The House That Shadows Built

Julius Henry "Groucho" Marx (October 2, 1890 – August 19, 1977) was an American comedian and film star famed as a master of wit. His rapid-fire delivery of innuendo-laden patter earned him many admirers.He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigars, and a thick greasepaint mustache and eyebrows. Description above from the Wikipedia article Groucho Marx, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Arthur Adolph "Harpo" Marx (November 23, 1888 – September 28, 1964) was an American comedian and film star. He was the second oldest of the Marx Brothers. His comic style was influenced by clown and pantomime traditions. He wore a curly reddish wig, and never spoke during performances (he blew a horn or whistled to communicate). Marx frequently used props such as a walking stick with a built-in bulb horn, and he played the harp in most of his films. Description above from the Wikipedia article Harpo Marx, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Leonard "Chico" Marx (March 22, 1887 – October 11, 1961) was an American comedian and film star as part of the Marx Brothers. His persona in the act was that of a dim-witted con artist, seemingly of rural Italian origin, who wore shabby clothes, and sported a curly-haired wig and Tyrolean hat. Description above from the Wikipedia article Chico Marx, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Herbert Manfred "Zeppo" Marx (February 25, 1901 – November 30, 1979) was an American film star, theatrical agent and businessman. He was the youngest of the five Marx Brothers. He appeared in the first five Marx Brothers films, but then left the act to start his second career as a theatrical agent. Description above from the Wikipedia article Zeppo Marx, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Ben Taggart was an American stage and screen actor, his film career spanning the years 1915 to 1945.

From Wikipedia Charles Edgar Ray (March 15, 1891 – November 23, 1943) was an American actor, director, producer, and screenwriter. Ray rose to fame during the mid-1910s portraying young wholesome hicks in silent comedy films. Ray was born in Jacksonville, Illinois and moved to Springfield as a child where he attended elementary school. He then moved to Arizona for a time before finally relocating to Los Angeles where he finished his education. He initially began his career on the stage before working for director Thomas H. Ince as a film extra in December 1912. He appeared in several bit parts before moving on to supporting roles. Ray's break came in 1915 when he appeared opposite Frank Keenan in the historical war drama The Coward. Ray's popularity increased after appearing in a series of films which cast him in juvenile roles, primarily young hicks or "country bumpkins" that foiled the plans of thieves or con men. In March 1917, he signed with Paramount Pictures and resumed working with director Thomas H. Ince. By 1920, he was earning a reported $11,000 a week. Around this time, he left Paramount after studio head Adolph Zukor refused to give him a pay raise. Zukor later wrote in his autobiography The Public Is Never Wrong, that Ray's ego had gotten out of hand and that Ray "...was headed for trouble and  did not care to be with him when he found it." After leaving Paramount, Ray formed his own production company, Charles Ray Productions, and also used his fortune to purchase a studio in Los Angeles where he began producing and shooting his own films. On November 23, 1943, Ray died of a mouth and throat infection at Cedars of Lebanon Hospital in Los Angeles for which he had been hospitalized six weeks prior. For his contribution to the motion picture industry, Charles Ray has a star on the Hollywood Walk of Fame located at 6355 Hollywood Boulevard.

Sarah Bernhardt (born Henriette-Rosine Bernard, 22 or 23 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries. She also played male roles, including Shakespeare's Hamlet. French poet and dramatist Edmond Rostand called her "the queen of the pose and the princess of the gesture", while Victor Hugo praised her "golden voice". Bernhardt made several theatrical tours around the world, and was one of the first prominent actresses to make sound recordings and to act in motion pictures. From Wikipedia, the free encyclopedia

Lon Chaney (born Leonidas Frank Chaney) - nicknamed "Man of a Thousand Faces" - was an American Silent screen star. He died after completing his only sound film.

From Wikipedia, the free encyclopedia Ellen Miriam Hopkins (October 18, 1902 – October 9, 1972) was an American actress known for her versatility. She first signed with Paramount Pictures in 1930, working with Ernst Lubitsch and Joel McCrea, among many others. Her long-running feud with Bette Davis was publicized for effect. Later she became a pioneer of TV drama. Hopkins was a distinguished Hollywood hostess, who moved in intellectual and creative circles. At age 20, Hopkins became a chorus girl in New York City. In 1930, she signed with Paramount Pictures, and made her official film debut in Fast and Loose. Her first great success was in the 1931 horror drama film Dr. Jekyll and Mr. Hyde, in which she portrayed the character Ivy Pearson, a prostitute who becomes entangled with Jekyll and Hyde. Hopkins received rave reviews, but because of the potential controversy of the film and her character, many of her scenes were cut before the official release, reducing her screen time to approximately five minutes. Nevertheless, her career ascended swiftly thereafter and in 1932 she scored her breakthrough in Ernst Lubitsch's Trouble in Paradise, where she proved her charm and wit as a beautiful and jealous pickpocket. During the pre-code Hollywood of the early 1930s, she appeared in The Smiling Lieutenant, The Story of Temple Drake and Design for Living, all of which were box office successes and critically acclaimed. Her pre-Code films were considered risqué at the time, with The Story of Temple Drake depicting a rape scene and Design for Living featuring a ménage à trois with Fredric March and Gary Cooper. She also had success during the remainder of the decade with the romantic comedy The Richest Girl in the World (1934), the historical drama Becky Sharp (1935), for which she was nominated for the Academy Award for Best Actress, Barbary Coast (1935), These Three (1936) (the first of four films with director William Wyler) and The Old Maid (1939). Hopkins was one of the first actresses approached to play the role of Ellie Andrews in It Happened One Night (1934). However, she rejected the part, and Claudette Colbert was cast instead. She did audition for the role of Scarlett O'Hara in Gone with the Wind, having one advantage none of the other candidates had: she was a native Georgian. But the part went to Vivien Leigh. Both Colbert and Leigh won Oscars for their performances. Hopkins had well-publicized fights with her arch-enemy Bette Davis (Hopkins believed Davis was having an affair with Hopkins' husband at the time), when they co-starred in their two films The Old Maid (1939) and Old Acquaintance (1943). Davis admitted to enjoying very much a scene in Old Acquaintance in which she shakes Hopkins forcefully during a scene where Hopkins' character makes unfounded allegations against Davis's. There were even press photos taken with both divas in a boxing ring with gloves up and director Vincent Sherman between the two. Hopkins was a television pioneer, performing in teleplays in three decades, spanning the late 1940s through the late 1960s, in such programs as The Chevrolet Tele-Theatre (1949), Lux Video Theatre (1951-1955) and even an episode of The Flying Nun in 1969. She has two stars on the Hollywood Walk of Fame: one for motion pictures at 1701 Vine Street, and one for television at 1708 Vine Street.

Sylvia Sidney (born Sophia Kosow, August 8, 1910 – July 1, 1999) was an American stage, screen and film actress whose career spanned over 70 years. She rose to prominence in dozens of leading roles in the 1930s. She later gained attention for her role as Juno, a case worker in the afterlife, in Tim Burton's film Beetlejuice, for which she won a Saturn Award as Best Supporting Actress. She also was nominated for the Academy Award for Best Supporting Actress for her performance in Summer Wishes, Winter Dreams (1973).

Gloria Swanson (March 27, 1899 – April 4, 1983) was an American actress. She was one of the most prominent stars during the silent film era as both an actress and a fashion icon, especially under the direction of Cecil B. DeMille, made dozens of silents and was nominated for the first Acadamy Award in the Best Actress catagory. In 1929, Swanson successfully transitioned to talkies with The Trespasser. However, personal problems and changing tastes saw her popularity wane during the 1930s when she moved into Theater and TV. Today she is best known for her role as Norma Desmond, a faded silent film start, in the critically aclaimed film Sunset Boulevard (1950). Description above from the Wikipedia article Gloria Swanson, licensed under CC-BY-SA, full list of contributors on Wikipedia. ​

From Wikipedia, the free encyclopedia Clara Gordon Bow (July 29, 1905 – September 27, 1965) was an American actress who rose to stardom in silent films during the 1920s and successfully made the transition to "talkies" after 1927. Her appearance as a plucky shopgirl in the film It brought her global fame and the nickname "The It Girl". Bow came to personify the Roaring Twenties and is described as its leading sex symbol. Bow appeared in 46 silent films and 11 talkies, including hits such as Mantrap (1926), It (1927), and Wings (1927). She was named first box-office draw in 1928 and 1929 and second box-office draw in 1927 and 1930. Her presence in a motion picture was said to have ensured investors, by odds of almost two-to-one, a "safe return". At the apex of her stardom, she received more than 45,000 fan letters in a single month (January 1929). Two years after marrying actor Rex Bell in 1931, Bow retired from acting and became a rancher in Nevada. Her final film, Hoop-La, was released in 1933. In September 1965, Bow died of a heart attack at the age of 60.

Ruth Chatterton (December 24, 1892 – November 24, 1961) was an American stage, film, and television actress. She was at her most popular in the early to mid-1930s, and in the same era gained prominence as an aviator, one of the few female pilots in the United States at the time. In the late 1930s, Chatterton retired from film acting but continued her career on the stage. She had several TV roles beginning in the late 1940s and became a successful novelist in the 1950s.

Maurice Auguste Chevalier (September 12, 1888 – January 1, 1972) was a French actor, cabaret singer and entertainer. He is perhaps best known for his signature songs, including "Livin' In The Sunlight", "Valentine", "Louise", "Mimi", and "Thank Heaven for Little Girls" and for his films, including The Love Parade, The Big Pond, The Smiling Lieutenant, One Hour with You and Love Me Tonight. His trademark attire was a boater hat and tuxedo. Chevalier was born in Paris. He made his name as a star of musical comedy, appearing in public as a singer and dancer at an early age before working in menial jobs as a teenager. In 1909, he became the partner of the biggest female star in France at the time, Fréhel. Although their relationship was brief, she secured him his first major engagement, as a mimic and a singer in l'Alcazar in Marseille, for which he received critical acclaim by French theatre critics. In 1917, he discovered jazz and ragtime and went to London, where he found new success at the Palace Theatre. After this, he toured the United States, where he met the American composers George Gershwin and Irving Berlin and brought the operetta Dédé to Broadway in 1922. He developed an interest in acting and had success in Dédé. When talkies arrived, he went to Hollywood in 1928, where he played his first American role in Innocents of Paris. In 1930, he was nominated for the Academy Award for Best Actor for his roles in The Love Parade (1929) and The Big Pond (1930), which secured his first big American hits, "You Brought a New Kind of Love to Me" and "Livin' in the Sunlight, Lovin' in the Moonlight". In 1957, he appeared in Love in the Afternoon, which was his first Hollywood film in more than 20 years. In 1958, he starred with Leslie Caron and Louis Jourdan in Gigi. In the early 1960s, he made eight films, including Can-Can in 1960 and Fanny the following year. In 1970, he made his final contribution to the film industry where he sang the title song of the Disney film The Aristocats. Description above from the Wikipedia article Maurice Chevalier, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Claudette Colbert was born in Saint-Mandé, Val-de-Marne, France on September 13, 1903 and was brought to the United States as a child three years later. Born Emilie 'Lily' Claudette Chauchoin, she went to high school in New York. She was studying at the Art Students League when, in 1923, she took the name Claudette Colbert for her first Broadway role in "The Wild Westcotts". Her most noteworthy stage vehicle was the "The Barker" in 1927. Her first film was a silent For the Love of Mike (1927), directed by Frank Capra. Made on a shoestring, the movie was a flop, and she vowed that it would be her last film role: "I only left Broadway when the crash came. The Depression killed the theater, and the pictures were manna from heaven". She had her first film success the next year, however, in The Lady Lies (1929). Her early notable films were all box-office hits and included Cleopatra (1934), in which she played the title role enticingly. She had her greatest triumph playing a runaway heiress, with enormous charm, opposite Clark Gable in Capra's comedy It Happened One Night (1934), for which she won the Academy Award as Best Actress. By 1938 her keen ability in business made her the highest paid star in Hollywood. By 1950, though, her star had begun to wane. She returned to the stage in 1956 when she replaced Margaret Sullavan during the spring and summer in the comedy "Janus". Appearances in other Broadway productions followed, including "The Marriage-Go-Round". Besides the stage, she did TV specials and had a supporting role in a notable TV movie, The Two Mrs. Grenvilles (1987), for which she received a Golden Globe award. In 1989 she was presented with a Life Achievement award from the Kennedy Center for the Performing Arts. She married actor Norman Foster in 1928, although they never lived together and were divorced after seven years. She married surgeon Dr. Joel Pressman soon after and remained married until his death in 1968. In latter years she divided her time between an apartment in New York and a 200-year-old plantation house in Speightstown, Barbados, where she entertained such guests as Frank Sinatra and Ronald Reagan. She remained on Barbados Island after her stroke. On July 30, 1996, Claudette died in Speightstown, Barbados. She was 92.

Betty Compson (March 19, 1897 – April 18, 1974) was an American actress and film producer. Most famous in silent films and early talkies, she is best known in her performances in The Docks of New York and The Barker, the latter earning a nomination for the Academy Award for Best Actress.

Douglas Fairbanks, Sr. (May 23, 1883 – December 12, 1939) was an American actor, screenwriter, director and producer. He was best known for his swashbuckling roles in silent films such as The Thief of Bagdad, Robin Hood, and The Mark of Zorro. An astute businessman, Fairbanks was a founding member of United Artists. Fairbanks was also a founding member of The Motion Picture Academy and hosted the first Oscars Ceremony in 1929. With his marriage to Mary Pickford in 1920, the couple became Hollywood royalty with Fairbanks constantly referred to as "The King of Hollywood", a nickname later passed on to actor Clark Gable.

The first Western superstar, the taciturn Hart actually was a successful Shakespearean actor who played Messala in “Ben-Hur” on Broadway in 1899 before riding the range in movies. A longtime fan of the Old West, Hart was friends with Wyatt Earp and Bat Masterson. His film career began in 1914. After two supporting roles he gained fame as the lead in the feature-length western “The Bargain” shot on location at the Grand Canyon. Hart strove to make his westerns realistic with detailed attention played to costumes and props. Though Hart could be cast as a villain, he imbued all of his characters with honor and integrity. After making western shorts for producer Thomas Ince, he went to Famous Players-Lasky, which merged with Paramount Pictures in 1917. At Paramount he made such gritty feature westerns as “Square Deal Sanderson” and “The Toll Gate.” His star began to fade in the early 1920s when audiences grew tired of his moralistic Western tales. Not helping his career was his 1923 divorce from his wife, Winifred, who accused him of having two children by another woman. He made one last film, 1925’s “Tumbleweeds, which he financed himself. In 1939, the film was reissued this time with a prologue featuring a 75-year-old Hart shot on location at his ranch in Newhall talking about the West and his days in films. He died in 1946 at age 81. His home and ranch were turned into William S. Hart Park in Newhall.

From Wikipedia, the free encyclopedia Phillips Raymond Holmes (July 22, 1907 – August 12, 1942) was an American actor. In 1928 Holmes was spotted in the undergraduate crowd at Princeton University during the filming of Frank Tuttle's Varsity and offered a screen test. In the early 1930s he became a popular leading man, playing leads in a few important productions, notably in Josef von Sternberg's An American Tragedy. At Paramount, Holmes starred in melodrama and comedy. In 1933 his Paramount contract ran out and he moved to MGM for one year. As the decade progressed, his career declined, and he appeared in a few box-office failures, including Sam Goldwyn's poorly received Nana (1934). His last American movie was General Spanky (1936). In 1938 Holmes appeared in two UK movies. Housemaster was his last film. Then he returned to acting on stage in the United States. At the start of World War II, Holmes joined the Royal Canadian Air Force. He was killed in a mid-air collision in northwest Ontario, Canada in 1942. For his contributions to the film industry, Phillips Holmes was posthumously given a star on the Hollywood Walk of Fame in 1960.

Harold Lloyd has been called the cinema’s “first man in space.” His comedy wasn’t imported from Vaudeville or the British Music Hall like his contemporaries, Charlie Chaplin and Buster Keaton. Harold learned to use the camera the way other comics used a bowler hat or a funny walk. In 1917 he shed the comedic clown personas prevalent in comedy for hundreds of years and pioneered romantic comedy by the ordinary guy up on the screen –- a guy with faults, and fears, “the boy next door.” With his young man in horned-rimmed glasses, he created classic films.

Herbert Brough Falcon Marshall (23 May 1890 – 22 January 1966) was an English stage, screen and radio actor who, despite losing a leg during the First World War, starred in many popular and well-regarded Hollywood films in the 1930s and 1940s. After a successful theatrical career in the United Kingdom and North America, he became an in-demand Hollywood leading man, frequently appearing in romantic melodramas and occasional comedies. In his later years, he turned to character acting.

Gladys Marie Smith (April 8, 1894 – May 29, 1979), known professionally as Mary Pickford, was a Canadian actress resident in the U.S., and also producer, screenwriter and film studio founder, who was a pioneer in the US film industry with a Hollywood career that spanned five decades. Pickford alongside her future husband, actor-producer Douglas Fairbanks, founded Pickford–Fairbanks Studios and United Artists, and was one of the 36 founders of the Academy of Motion Picture Arts and Sciences. Pickford is considered to be one of the most recognisable women in history. Known as "America's Sweetheart" during the silent film era, she is named on the list of the AFI's 100 Years...100 Stars as the 24th-top female star from the Classical Hollywood Cinema era and the "girl with the curls." Pickford was one of the Canadian pioneers in early Hollywood and a significant figure in the development of film acting. She was one of the earliest stars to be billed under her own name, and was one of the most popular actresses of the 1910s and 1920s, earning the nickname "Queen of the Movies." She is credited with having defined the ingénue type in cinema. She was awarded the second Academy Award for Best Actress for her first sound film role in Coquette (1929). By the late 1920s, Pickford's career went into decline. She received an Academy Honorary Award in 1976 in consideration of her contributions to American cinema.

Wallace Reid was an American actor in silent film referred to as "the screen's most perfect lover". Wallace Reid appeared in several films with his father, and as his career in film flourished, he was soon acting and directing with and for early film mogul Allan Dwan. In 1913, while at Universal Pictures, Reid met and married actress Dorothy Davenport. He was featured as Jeff, the blacksmith, in The Birth of a Nation (1915) and had an uncredited role in Intolerance (1916), both directed by D. W. Griffith; he worked with leading ladies such as Florence Turner, Gloria Swanson, Lillian Gish, Elsie Ferguson, and Geraldine Farrar en route to becoming one of Hollywood's major heartthrobs. Already involved with the creation of more than 100 motion picture shorts, Reid was signed by producer Jesse L. Lasky and starred in over 60 films for Lasky's Famous Players film company, which later became Paramount Pictures. Frequently paired with actress Ann Little, his action-hero role as the dashing race-car driver drew young girls and older women alike to theaters to see his daredevil auto thrillers such as The Roaring Road (1919), Double Speed (1920), Excuse My Dust (1920), and Too Much Speed (1921). While en route to a location in Oregon during filming of The Valley of the Giants (1919), Reid was injured in a train wreck near Arcata, California and needed six stitches to close a 3-inch (8 cm) scalp wound. To keep on filming, he was prescribed morphine for relief of his pain and Reid soon became addicted, but kept on working at a frantic pace in films that were growing more physically demanding, and changing from 15–20 minutes in duration to as much as an hour. Reid's morphine addiction worsened at a time when drug rehabilitation programs were non-existent. He died in a sanatorium while attempting to recover.

Charles Ruggles had one of the longest careers in Hollywood, lasting more than 60 years and encompassing more than 100 films. He made his film debut in 1914 in The Patchwork Girl of Oz (1914) and worked steadily after that. He was memorably paired with Mary Boland in a series of comedies in the early 1930s, and was one of the standouts in the all-star comedy If I Had a Million (1932), as a harried, much-put-upon man who finally goes berserk in a china shop. Ruggles' slight stature and distinctive mannerisms - his fluttery, jumpy manner of speaking, his often befuddled look whenever events seemed about to overwhelm him, which was often - endeared him to generations of moviegoers. Memorable as Maj. Applegate the big-game hunter in the classic screwball comedy Bringing Up Baby (1938). Many will remember him as the narrator of the "Aesop's Fables" segment of the animated cartoon The Bullwinkle Show (1961). He was the brother of director Wesley Ruggles.

Lilyan Tashman (October 23, 1896 - March 21, 1934) was an American vaudeville, Broadway, and film actress. Tashman was best known for her supporting roles as tongue-in-cheek villainesses and the vindictive "other woman."