Pre-code melodrama about high society marriage and fidelity.
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Adolphe Jean Menjou (February 18, 1890 – October 29, 1963) was an American actor. His career spanned both silent films and talkies. He appeared in such films as Charlie Chaplin's A Woman of Paris, where he played the lead role; Stanley Kubrick's Paths of Glory with Kirk Douglas; Ernst Lubitsch's The Marriage Circle; The Sheik with Rudolph Valentino; Morocco with Marlene Dietrich and Gary Cooper; and A Star Is Born with Janet Gaynor and Fredric March, and was nominated for an Academy Award for The Front Page in 1931. [biography (excerpted) from Wikipedia]
Leila Hyams (May 1, 1905 – December 4, 1977) was an American model, vaudeville and film actress, who came from a show business family. Her relatively short film career began in the 1920s during the era of silent films and ended in 1936. Although her career only lasted around twelve years, the blonde blue-eyed ingenue appeared in more than 50 film roles and remained a press favorite, with numerous magazine covers.
From Wikipedia, the free encyclopedia. Norman Foster (December 13, 1903 - July 7, 1976) was an American film director and actor. Born John Hoeffer in Richmond, Indiana, Foster originally became a cub reporter on a local newspaper in Indiana before going to New York in the hopes of getting a better newspaper job but there were no vacancies. He tried a number of theatrical agencies before getting stage work and later appeared on Broadway in the George S. Kaufman / Ring Lardner play June Moon in 1929. He has also acted in London, England. He started working in crowd scenes in films before moving to bigger parts. His film acting credits include Prosperity (1932), Pilgrimage (1933), Rafter Romance (1933) with Ginger Rogers and State Fair (1933). He has written several plays. He gave up acting in the late 1930s to pursue directing, although he occasionally appeared in movies and television programs. Some of Foster's directorial efforts include The Sign of Zorro (1958), and the stylish films noir Kiss the Blood Off My Hands (1948), Woman on the Run (1950) and Journey into Fear (1943). Foster directed Rachel and the Stranger and the Davy Crockett segments of Disneyland that were edited into feature films Davy Crockett, King of the Wild Frontier and Davy Crockett and the River Pirates where he did not accept any interference from Walt Disney. In 1967, he directed Brighty of the Grand Canyon, based on a children's novel by Marguerite Henry about a burro in the Grand Canyon National Park in Arizona. The film starred Joseph Cotten, Karl Swenson, Dick Foran, and Pat Conway. It was rumored that Orson Welles took over direction of Journey Into Fear, which Welles later denied. Foster was the director of the "My Friend Bonito" segment of Orson Welles' Pan-American anthology film It's All True until RKO aborted the project. Foster directed a number of Charlie Chan and Mr. Moto mysteries, including Charlie Chan in Panama (1940), Charlie Chan at Treasure Island (1939), Mr. Moto Takes a Vacation (1939), Charlie Chan in Reno (1939), Mr. Moto's Last Warning (1939), Mysterious Mr. Moto (1938), Mr. Moto Takes a Chance (1938), Thank You, Mr. Moto (1937), and Think Fast, Mr. Moto (1937). Foster was married to Claudette Colbert from 1928 until their divorce in 1935. In 1937, he wed actress Sally Blane, an older sister of Loretta Young. The couple remained married until his death in 1976 from cancer in Santa Monica at the age of 75. They had two children, Robert and Gretchen. He is buried in Culver City's Holy Cross Cemetery. Description above from the Wikipedia article Norman Foster, licensed under CC-BY-SA,full list of contributors on Wikipedia.
From Wikipedia Mary Duncan (August 13, 1895 – May 9, 1993) was an American actress. Mary Duncan was born in Northumberland county, Virginia, the sixth of eight children born to Capt. William "Bill" Dungan and his wife, the former Ada Thaddeus Douglass. She attended Cornell University before settling on acting as a career. She began her career as a child actress playing on the Broadway stage from 1910. In 1926 she played the daughter "Poppy" in the smash hit and controversial play The Shanghai Gesture. Florence Reed played her mother called Mother Goddam in which Reed kills Duncan in a startling end to the play. This play was turned into a very sanitized film in 1941 with Gene Tierney. She met and married Stephen "Laddie" Sanford, who was an international polo player as well as director of the Bigelow-Sanford Carpet Company, in 1933, after which she retired from films. They remained married until his death in 1977. She spent much of her remaining years working with several major charities. Her last film appearance was with Katharine Hepburn in the 1933 film Morning Glory. She kept herself active by playing golf twice a week and swimming every morning before breakfast, which helped her maintain her size 8 figure. As an actress, she had followed the ministrations of Sylvia of Hollywood to keep her shape. Mary Duncan died in her sleep aged 97. She was survived by a niece and great-niece, and she was the last known person to have in her possession a copy of the lost Murnau film 4 Devils; Martin Koerber, curator of Deutsche Kinemathek, has speculated that her heirs may still have the valuable print somewhere.
Hedda Hopper (May 2, 1885 – February 1, 1966) was an American actress and gossip columnist, notorious for feuding with her arch-rival Louella Parsons. She had been a moderately successful actress of stage and screen for years before being offered the chance to write the column Hedda Hopper's Hollywood for the Los Angeles Times in 1938. At the height of her power in the 1940s she commanded a 35 million strong readership. She was well known for her political conservatism, and during the McCarthy era she named suspected communists. Hopper continued to write gossip until the end, her work appearing in many magazines and later on radio. From Wikipedia, the free encyclopedia
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Australian born William H. O'Brien began his screen acting career in Australia in 1918, then resumed in Hollywood in 1921. He continued acting in films and television series to 1971.
From Wikipedia, the free encyclopedia Wilfred Lucas (January 30, 1871 – December 13, 1940) was a Canadian-born American stage actor who found success in film as an actor, director, and screenwriter. Wilfred Lucas made his Broadway debut in 1904, playing in both the The Blue Grass Handicap and The Superstition of Sue. Following his 1906 role in the highly successful play The Chorus Lady, he was recruited to the fledgling Biograph Studios by D. W. Griffith. At the time, the film business was still looked down upon by many members of the theatrical community. In her 1925 book titled When the Movies Were Young, Griffith's wife, actress Linda Arvidson, told the story of the early days at Biograph Studios. In it, she referred to Lucas as the "first real grand actor, democratic enough to work in Biograph movies." In 1908 Lucas made his motion picture debut in Griffith's The Greaser's Gauntlet, appearing in more than 50 of these short (usually 17 minutes) films over the next two years. In 1910 while still acting, he wrote the script for Griffith's film Sunshine Sue, which was followed by many more scripts by 1924. Lucas also began directing in 1912 with Griffith on An Outcast Among Outcasts, and directed another 44 films over the next 20 years. In early 1916 he starred as John Carter in Acquitted, about which Photoplay wrote, "No single performance in the records of active photography has surpassed his visualization of the humble book-keeper in Acquitted." Later in 1916 he appeared in D.W. Griffith's film Intolerance. Part of the group of Canadian pioneers in early Hollywood, Lucas became friends and sometimes starred with Mary Pickford, Sam De Grasse, and Marie Dressler. Canadian-born director Mack Sennett hired him to both direct and act in a large number of films at his Keystone Studios. Lucas made the successful transition from silent film to sound. While working in Hollywood, in 1926 he returned to the stage, performing in several Broadway plays. He later appeared as a foil for Laurel and Hardy in their feature films Pardon Us and A Chump at Oxford. During his long career, Wilfred Lucas appeared in more than 375 films. Although for a time he was cast in leading roles, he became very successful as secondary and minor characters, making a good living in the film industry for more than three decades.
Harrison Greene was an American screen actor. He appeared in more than 230 films from 1931 to 1946.
