An Indian jewel merchant goes from penniless to wealthy in this story about gratitude.
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
Mexico native Ramon Novarro (born Jose Ramon Gil Samaniego, February 6, 1899 – October 30, 1968) was a Hollywood film and television actor. He was a major star and matinee idol of 1920s Silent through early 1930s "talkies" cinema.
Conrad Nagel was an American stage and film actor, as well as radio and television performer and host. He was a matinee idol and star of the Silent cinema era and beyond. He was a founding member of the Academy of Motion Picture Arts and Sciences and served as its President from 1932 to 1933. He was also a founding member of the Screen Actors Guild.
Lovely Madge Evans was the perennial nice girl in films of the 1930s. By then, she had been in front of the camera for many years, starting with Fairy Soap commercials at the age of two (she sat on a bar of soap holding a bunch of violets with the tag line reading "have you a little fairy in your home?"). 'Baby Madge' also lent her name to a children's hat company. In 1914, aged five, she was picked out by talent scouts to appear in the William Farnum movie The Sign of the Cross (1914), followed by The Seven Sisters (1915) with Marguerite Clark. By the end of the following year, she had amassed some twenty film credits, appearing with such noted contemporary stars as Pauline Frederick or Alice Brady. All of her early films were made on the East Coast, at studios in Ft.Lee, New Jersey. In 1917 (aged eight), Madge made her Broadway debut in 'Peter Ibbetson' with John Barrymore and Lionel Barrymore. She resumed her stage career in 1926 as an ingenue with 'Daisy Mayme' and the following year appeared with Billie Burke in Noel Coward's costume drama 'The Marquise' (1927). Her pleasing looks and personality soon attracted the attention of Hollywood and she was eventually signed by MGM in 1931. During the next decade, she appeared in several A-grade productions, notably as Lionel Barrymore's daughter in MGM's Dinner at Eight (1933) and as the dependable Agnes Wickfield in one of the best-ever filmed versions of David Copperfield (1935). She co-starred opposite James Cagney in the gangster movie The Mayor of Hell (1933), Spencer Tracy in The Show-Off (1934) and listened to Bing Crosby crooning the title song in Pennies from Heaven (1936). Madge received praise for her performance as the star of Beauty for Sale (1933) and The New York Times review of January 13 1934 described her acting in Fugitive Lovers (1934) (opposite Robert Montgomery ) as 'spontaneous and captivating'. Many of her 'typical American girl' roles did not allow her to express aspects of the greater acting range she undoubtedly possessed. Too often she was cast as the 'nice girl' - and those rarely make much of a dramatic impact. On the few occasions she was assigned the role of 'other woman' , such as the Helen Hayes-starrer What Every Woman Knows (1934), audiences found her character difficult to believe and disassociate from her all-round wholesome image. When her contract with MGM expired in 1937, Madge wound down her film career and, following her 1939 marriage, concentrated on being the wife of celebrated playwright Sidney Kingsley. She last appeared on stage in one of his plays, "The Patriots", in 1943.
C. Aubrey Smith (Sir Charles Aubrey Smith, CBE) was an English born stage and screen actor, prominent in Hollywood films starting from the beginning of the sound era.
From Wikipedia, the free encyclopedia Mitchell Lewis (June 26, 1880 – August 24, 1956) was an American film actor whose career as a Metro-Goldwyn-Mayer contract player encompassed both silent and sound films. He appeared in more than 175 films between 1914 and 1956. During the silent era he played supporting roles, such as Sheihk Idrim in 1925's Ben Hur, then Ernest De Farge in A Tale of Two Cities (1935) in the sound era, but his career would diminish to small uncredited roles like the Captain of the Winkie Guards in The Wizard of Oz (1939). Mitchell served as one of the original board members of the Motion Picture Relief Fund, now known as the Motion Picture & Television Fund.
From Wikipedia, the free encyclopedia John Miljan (November 9, 1892 – January 24, 1960) was an American actor. He appeared in 201 films between 1924 and 1958. He was the tall, smooth-talking villain in Hollywood films for almost four decades, beginning in 1923. Miljan made his first sound film in 1927 in the promotional trailer for The Jazz Singer, inviting audiences to see the upcoming landmark film. In later years he played imposing, authoritative parts such as high-ranking executives and military officers. He is best remembered as General Custer in Cecil B. De Mille's film The Plainsman. Miljan died from cancer in Hollywood in 1960, aged 67. He was married to Victoire Lowe and adopted her two sons from her first marriage to actor Creighton Hale.
English born Nigel De Brulier (born Francis George Packer) was an actor of the American screen, who began his career during the silent cinema era.
Ann Dvorak (born Anna McKim; August 2, 1911 – December 10, 1979) was an American stage and film actress. Asked how to pronounce her adopted surname, she told The Literary Digest: "My fake name is properly pronounced vor'shack. The D remains silent." Dvorak was the daughter and only child of silent film actress Anna Lehr and director Edwin McKim. While in New York, she attended St. Catherine's Convent. After moving to California, she attended Page School for Girls in Hollywood. She made her film debut when she was five years old in the silent film version of Ramona (1916), credited as "Baby Anna Lehr". She continued in children's roles in The Man Hater (1917) and Five Dollar Plate (1920), but then stopped acting in films. Her parents separated in 1916 and divorced in 1920; she did not see her father again until 13 years later, when she made a public plea to the press to help her find him. In the late 1920s, Dvorak worked as a dance instructor and gradually began to appear on film as a chorus girl. Her friend, actress Karen Morley, introduced her to billionaire movie producer Howard Hughes, who groomed her as a dramatic actress. She was a success in such pre-Code films as Scarface (1932) as Paul Muni's sister; in Three on a Match (1932) with Bette Davis and Joan Blondell as the doomed, unstable Vivian; in The Crowd Roars (1932) with James Cagney; and in Sky Devils (1932) opposite Spencer Tracy. Known for her style and elegance, she was a popular leading lady for Warner Bros. during the 1930s, and appeared in numerous contemporary romances and melodramas. At age 19, Dvorak eloped with Leslie Fenton, her English co-star from The Strange Love of Molly Louvain (1932), and they married on March 17, 1932. They left for a year-long honeymoon in spite of her contractual obligations to the studio, which led to a period of litigation and pay disputes during which she discovered she was making the same amount of money as the boy who played her son in Three on a Match. She completed her contract on permanent suspension, then worked as a freelancer. Although she worked regularly, the quality of her scripts declined sharply. She appeared as secretary Della Street to Donald Woods' Perry Mason in The Case of the Stuttering Bishop (1937). With her then-husband, Leslie Fenton, Dvorak traveled to England where she supported the war effort by working as an ambulance driver and acted in several British films. She appeared as a saloon singer in Abilene Town with Randolph Scott and Edgar Buchanan, released in 1946. The following year she adeptly handled comedy by giving an assured performance in Out of the Blue (1947). In 1948, Dvorak gave her only performance on Broadway in The Respectful Prostitute. Dvorak's marriage to Fenton ended in divorce in 1946. In 1947, she married Igor Dega, a Russian dancer who danced with her briefly in The Bachelor's Daughters. The marriage ended two years later. Dvorak retired from the screen in 1951, when she married her third and last husband, Nicholas Wade, to whom she remained married until his death in 1975. She had no children.
John George was a Syrian actor who came to the United States in 1912 via France. He appeared in numerous films beginning in 1916. Much later in his career he appeared in several television series. The vast majority of his roles throughout the years were uncredited bit parts. Mr. George's original name was Tufei Filhela; on his 1925 United States citizenship naturalization Declaration of Intention document, he signed his name "Tufei Filhela known as John George". His surname was neither Filthela nor Fatella, as today sometimes is claimed.
Noble Johnson (April 18, 1881 – January 9, 1978), later known as Mark Noble, was an American actor and film producer. He appeared in films such as The Mummy (1932), The Most Dangerous Game (1932), King Kong (1933) and Son of Kong (1933). [biography (excerpted) from Wikipedia]
William Stack has been often mistaken as British in the scant bio information available on him - he could imitate many a British accent. He was actually born in Oregon. But like many Americans who wished to become serious stage actors and seeing New York as overly competitive, he went to London as a young man. Not much is known about his career there, but with many theaters (almost fifty) and companies around, the opportunities for a talented young man were there. From the craze for post cards with the subject of photos - and especially those of actors that ensued between about 1890 and 1914, there exist pictures of Stack as Hamlet. So Stack did find initial success, and by 1918 he tried his hand in the budding British silent film industry with not much initial interest - just one film that year and another in 1922, then back to the stage. But by 1930 Stack was back in America - and not to Broadway (perhaps in a touring company, but at least not on record as a principal), as was a stage actor's usual course. He did end up in early Hollywood sound pictures - those with marginal sound quality - first with Fredric March as the star in Sarah and Son (1930). With a rich stage actor's voice and accents to apply where needed - and appreciated as audio technology improved - he appeared in from four to ramping up to as many as ten pictures per year through the 1930s. Moving into his 50s, bald and dignified, his roles were focused as featured character pieces - assured doctors, lawyers, judges, nobles, and several butlers. He was one of the Crawley clan in Becky Sharp (1935), the first feature-length three-color film. He perhaps gained press from being in one movie of some scandalous notoriety - Tarzan and His Mate (1934) in which Maureen O'Sullivan appeared to swim nude (somebody else in a body stocking). Although he had a few lines as a white hunter, in this and other films (of note, MGM's first and most famous version of Mutiny on the Bounty, 1935), Stack was not credited for his always believable characterizations. The year 1936 provided Stack with some his most memorable historical roles. He played the French general Montcalm of the French and Indian War in the popular The Last of the Mohicans (1936) with Randolph Scott. The same year he played a much richer character in the film adaptation of the play Mary of Scotland (1936) directed by John Ford. Along with an assemblage of some of the best character actors of Hollywood, Stack played one among a rogues' gallery of self-seeking Scottish lords who included: Robert Barrat, Gavin Muir (another American who spent time in England and was often thought to be British), and Ian Keith. Stack is able to be most Shakespearean, vying in Scottish brogue with his fellow conspirators as the sly Lord Ruthven. Although Stack appeared in many of the best A pictures of the later 1930s, many did not give credit for his great acting skills. There were only a few movies into the 1940s, before he retired - leaving film history all the richer for his screen presence.
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1943
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1932
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1931
