When a woman models for an artist they fall in love. Can the artist overcome the beauty's recent past as another man's mistress?
07-17-1931
1h 14m
THIS
HELLA
Doesn't have an image right now... sorry!has no image... sorry!
Main Cast
Movie Details
Production Info
Director:
Paul L. Stein
Production:
Charles R. Rogers Productions, RKO Pathé Pictures
Key Crew
Screenstory:
John Farrow
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Constance Bennett
Constance Campbell Bennett (October 22, 1904 – July 24, 1965) was an American actress. She was a major Hollywood star during the 1920s and 1930s and for a time during the early 1930s, she was the highest-paid actress in Hollywood. Bennett frequently played society women, focusing on melodramas in the early 1930s and then taking more comedic roles in the late 1930s and 1940s. She is best remembered for her leading roles in What Price Hollywood? (1932), Bed of Roses (1933), Topper (1937), Topper Takes a Trip (1938), and had a prominent supporting role in Greta Garbo's last film, Two-Faced Woman (1941).
She was the daughter of stage and silent film star Richard Bennett, and the older sister of actress Joan Bennett.
Description above from the Wikipedia article Constance Bennett, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Joel Albert McCrea (November 5, 1905 – October 20, 1990) was an American actor whose career spanned a wide variety of genres over almost five decades, including comedy, drama, romance, thrillers, adventures, and Westerns, for which he became best known.
He appeared in over one hundred films, starring in over eighty, among them Alfred Hitchcock's espionage thriller Foreign Correspondent (1940), Preston Sturges' comedy classics Sullivan's Travels (1941), and The Palm Beach Story (1942), the romance film Bird of Paradise (1932), the adventure classic The Most Dangerous Game (1932), Gregory La Cava's bawdy comedy Bed of Roses (1933), George Stevens' romantic comedy The More the Merrier (1943), William Wyler's These Three, Come and Get It (both 1936) and Dead End (1937), Howard Hawks' Barbary Coast (1935), and a number of western films, including Wichita (1955) as Wyatt Earp and Sam Peckinpah's Ride the High Country (1962), opposite Randolph Scott.
Description above from the Wikipedia article Joel McCrea, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Lew Cody (February 22, 1884 – May 31, 1934) was an American stage and film actor whose career spanned the silent film and early sound film age. He gained notoriety in the late 1910s for playing "male vamps" in films such as Don't Change Your Husband.
Early life and career
Cody was born Louis Joseph Côté to Joseph Côté and Elizabeth Côté, née Gifford. His father was French Canadian and his mother was a native of Maine. Cody and his younger brothers and sisters were born in Waterville, Maine. The family later moved to Berlin, New Hampshire where Cody's father owned a drug store. In his youth, Cody worked at his father's drug store as a soda jerk. He later enrolled at McGill University in Montreal where he intended to study medicine but abandoned the idea of setting up in practice and joined a theatre stock company in North Carolina.
He made his debut on the stage in New York in Pierre of the Plains. Cody later moved to Los Angeles and began a film career with Thomas Ince. Cody had at least 99 film credits during a twenty-year period between 1914 and 1934.
Personal life
Cody was married three times. His first two marriages were to actress Dorothy Dalton. They first married in 1910 and divorced in 1911. They remarried in 1913 and were divorced a second time in 1914. Cody married Mabel Normand in 1926. They remained married until Normand's death from tuberculosis in February 1930.
Death
On May 31, 1934, Cody died of heart attack in his sleep at his home in Beverly Hills, California. He is buried in St. Peter's Cemetery, Lewiston, Maine in the family plot.
Hedda Hopper (May 2, 1885 – February 1, 1966) was an American actress and gossip columnist, notorious for feuding with her arch-rival Louella Parsons. She had been a moderately successful actress of stage and screen for years before being offered the chance to write the column Hedda Hopper's Hollywood for the Los Angeles Times in 1938. At the height of her power in the 1940s she commanded a 35 million strong readership. She was well known for her political conservatism, and during the McCarthy era she named suspected communists. Hopper continued to write gossip until the end, her work appearing in many magazines and later on radio.
From Wikipedia, the free encyclopedia
Yola d'Avril grew up in Paris. In 1923 she moved to Canada and became a dancer. She then went to Hollywood and, from 1925, started being cast in small roles, ultimately appearing in more than seventy films.
Émile Chautard (7 September 1864 – 24 April 1934) was a French-American film director, actor, and screenwriter, most active in the silent era. He directed 107 films between 1910 and 1924. He also appeared in 66 films between 1911 and 1934. Chautard was born in Paris. After a significant career beginning as a stage actor at the Odéon-Théâtre de l'Europe and moving up to the head of film production at Éclair Films' Paris studio in 1913, Chautard emigrated to the United States around 1914. From 1914 to about 1918, Chautard worked for the World Film Company based in Fort Lee, New Jersey. At World, along with a group of other French-speaking film technicians including Maurice Tourneur, Léonce Perret, George Archainbaud, Albert Capellani and Lucien Andriot, he developed such films as the 1915 version of Camille, and taught a young apprentice film cutter at the World studio: Josef von Sternberg. In 1919 Chautard hired von Sternberg as his assistant director for The Mystery of the Yellow Room, for his own short-lived production company. Choosing Hollywood over a return to France, Chautard went to work for Famous Players-Lasky and other studios. He received some high-profile assignments, for instance a Colleen Moore vehicle and two features for Derelys Perdue, but he was a generation older than other directors in Hollywood's French colony. After 1924 Chautard did not direct again, but continued to make film appearances, in the von Sternberg film Blonde Venus (1932), where he appears for his former protege as "Night club owner Chautard". Chautard died in Los Angeles, California. He is interred at the Hollywood Forever Cemetery.
From Wikipedia, the free encyclopedia
Albert De Conti Cadassamare (29 January 1887 – 18 January 1967), professionally billed as Albert Conti, was an Austrian-Hungarian-born Italian-American film actor.
Born in the village Gorizia (now part of Italy), Conti achieved moderate fame as an actor in American films, but first he specialized in law (high school and law college in Graz) and natural science, and married Patricia Cross. When World War I began, he became an officer. His father was Albert, Ritter Conti v. Cedassamare and his mother was Marie Bernhardine Anna (Countess Caboga) a member of an old Ragusan/Dubrovnik noble family. After his discharge from the Austrian army at the close of World War I, he came to America like many other now-impoverished postwar Europeans from both sides of the conflict.
Conti emigrated to the United States via the Port of Philadelphia in 1919. After settling in the new country, Conti was obliged to take a series of manual labor jobs, his patrician background notwithstanding. While working in the California oil fields, he answered an open call placed by director Erich von Stroheim, who was in search of an Austrian military officer to act as technical advisor for his upcoming film Merry-Go-Round (1923).
A better actor than most of his fellow Habsburg Empire expatriates, Conti was able to secure dignified character roles in several silent and sound films; his credits ranged from Josef von Sternberg's Morocco (1930) to the early Laurel and Hardy knockabout Slipping Wives (1927). He appeared in the 1928 silent film Dry Martini as a roué artist. Though he made his last film in 1942, Albert Conti remained in the industry as an employee of the MGM wardrobe department, where he worked until his retirement in 1962.
Woman at Court when Antonio arrive at Christines Throne (uncredited)
George Davis
From Wikipedia
George Davis (7 November 1889 – 19 April 1965) was a Dutch-born American actor. He appeared in more than 260 films between 1916 and 1963. He was born in Amsterdam and died in Los Angeles, California.
Tom Ricketts (January 15, 1853 – January 19, 1939) was an English stage, later a Hollywood screen, actor. He also directed numerous early Hollywood Silent films, and was the writer of several.
From Wikipedia, the free encyclopedia
Nella Walker (March 6, 1886 – March 22, 1971) was born and raised in Chicago, Illinois, and in her teens became half of the husband and wife vaudeville team "Mack and Walker", with her husband Wilbur Mack. By 1929 she had launched a film acting career, her first film role being in Tanned Legs alongside Sally Blane, Dorothy Revier, June Clyde, and Arthur Lake. She appeared in three films in 1929, and easily transitioned to "talking films", appearing in another four films in 1930, possibly making the smooth transition because she was never an established silent film actress.
In 1931 her film career took off, with her appearing in ten films that year, five of which were uncredited. Her marriage ended not long after her film career was on the rise, and from 1932-33 she appeared in fifteen films, only five of which were uncredited. In 1935, her career improved, and between that year and 1938 she had 23 film appearances. Her biggest film appearance during that period was in Young Dr. Kildare alongside Lionel Barrymore and Lew Ayres. Throughout the 1930s her career was strong, and, despite her never being a premier "star", she repeatedly had solid acting roles. She finished that decade strong in 1939 with nine film roles, only three of which were uncredited.
The 1940s mirrored her success of the previous decade in many ways, with her appearing in 37 films from 1940 to 1947. Now later in her career, and over 60 years of age, she slowed her career for a time, not having another role until 1950 when she appeared in Nancy Goes to Rio alongside Ann Sothern and Carmen Miranda. She appeared in another two films in 1952, then had her last film acting role in 1954, in the film Sabrina alongside Humphrey Bogart and Audrey Hepburn.