Three US sailors aboard a decoy ship fight German U-boats in World War I and try to win Sally who works on the Coney Island midway.
11-20-1931
1h 27m
THIS
HELLA
Doesn't have an image right now... sorry!has no image... sorry!
Main Cast
Movie Details
Production Info
Director:
Albert S. Rogell
Production:
RKO Pathé Pictures
Key Crew
Editor:
Joseph Kane
Producer:
Charles R. Rogers
Associate Producer:
Harry Joe Brown
Music Director:
Arthur Lange
Continuity:
F. McGrew Willis
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
William Boyd
From Wikipedia, the free encyclopedia
William Lawrence Boyd (June 5, 1895 – September 12, 1972) was an American film actor who is best known for portraying the cowboy hero Hopalong Cassidy. Boyd was born in Hendrysburg, Ohio, and reared in Cambridge, Ohio and Tulsa, Oklahoma. He was the son of a day laborer, Charles William Boyd, and his wife, the former Lida Wilkens (aka Lyda). Following his father's death, he moved to California and worked as an orange picker, surveyor, tool dresser and auto salesman.
In Hollywood, he found work as an extra in Why Change Your Wife? and other films. During World War I, he enlisted in the army but was exempt from military service because of a "weak heart". More prominent film roles followed, including his breakout role as Jack Moreland in Cecil B. DeMille's The Road to Yesterday (1925) which starred also Joseph Schildkraut, Jetta Goudal, and Vera Reynolds. Boyd's performance in the film was praised by critics, while movie-goers were equally impressed by his easy charm, charisma, and intense good-looks. Due to Boyd's growing popularity, DeMille soon cast him as the leading man in the highly acclaimed silent drama film, The Volga Boatman. Boyd's role as Feodor blew critics away, and with Boyd now firmly established as a matinee idol and romantic leading man, he began earning an annual salary of $100,000. He acted in DeMille's extravaganza The King of Kings (in which he played Simon of Cyrene, helping Jesus carry the cross) and DeMille's Skyscraper (1928). He then appeared in D.W. Griffith's Lady of the Pavements (1929).
Radio Pictures ended Boyd's contract in 1931 when his picture was mistakenly run in a newspaper story about the arrest of another actor, William "Stage" Boyd, on gambling and liquor charges. Although the newspaper apologized, explaining the mistake in the following day's newspaper, Boyd said, "The damage was already done." William "Stage" Boyd died in 1935, the same year William L. Boyd became Hopalong Cassidy, the role that led to his enduring fame. But at the time in 1931, Boyd was virtually broke and without a job, and for a few years he was credited in films as "Bill Boyd" to prevent being mistaken for the other William Boyd.
From Wikipedia, the free encyclopedia.
Robert Armstrong (November 20, 1890 – April 20, 1973) was an American film actor best remembered for his role as Carl Denham in the 1933 version of King Kong by RKO Pictures. He uttered the famous exit quote, "'Twas beauty killed the beast," at the film's end. Months later, he starred as Carl Denham again in the sequel, Son of Kong, released the same year.
In the late 1950s, Armstrong appeared as Sheriff Andy Anderson on Rod Cameron's syndicated western-themed television series, State Trooper.
Description above from the Wikipedia article Robert Armstrong, licensed under CC-BY-SA, full list of contributors on Wikipedia.
James Gleason was born in New York City to William Gleason and Mina Crolius, who were both in the theatre. He was married to Lucile Gleason (born Lucile Webster), and had a son, Russell Gleason. As a young man James fought in the Spanish-American War. After the war he joined the stock company at the Liberty Theater in Oakland, California, which his parents were running. James and his wife then moved to Portland, Oregon, where they played in stock at the Baker Theater. For several years afterward they toured in road shows until James enlisted in the army during World War I. When he returned he appeared on the stage in "The Five Million." He then turned to writing, including "Is Zat So", which he produced for the NY stage. He also wrote and acted in "The Fall Guy" and "The Shannons on Broadway." Next he wrote The Broadway Melody (1929) for MGM. He collaborated, in 1930, on The Swellhead (1930), Dumbbells in Ermine (1930), What a Widow! (1930), Rain or Shine (1930) and His First Command (1929). He and his wife were then contracted to Pathe, Lucille to act, and James (or Jimmie as he was known) as a writer. Probably his most famous acting role was as Max Corkle, the manager of Joe Pendleton who was wrongly plucked from this life into the next, in the hit fantasy Here Comes Mr. Jordan (1941).
Ginger Rogers (July 16, 1911 – April 25, 1995) was an American actress, dancer, and singer who appeared in film, and on stage, radio, and television throughout much of the twentieth century.
During her long career, she made a total of 73 films and is noted for her role as Fred Astaire's partner in a series of ten musical films. She achieved great success in a variety of film roles and won the Academy Award for Best Actress for her performance in Kitty Foyle. After winning a 1925 Charleston dance contest that launched a successful vaudeville career, she gained recognition as a Broadway actress for her stage debut in Girl Crazy. This led to a contract with Paramount Pictures, which ended after five films. Rogers had her first successful film role as a supporting actress in 42nd Street.
In the 1930s, Rogers' nine films with Fred Astaire gave RKO Pictures some of its biggest successes, most notably Top Hat and Swing Time. But after two commercial failures with Astaire, she branched out into dramatic and comedy films. Her acting was well received by critics and audiences, and she became one of the biggest box-office draws and highest paid actresses of the 1940s. Her performance in Kitty Foyle won her the Oscar for Best Actress.
Rogers' popularity peaked by the end of the decade. She reunited with Astaire in 1949 in the commercially successful The Barkleys of Broadway. After an unsuccessful period in the 1950s, she returned to Broadway in 1965, playing the lead role in Hello, Dolly!. More Broadway roles followed, along with her stage directorial debut in 1985 of an off-Broadway production of Babes in Arms. She also made television acting appearances until 1987. In 1992, Rogers was recognized at the Kennedy Center Honors. She died of a heart attack in 1995, at age 83.
Rogers is associated with the phrase "backwards and in high heels", which is attributed to Bob Thaves' Frank and Ernest 1982 cartoon with the caption "Sure he [Astaire] was great, but don't forget that Ginger Rogers did everything he did...backwards and in high heels". This phrase is sometimes incorrectly attributed to Ann Richards, who used it in her keynote address to the 1988 Democratic National Convention.
A Republican and a devout Christian Scientist, Rogers married five times with all of them ending in divorce, and having no children. During her long career, Rogers made 73 films, and her musical films with Astaire are credited with revolutionizing the genre. Rogers was a major movie star during the "Golden Age" of Hollywood and is often considered an American icon. She ranks number 14 on the AFI's 100 Years...100 Stars list of female stars of classic American cinema. Her autobiography Ginger: My Story was published in 1991.
Frank Reicher (December 2, 1875 – January 19, 1965) was a German-born American stage and film actor, director and producer. He is best known for playing Captain Englehorn in the 1933 film King Kong.
Reicher made his Broadway debut the year he came to America playing Lord Tarquin in Harrison Fiske's production of Becky Sharp, a comedy by Langdon Mitchell based on William Makepeace Thackeray’s Vanity Fair. His early career was spent in legitimate theater on and off Broadway. He was head of the Brooklyn Stock Company when Jacob P. Adler performed The Merchant of Venice in Yiddish while the rest of the cast remained in English. Reicher was for a number of years affiliated with the Little Theatre on West Forty-Fourth Street as an actor and manager and would remain active on Broadway as actor, director or producer well into the 1920s. On stage, Reicher starred in such plays as the first Broadway production of Georg Kaiser's From Morning to Midnight (as the cashier), and the original production of Percy MacKaye's The Scarecrow (in the title role).
Frank Reicher is probably more familiar to modern audiences as a supporting character actor in films. He began his cinema career with an uncredited role in the 1915 film The Case for Becky and would go on to work in over two hundred motion pictures. He is probably best remembered for playing the character of Captain Englehorn in King Kong and The Son of Kong, and for his work in such films as The Secret Life of Walter Mitty (1947) and Kiss Tomorrow Goodbye (1950). His last Hollywood role was in the very first theatrical Superman movie, Superman and the Mole Men, in 1951.
Frank Reicher died at a hospital in Inglewood, California, aged 89. He was survived by his sister and a brother. His interment was at Inglewood Park Cemetery.
Nicholas Benton "Ben" Alexander III (June 27, 1911 – July 5, 1969) was an American motion picture actor, who started out as a child actor in 1916. He is best remembered for his role as Officer Frank Smith in the Dragnet franchise.
From Wikipedia, the free encyclopedia.
Henry Victor (2 October 1892 – 15 March 1945) was an English-born character actor. Raised in Germany, Victor is probably best remembered for his portrayal of the strongman Hercules in Tod Browning's 1932 film Freaks. He originally was a leading figure in UK silent films. Later in his career, he mostly portrayed villains or Nazis in both American and British films with his trademark German accent. He died at 52 of a brain tumor. He is buried in Chatsworth, California's at the Oakwood Memorial Park Cemetery.
Description above from the Wikipedia article Henry Victor, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Yola d'Avril grew up in Paris. In 1923 she moved to Canada and became a dancer. She then went to Hollywood and, from 1925, started being cast in small roles, ultimately appearing in more than seventy films.
From Wikipedia, the free encyclopedia
Harry Semels (November 20, 1887 – March 2, 1946) was an American film actor. He appeared in over 315 film between 1917 and 1946. Semels appeared in his first film in 1917. He began to achieve fame after arriving at Columbia Pictures, appearing in several Three Stooges shorts including Disorder in the Court, Wee Wee Monsieur and Three Little Sew and Sews. He also appeared in feature films like Road to Morocco, The Princess and the Pirate and The Kid from Brooklyn. A versatile character actor, Semels often appeared as villains, waiters, soldiers, lawyers, et al.
Harry Tenbrook was a Norwegian-born American film actor. Henry Olaf Hansen was born in Christiania, Norway. His family migrated to the United States in 1892. Under the stage name, Harry Tenbrook, he appeared in some 332 films between 1911 and 1960.
From Wikipedia, the free encyclopedia
Max Wagner (November 28, 1901 – November 16, 1975) was a Mexican-born American film actor who specialized in playing small parts such as thugs, gangsters, sailors, henchmen, bodyguards, cab drivers and moving men, appearing more than 400 films in his career, most without receiving screen credit. Newspaper gossip columnists noted his rise from playing "Gangster #4", with no lines, and not carrying a gun, to "Gangster #2", with both lines and a gun.
Wagner was one of five children, all boys, of William Wallace Wagner, a railroad conductor, and Edith Wagner, a writer who provided dispatches for the Christian Science Monitor during the Mexican Revolution. When he was 10 years old, his father was killed by rebels and the family moved to Salinas, California, where he met John Steinbeck, who became a lifelong friend. Steinback based the character of the boy in his novel The Red Pony on Wagner.
Under the name "Max Baron", Wagner acted in many Spanish-language versions of English-language films, which studios made as a matter of course in the early days of sound films, He also served as a Spanish language coach for other actors, and appeared in many of the "Mexican Spitfire" films starring Lupe Vélez, where he also served to monitor Velez's Spanish ad-libs for profanity.
Other series that Wagner appeared in include the Charlie Chan films, and Tom Mix serials, as well as others made by Mascot Pictures Corporation. In the 1940s, Wagner was part of Preston Sturges' unofficial "stock company" of character actors, appearing in six films written and directed by Sturges, beginning with The Palm Beach Story
In 1940 during the filming of "The Mad Doctor", Wagner was credited for driving 50,000 miles as an on-screen taxi driver on the studio back lots of Hollywood. Since his appearance as a cab driver in Charlie Chan in Shanghai (1935), producers often cast him as a wise-cracking or henchman taxi driver. "I was cast as a taxi driver about five years ago", Wagner told a reporter. "And I was typed."
In 1952, Wagner began to appear on television, in episodes of such shows as The Cisco Kid, Zane Grey Theater and Perry Mason, playing much the same kind of parts he played in the movies.
He was a regular cast member on the western television series Gunsmoke, making nearly 80 appearances between 1959 and 1973. He also appeared in many episodes of The Rifleman, Bonanza, Cimarron Strip, The Wild Wild West and Maverick, including a guest-starring role in the 1959 Rifleman episode "Blood Brother." He also had roles in the original Star Trek and The Twilight Zone series. He appeared in more than 200 television episodes between 1952 and 1974.
Notable film roles for Wagner include a supporting role in the cult science fiction classic Invaders from Mars (1953), an actor playing a gangster in the film-within-a-film segment of Bullets or Ballots (1936), and the bull farm attendant in the Laurel and Hardy comedy The Bullfighters (1945).
Late in his career, he appeared in To Kill a Mockingbird (1962) and The Man Who Shot Liberty Valance (1962). He also occasionally composed music, such as the Mexican folk ballad "Pedro, Rudarte y Simon" in the Western film The Last Trail (1933).
Wagner died of a heart attack in Hollywood in 1975.
