A woman tries to save her husband from the electric chair after both are sent to prison for a murder they didn't commit.
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
Sylvia Sidney (born Sophia Kosow, August 8, 1910 – July 1, 1999) was an American stage, screen and film actress whose career spanned over 70 years. She rose to prominence in dozens of leading roles in the 1930s. She later gained attention for her role as Juno, a case worker in the afterlife, in Tim Burton's film Beetlejuice, for which she won a Saturn Award as Best Supporting Actress. She also was nominated for the Academy Award for Best Supporting Actress for her performance in Summer Wishes, Winter Dreams (1973).
Gene Raymond, born Raymond Guion, was an American film, television, and stage actor of the 1930s and 1940s. In addition to acting, Raymond was also a composer, writer, director, producer, and decorated military pilot. His screen debut was in Personal Maid (1931). Another early appearance was in the multi-director If I Had a Million with W. C. Fields and Charles Laughton. With his blond good looks, classic profile, and youthful exuberance — plus a name change to the more pronounceable "Gene Raymond" — he scored in films like the classic Zoo in Budapest with Loretta Young, and a series of light RKO musicals, mostly with Ann Sothern. He wrote a number of songs, including the popular "Will You?" which he sang to Sothern in Smartest Girl in Town. His wife, Jeanette MacDonald, sang several of his more classical pieces in her concerts and recorded one entitled "Let Me Always Sing". His most notable films, mostly as a second lead actor, include Red Dust (1932) with Jean Harlow and Clark Gable, Zoo in Budapest with Loretta Young, Ex-Lady with Bette Davis, Flying Down to Rio with Dolores del Río, Fred Astaire and Ginger Rogers, I Am Suzanne with Lilian Harvey, Sadie McKee with Joan Crawford, Alfred Hitchcock's Mr. and Mrs. Smith with Carole Lombard and Robert Montgomery, and The Locket with Laraine Day, Brian Aherne, and Robert Mitchum. MacDonald and Raymond made one film together, Smilin' Through, which came out as the U.S. was on the verge of entering World War II. After service in the United States Army Air Forces Raymond returned to Hollywood. He wrote, directed and starred in the 1949 film Million Dollar Weekend. In later years he appeared in only a few films. His last major film was The Best Man in 1964 with Henry Fonda and Cliff Robertson. In the 1950s he mostly worked in television, appearing in Playhouse of Stars, Fireside Theatre, Hollywood Summer Theater and TV Reader's Digest. In the 1970s he appeared on ABC Television Network's Paris 7000 and had guest roles in The Outer Limits, Robert Montgomery Presents, Playhouse 90, The Man from U.N.C.L.E., Ironside, The Defenders, Mannix, The Name of the Game, Lux Video Theatre, Kraft Television Theatre and U.S. Steel Hour. Description above from the Wikipedia article Gene Raymond, licensed under CC-BY-SA, full list of contributors on Wikipedia.
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1932
From Wikipedia, the free encyclopedia Purnell Pratt (October 20, 1885 – July 25, 1941) was an American film actor. He appeared in 114 films between 1914 and 1941. He was born in Bethel, Illinois and died in Hollywood, California.
From Wikipedia, the free encyclopedia Louise Beavers (March 8, 1902 – October 26, 1962) was an American film and television actress. Beavers appeared in dozens of films and two hit television shows from the 1920s until 1960, most often cast in the role of a maid, servant, or slave. She was a native of Cincinnati, Ohio, and a member of Sigma Gamma Rho sorority, one of the four African-American sororities. Beavers was a breakthrough actress for black women and became known as a symbol of a "mammy" on the screen. A mammy archetype "is the portrayal within a narrative framework or other imagery of a black domestic servant, generally good-natured, often overweight, and loud". Louise Beavers started her career in the 1920s. At the time, black people in films were limited to acting in only very few roles, usually as slaves or domestic help. She played the "mammy" in many of the movies she acted in. She started to gain more attention in the acting world after she played the role of Julia in Coquette, which starred Mary Pickford. In this film she played the black maid and mother figure to a young white woman. She once received a review which stated: "Personally, Miss Beavers is just splendid, just as fine as she appears on screen, but she also has a charm all her own, which needs no screen role for recognition. She has a very pleasing personality, one that draws people to her instantly and makes them feel that they are meeting a friend instead of a Hollywood Star." Beavers had an attractive personality, and often played roles in which she helps a white protagonist mature in the course of the movie. In 1934, Beavers played Delilah in Imitation of Life in a dramatic role. Her character again plays a black maid, but instead of the usual stereotypical comedic or purely functional role, Delilah's story line is a secondary parallel plot. The public reacted positively to Beavers' performance. It was not only a breakthrough for Beavers, but was also "the first time in American cinema history that a black woman's problems were given major emotional weight in a major Hollywood motion picture". Some in the media recognized the unfairness of Hollywood's double standard regarding race. For example, California Graphic Magazine wrote, "the Academy could not recognize Miss Beavers. She is black!" As Beavers' career grew, some criticized her for the roles she accepted, alleging that such roles institutionalized the view that blacks were subservient to whites. Beavers dismissed the criticism. She acknowledged the limited opportunities available, but said: "I am only playing the parts. I don't live them." As she became more famous, Beavers began to speak against Hollywood's portrayal and treatment of black Americans, both during production and after promoting the films. Beavers became active in public life, seeking to help support African Americans. In later life, Beavers was plagued by health issues, including diabetes. She died on October 26, 1962, at the age of 60, following a heart attack. Beavers was inducted into the Black Filmmakers Hall of Fame in 1976.
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1943
From Wikipedia, the free encyclopedia Jane Darwell (October 15, 1879 – August 13, 1967) was an American film and stage actress. With appearances in over 100 major motion pictures, Darwell is perhaps best-remembered for her portrayal of the matriarch and leader of the Joad family in the film adaptation of The Grapes of Wrath, for which she received the Academy Award for Best Supporting Actress, and her role as the Bird Woman in Mary Poppins. Description above from the Wikipedia article Jane Darwell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia. Paulette Goddard (June 3, 1910 – April 23, 1990) was an American film and theatre actress. A former child fashion model and in several Broadway productions as Ziegfeld Girl, she was a major star of the Paramount Studio in the 1940s. She was married to several notable men, including Charlie Chaplin, Burgess Meredith, and Erich Maria Remarque. Goddard was nominated for an Academy Award for Best Supporting Actress for her performance in So Proudly We Hail! (1943). Description above from the Wikipedia article Paulette Goddard, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia. Roscoe Karns (September 7, 1891 – February 6, 1970) was an American actor who appeared in nearly 150 films between 1915 and 1964. He specialized in cynical, wise-cracking (and often tipsy) characters, and his rapid-fire delivery enlivened many comedies and crime thrillers in the 1930s and 1940s. Though he appeared in numerous silent films, such as Wings and Beggars of Life, his career didn't really take off until sound arrived. Arguably his best-known film role was the annoying bus passenger Oscar Shapeley, who tries to pick up Claudette Colbert in the Oscar-winning comedy It Happened One Night (1934), quickly followed by one of his best performances as the boozy press agent Owen O'Malley in Howard Hawks' Twentieth Century. (Six years later, he co-starred as one of the reporters in another Hawks classic, His Girl Friday.) In 1937, Paramount teamed him with Lynne Overman as a pair of laconic private eyes in two B comedy-mysteries, Murder Goes to College and Partners in Crime. From 1950 to 1954, Karns played the title role in the popular DuMont Television Network series Rocky King, Inside Detective. His son, character actor Todd Karns, also appeared in that series. From 1959 to 1962, Karns was cast as Admiral Walter Shafer in seventy-three of the ninety-five episodes of the CBS military sitcom/drama series, Hennesey, starring Jackie Cooper in the title role of a United States Navy physician, and Abby Dalton as nurse Martha Hale. His final film was another Hawks comedy, Man's Favorite Sport?, in 1964. Karns was born in San Bernardino, California, and died in Los Angeles. Description above from the Wikipedia article Roscoe Karns, licensed under CC-BY-SA, full list of contributors on Wikipedia
From Wikipedia, the free encyclopedia Joseph Patrick Carrol Naish (January 21, 1896 – January 24, 1973) was an American character actor born in New York City, New York. Naish did many film roles, but they were eclipsed when he found fame in the title role of radio's Life with Luigi (1948–1953), which surpassed Bob Hope in the 1950 ratings. Naish appeared on stage for several years before he began his film career. He began as a member of Gus Edwards's vaudeville troupe of child performers. In Paris after World War I, Naish formed his own song and dance act. He was traveling the globe from Europe to Egypt to Asia, when his China-bound ship developed engine problems, leaving him in California in 1926. His uncredited bit role in What Price Glory (1926) launched his career in more than two hundred films. He was twice nominated for an Academy Award for Best Supporting Actor, the first for his role in the 1943 film Sahara, then for his performance in the 1945 film A Medal for Benny, for which he won the Golden Globe Award for Best Supporting Actor, Motion Picture. He notably played Boris Karloff's hunchback assistant in The House of Frankenstein in 1944. He was of Irish descent, but never used his dialect skills to play Irishmen, explaining, "When the part of an Irishman comes along, nobody ever thinks of me." Instead, he portrayed myriad other ethnic groups on screen: Latino, Native American, East Asian, Polynesian, Middle Eastern/North African, South Asian, Eastern European, and Mediterranean. Besides his film roles, he often appeared on television later in his career. He spent many of his later years in San Diego studying philosophy and theology. Naish was married (1929–1973) to actress Gladys Heaney (1907–1987). They had one daughter. For his contributions to television and film, J. Carrol Naish has a star on the Hollywood Walk of Fame at 6145 Hollywood Boulevard.
