Based on the David Belasco stage production of the Max Marcin play in which heavyweight-champion Jack Dempsey played the role of the fighter, Tiger: This "behind-the-scenes look of a heavyweight-championship fight" looks much like all of the other boxing films in which the Champ gets involved in a frame-up and is asked to take a dive.
05-11-1930
1h 5m
THIS
HELLA
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From Wikipedia, the free encyclopedia
Ralph Ince (January 16, 1887 – April 10, 1937) was an American pioneer film actor, director and screenwriter whose career began near the dawn of the silent film era. Ralph Ince was the brother of John Ince and Thomas H. Ince. Ralph Waldo Ince was born in Boston, Massachusetts, the younger of three sons and a daughter raised by English immigrants, John and Emma Ince. Sometime after his birth Ince moved to Manhattan where his entire family was engaged in theater work; his father as a musical agent and mother, sister Bertha and brothers, John and Thomas as actors. Ralph Ince studied art with cartoonist Dan McCarthy and for a while worked as a newspaper cartoonist for the New York World and later magazine illustrator for the New York Mirror and The Evening Telegram. At times over his acting and directing career Ince would continue to contribute cartoons to popular magazines of the day. Early on in his career Ince, who had done some stage acting as a child, was a member of Richard Mansfield's stock company playing parts in The College Widow and Ben Hur.
Around 1906 Ince became an animator in the fledgling film industry working for Winsor McCay, but soon turned to acting and joined Vitagraph Studios where he became known for his portrayals of Abraham Lincoln in a series of one reel films. Ince began directing at Vitagraph around 1910 and was officially advanced to the director’s chair in 1912, though he still continued to act in many of his films and throughout his career. Ince would go on to direct some 171 films between 1910 and 1937 and appear in approximately 110 films over nearly the same time period.
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Guinn Terrell Williams Jr. (April 26, 1899 – June 6, 1962) was an American actor who appeared in memorable westerns such as Dodge City (1939), Santa Fe Trail (1940), and The Comancheros (1961). He was nicknamed "Big Boy" as he was 6' 2" and had a muscular build from years of working on ranches and playing semi-pro and professional baseball.
Williams made his screen debut in the 1919 comedy, Almost A Husband, with Will Rogers and Cullen Landis, and was featured in a large supporting role ten years later in Frank Borzage's Lucky Star with Janet Gaynor and Charles Farrell. Throughout the 1920s Williams would have a string of successful films, mostly westerns.
He then appeared in The Great Meadow alongside Johnny Mack Brown, which was Brown's breakout film. Throughout the 1930s, Williams acted in supporting roles, mostly in westerns, sports, or outdoor dramas. Although not the lead actor in any of them, he was always employed, and was successful as a supporting actor. He often played alongside Hoot Gibson and Harry Carey during that period. In 1941, he became one of many actors cast by Universal Pictures in their large film series, Riders of Death Valley. From the late 1930s to the mid-1940s, Williams appeared in supporting roles in a number of A-pictures, sometimes with high billing, such as You Only Live Once, and in Columbia's first Technicolour film The Desperadoes (1943).
Williams was frequently teamed with Alan Hale, Sr. as sidekicks to Errol Flynn in several of his pictures. In 1960, he was cast in the epic film The Alamo and in Home from the Hill with Robert Mitchum. His last role was opposite his close friend John Wayne and Stuart Whitman in The Comancheros.
Stepin Fetchit (1902–1985) was an American comedian and actor.
His Fetchit persona parlayed into a successful film career, eventually becoming the first black actor to become a millionaire. He was also the first black actor to receive screen credit.
Stepin Fetchit typical film persona and stage name have long been controversial, and seen as illustrative of negative stereotypes of Negroes. However, a newer interpretation of his film persona contends he was ultimately subversive of the status quo.
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Robert Emmett O'Connor (March 18, 1885 – September 4, 1962) was an American film actor. He appeared in 204 films between 1919 and 1950. He is probably best known as the warmhearted bootlegger Paddy Ryan in The Public Enemy (1931) and as Detective Sergeant Henderson pursuing the Marx Brothers in A Night at the Opera (1935). He also appeared as Jonesy (the older Paramount gate guard) in Billy Wilder's 1950 film Sunset Boulevard, as well as made a cameo appearance at the very beginning and very end of the Metro-Goldwyn-Mayer cartoon short Who Killed Who? (1943).
