Vallery Grove is in love with Don Warren but her mother opposes the match because he is poor and has no social standing. Don decides to terminate his engagement to Vallery after attending a party where he meets a spoiled rich girl who is interested in him.
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From Wikipedia, the free encyclopedia Dolores Costello (September 17, 1903 – March 1, 1979) was an American film actress who achieved her greatest success during the era of silent movies. She was nicknamed "The Goddess of the Silent Screen". She was stepmother of John Barrymore's daughter Diana by his second wife Blanche Oelrichs, the mother of John Drew Barrymore and Dolores (Dee Dee) Barrymore, and the grandmother of John Barrymore III, Blyth Dolores Barrymore, Brahma Blyth (Jessica) Barrymore, and Drew Barrymore. Dolores Costello was born in Pittsburgh, Pennsylvania, the daughter of actors Maurice Costello and Mae Costello (née Altschuk). She was of Irish and German descent. She had a younger sister, Helene, and the two made their first film appearances in the years 1909–1915 as child actresses for the Vitagraph Film Company. They played supporting roles in several films starring their father, who was a popular matinee idol at the time. The two sisters appeared on Broadway together as chlorines and their success resulted in contracts with Warner Brothers Studios. In 1926, following small parts in feature films, she was selected by John Barrymore to star opposite him in The Sea Beast, a loose adaptation of Herman Melville's Moby-Dick. Warner Bros. soon began starring her in her own vehicles. Meanwhile, she and Barrymore became romantically involved and married in 1928. Within a few years of achieving stardom, the delicately beautiful blonde-haired actress had become a successful and highly regarded film personality in her own right. As a young adult her career developed to the degree that in 1926 she was named a WAMPAS Baby Star, and had acquired the nickname "The Goddess of the Silver Screen". Warners alternated Costello between films with contemporary settings and elaborate costume dramas. In 1927 she was re-teamed with John Barrymore in When a Man Loves, an adaptation of Manon Lescaut. In 1928 she co-starred with George O'Brien in Noah's Ark, a part-talkie epic directed by Michael Curtiz. Costello spoke with a lisp and found it difficult to make the transition to talking pictures, but after two years of voice coaching she was comfortable speaking before a microphone. One of her early sound film appearances was with her sister Helene in Warner Bros.'s all-star extravaganza The Show of Shows (1929). Her acting career became less a priority for her following the birth of her first child, Dolores Ethel Mae "DeeDee" Barrymore, on April 8, 1930, and she retired from the screen in 1931 to devote time to her family. Her second child, John Drew Barrymore, was born on June 4, 1932, but the marriage proved difficult due to her husband's increasing alcoholism, and they divorced in 1935. She resumed her career a year later and achieved some successes, most notably in Little Lord Fauntleroy (1936) and The Magnificent Ambersons (1942). She retired permanently from acting following her appearance in This is the Army (1943), again under the direction of Michael Curtiz. In 1950 Costello divorced Dr. John Vruwink, whom she had married in 1939. She spent the remaining years of her life in semi-seclusion, managing an avocado farm. She died from emphysema in Fallbrook, California in 1979.
Chester Morris (born John Chester Brooks Morris; February 16, 1901 – September 11, 1970) was an American stage, film, television, and radio actor. He had some prestigious film roles early in his career, and was nominated for an Academy Award. Chester Morris is best remembered today for portraying Boston Blackie, a criminal-turned-detective, in the modestly budgeted Boston Blackie film series of the 1940s.
From Wikipedia, the free encyclopedia Jack Mulhall, born John Joseph Francis Mulhall, (October 7, 1887 in Wappingers Falls, New York – June 1, 1979 in Woodland Hills, Los Angeles, California) was a movie actor since the silent film era and appeared in over 430 films. Reputedly, he was one of a number of male models(Fredric March & Reed Howes were two others) for the Arrow Collar Man in the Arrow collar ads illustrated by J. C. Leyendecker for the Cluett Peabody shirt company. Died from congestive heart failure. Description above from the Wikipedia article Jack Mulhall, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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1926
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1928
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1933
From Wikipedia, the free encyclopedia Louise Beavers (March 8, 1902 – October 26, 1962) was an American film and television actress. Beavers appeared in dozens of films and two hit television shows from the 1920s until 1960, most often cast in the role of a maid, servant, or slave. She was a native of Cincinnati, Ohio, and a member of Sigma Gamma Rho sorority, one of the four African-American sororities. Beavers was a breakthrough actress for black women and became known as a symbol of a "mammy" on the screen. A mammy archetype "is the portrayal within a narrative framework or other imagery of a black domestic servant, generally good-natured, often overweight, and loud". Louise Beavers started her career in the 1920s. At the time, black people in films were limited to acting in only very few roles, usually as slaves or domestic help. She played the "mammy" in many of the movies she acted in. She started to gain more attention in the acting world after she played the role of Julia in Coquette, which starred Mary Pickford. In this film she played the black maid and mother figure to a young white woman. She once received a review which stated: "Personally, Miss Beavers is just splendid, just as fine as she appears on screen, but she also has a charm all her own, which needs no screen role for recognition. She has a very pleasing personality, one that draws people to her instantly and makes them feel that they are meeting a friend instead of a Hollywood Star." Beavers had an attractive personality, and often played roles in which she helps a white protagonist mature in the course of the movie. In 1934, Beavers played Delilah in Imitation of Life in a dramatic role. Her character again plays a black maid, but instead of the usual stereotypical comedic or purely functional role, Delilah's story line is a secondary parallel plot. The public reacted positively to Beavers' performance. It was not only a breakthrough for Beavers, but was also "the first time in American cinema history that a black woman's problems were given major emotional weight in a major Hollywood motion picture". Some in the media recognized the unfairness of Hollywood's double standard regarding race. For example, California Graphic Magazine wrote, "the Academy could not recognize Miss Beavers. She is black!" As Beavers' career grew, some criticized her for the roles she accepted, alleging that such roles institutionalized the view that blacks were subservient to whites. Beavers dismissed the criticism. She acknowledged the limited opportunities available, but said: "I am only playing the parts. I don't live them." As she became more famous, Beavers began to speak against Hollywood's portrayal and treatment of black Americans, both during production and after promoting the films. Beavers became active in public life, seeking to help support African Americans. In later life, Beavers was plagued by health issues, including diabetes. She died on October 26, 1962, at the age of 60, following a heart attack. Beavers was inducted into the Black Filmmakers Hall of Fame in 1976.
