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1943
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1951
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1933
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1931
From Wikipedia, the free encyclopedia Richard Tucker (June 4, 1884 – December 5, 1942) was an American actor. Tucker was born in Brooklyn, New York, in 1884. Appearing in 266 films between 1911 and 1940, he was the first official member of the Screen Actors Guild (SAG) and a founding member of SAG's Board of Directors. Tucker died in Woodland Hills, Los Angeles from a heart attack. He is interred at Forest Lawn Memorial Park, in an unmarked niche in Great Mausoleum, Columbarium of Faith.
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1954
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1956
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1932
Marcelle Corday was a Belgian actress who appeared in numerous supporting roles, typically minor, usually uncredited, in Hollywood films.
From Wikipedia, the free encyclopedia Wardell Edwin Bond (April 9, 1903 – November 5, 1960) was an American film character actor whose rugged appearance and easygoing charm were featured in more than 200 films, as well as in the NBC television series Wagon Train from 1957 to 1961. Among his best-remembered roles are Bert the cop in Frank Capra's It's a Wonderful Life (1946) and Captain Clayton in John Ford's The Searchers (1956).
From Wikipedia, the free encyclopedia Mathilde Comont (9 September 1886 – 21 June 1938) was a French-born American actress of the silent era. She appeared in films in her native country, particularly shorts, before going on to appear in US films, she would feature in a total of 71 films between 1908 and 1937. A largish and short women of 5 feet,4 inches, she died in Hollywood, California from a heart attack.
From Wikipedia, the free encyclopedia Albert De Conti Cadassamare (29 January 1887 – 18 January 1967), professionally billed as Albert Conti, was an Austrian-Hungarian-born Italian-American film actor. Born in the village Gorizia (now part of Italy), Conti achieved moderate fame as an actor in American films, but first he specialized in law (high school and law college in Graz) and natural science, and married Patricia Cross. When World War I began, he became an officer. His father was Albert, Ritter Conti v. Cedassamare and his mother was Marie Bernhardine Anna (Countess Caboga) a member of an old Ragusan/Dubrovnik noble family. After his discharge from the Austrian army at the close of World War I, he came to America like many other now-impoverished postwar Europeans from both sides of the conflict. Conti emigrated to the United States via the Port of Philadelphia in 1919. After settling in the new country, Conti was obliged to take a series of manual labor jobs, his patrician background notwithstanding. While working in the California oil fields, he answered an open call placed by director Erich von Stroheim, who was in search of an Austrian military officer to act as technical advisor for his upcoming film Merry-Go-Round (1923). A better actor than most of his fellow Habsburg Empire expatriates, Conti was able to secure dignified character roles in several silent and sound films; his credits ranged from Josef von Sternberg's Morocco (1930) to the early Laurel and Hardy knockabout Slipping Wives (1927). He appeared in the 1928 silent film Dry Martini as a roué artist. Though he made his last film in 1942, Albert Conti remained in the industry as an employee of the MGM wardrobe department, where he worked until his retirement in 1962.
Gino Corrado (born Gino Corrado Liserani; 9 February 1893 - 23 December 1982) was an Italian-born American screen actor, his career spanning the years 1916 to 1954. During the early years of his career he was extensively credited as Eugene Corey.
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1932
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1934
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1930
From Wikipedia, the free encyclopedia Wilfred Lucas (January 30, 1871 – December 13, 1940) was a Canadian-born American stage actor who found success in film as an actor, director, and screenwriter. Wilfred Lucas made his Broadway debut in 1904, playing in both the The Blue Grass Handicap and The Superstition of Sue. Following his 1906 role in the highly successful play The Chorus Lady, he was recruited to the fledgling Biograph Studios by D. W. Griffith. At the time, the film business was still looked down upon by many members of the theatrical community. In her 1925 book titled When the Movies Were Young, Griffith's wife, actress Linda Arvidson, told the story of the early days at Biograph Studios. In it, she referred to Lucas as the "first real grand actor, democratic enough to work in Biograph movies." In 1908 Lucas made his motion picture debut in Griffith's The Greaser's Gauntlet, appearing in more than 50 of these short (usually 17 minutes) films over the next two years. In 1910 while still acting, he wrote the script for Griffith's film Sunshine Sue, which was followed by many more scripts by 1924. Lucas also began directing in 1912 with Griffith on An Outcast Among Outcasts, and directed another 44 films over the next 20 years. In early 1916 he starred as John Carter in Acquitted, about which Photoplay wrote, "No single performance in the records of active photography has surpassed his visualization of the humble book-keeper in Acquitted." Later in 1916 he appeared in D.W. Griffith's film Intolerance. Part of the group of Canadian pioneers in early Hollywood, Lucas became friends and sometimes starred with Mary Pickford, Sam De Grasse, and Marie Dressler. Canadian-born director Mack Sennett hired him to both direct and act in a large number of films at his Keystone Studios. Lucas made the successful transition from silent film to sound. While working in Hollywood, in 1926 he returned to the stage, performing in several Broadway plays. He later appeared as a foil for Laurel and Hardy in their feature films Pardon Us and A Chump at Oxford. During his long career, Wilfred Lucas appeared in more than 375 films. Although for a time he was cast in leading roles, he became very successful as secondary and minor characters, making a good living in the film industry for more than three decades.
Joseph Michael Kerrigan (16 December 1884 – 29 April 1964), better known as J.M. Kerrigan, was an Irish character actor. Kerrigan was born in Dublin, Ireland. He worked as a newspaper reporter until 1907 when he joined the famous Abbey Players. There he became a stalwart, appearing in plays by Lady Gregory, William Butler Yeats and John Millington Synge (for whom he played the role of Shawn Keogh in The Playboy of the Western World. His first screen appearance was in the silent film Food of Love in 1916. By the 1920s he was appearing on Broadway, often in plays by Shakespeare, Ibsen, and Sheridan. He settled permanently in Hollywood in 1935, having been recruited along with several other Abbey performers, to appear in John Ford's The Informer. In that film and in Ford's The Long Voyage Home, he plays similar roles, that of a leech who attaches himself to men until they run out of money. Perhaps his best known role was in The General Died at Dawn, where he plays a character actually named Leach, in which he steals scenes from Gary Cooper, Madeleine Carroll and William Frawley. In it he plays a sinister little petty thief who, holding a gun on Cooper, says, "I may be fat, but I'm agile." He had little screen time in films which he starred as minor roles, such as the "First Drayman" in Merely Mary Ann (1931) with Janet Gaynor. One of his most recognizable minor roles was in Gone with the Wind (1939), in which he played John Gallegher, the seemly jovial mill owner who whips his convict labour in to "co-operation". He appeared in Walt Disney's 20,000 Leagues Under the Sea (1954), the famous film version of Jules Verne's Twenty Thousand Leagues Under the Sea in a minor role at the beginning of the film. In 1946, he tried breaking into Broadway shows, playing the discombobulated leprechaun Jackeen J. O'Malley in the show "Barnaby and Mr. O'Malley", based on the Crockett Johnson comic strip. J. M. Kerrigan died in Hollywood on 29 April 1964, aged 79. Kerrigan has a star on the Hollywood Walk of Fame at 6621 Hollywood Blvd.
