A carousel barker falls in love with a young woman. Both are fired from their jobs, and when the young woman becomes pregnant, the carousel barker tries to help pull off a robbery, which goes wrong. Because of the robbery, he dies, and after spending time in hell, is sent back to earth for one day to try to make amends. Preserved by the Academy Film Archive.
09-27-1930
1h 34m
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Main Cast
Movie Details
Production Info
Director:
Frank Borzage
Production:
Fox Film Corporation
Key Crew
Screenplay:
S. N. Behrman
Dialogue:
S. N. Behrman
Screenplay:
Sonya Levien
Dialogue:
Sonya Levien
Translator:
Benjamin Glazer
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Charles Farrell
Popular Hollywood leading man of late silents and early talkies. He is best remembered for his teaming with Janet Gaynor in 12 screen romances between 1927 and 1934. He retired from films in the early 1940s, but TV audiences of the 1950s would see him as Gale Storm's widower dad in the popular television series My Little Margie (1952).
From Wikipedia, the free encyclopedia.
Estelle Taylor (May 20, 1894—April 15, 1958) was an American Hollywood actress whose career was most prominent during the silent film era of the 1920s.
Born Ida Estelle Taylor in Wilmington, Delaware, the daughter of Harry D Taylor and Ida LaBertha (Barrett) Taylor, Estelle married three times during her lifetime. Her first husband was banker Kenneth Malcom Peacock, her second was William Harrison "Jack" Dempsey (Jack Dempsey the world heavyweight boxing champion), and theatrical producer Paul Smith.
After relocating to Hollywood, she began taking bit parts in films.
One of Taylor's earliest successes was in 1920 in Fox's While New York Sleeps with Marc McDermott. She and McDermott play three sets of characters in different time periods. This film was lost for decades but has been recently discovered and screened at a film festival in Los Angeles. Taylor is possibly best recalled for her roles in the 1922 drama Monte Cristo opposite John Gilbert, the enormously successful 1923 Cecil B. DeMille directed The Ten Commandments as Miriam, the sister of Moses; as Lucrezia Borgia in the 1926 Warner Bros.' first feature-length film with synchronized Vitaphone sound effects and musical soundtrack Don Juan opposite John Barrymore, Mary Astor and Warner Oland, 1927's New York, opposite Ricardo Cortez and Lois Wilson, 1931's Street Scene with Sylvia Sidney and both the Academy Award winning Cimarron and the Clara Bow talkie, Call Her Savage in 1932.
Taylor married heavyweight boxing champion, Jack Dempsey, in 1925. She was supposed to have co-starred in a movie with actor Rudolph Valentino which would have brought her more widespread fame but he died just before production was to begin. In 1928 she and husband Dempsey starred in a Broadway play titled The Big Fight, loosely based around Dempsey's boxing popularity, which ran for 31 performances at the Majestic Theatre.
When she divorced Jack in July, 1933 she walked away with $40,000 in cash as well as 3 of their cars and their $150,000 estate. When a fan came up to her for an autographed picture of her, which had Jack's name on top she allegedly wrote: "This is the last time that son-of-a-bitch will be on top of me." Her marriage to Dempsey produced no children.
Taylor was a close friend of Mexican-born actress Lupe Vélez, and on the evening of December 13, 1944 she spent several hours at a restaurant having dinner and drinks with the actress before Vélez returned home and committed suicide. The ensuing press coverage briefly propelled Taylor once again into the headlines.
Taylor's last film appearance was in the 1945 Jean Renoir directed drama The Southerner. In her later years, Taylor devoted her free time to her pets and was the president and founder of the California Pet Owners' Protective League. In 1953, Taylor served on the City Animal Regulation Commission in Los Angeles, California.
Taylor died in 1958.She had been suffering for some time with cancer and had been bedridden the last six months.
She was interred at Hollywood Forever Cemetery.
For her contribution to the motion picture industry, Estelle Taylor was awarded a star on the Hollywood Walk of Fame at 1620 Vine Street in Hollywood, California.
In a 1983 American made-for-television movie biopic of boxer Jack Dempsey, Estelle Taylor was portrayed by British actress Victoria Tennant.
Description above from the Wikipedia article Estelle Taylor, licensed under CC-BY-SA, full list of contributors on Wikipedia
Henry Byron Warner was the definitive cinematic Jesus Christ in Cecil B. DeMille's The King of Kings (1927). He was born into a prominent theatrical family on October 26, 1875 in London. His father was Charles Warner, and his grandfather was James Warner, both prominent English actors. He replaced J.B. Warner as Jesus in The King of Kings (1927) when J.B. died of tuberculosis at age 29. (J.B. was not Henry's brother. J.B. had taken the professional last name "Warner" because Henry's family took him in.)
Henry Warner's family wanted him to become a doctor, and he graduated from London University but eventually gave up his medical studies. The theater was in his blood, and he studied acting in Paris and Italy before joining his father's stock company, making his debut in the English production of "Drink." It was from his father that he honed his craft.
Warner made it to America in the early 1900s, after touring the British Empire. Billed as Harry Warner, he made his Broadway debut in the American colonial drama "Audrey" at Hoyt's Theatre on November 24, 1902, starring James O'Neill, the father of playwright Eugene O'Neill. He was billed as H.B. Warner in his next appearance on Broadway, in the 1906 comedy "Nurse Marjorie." He appeared in 13 more Broadway productions in his career, from the twin-bill of "Susan in Search of a Husband" & "A Tenement Tragedy" (also 1906) to "Silence" in 1925.
He moved into motion pictures, making his debut in the Mutual short Harp of Tara (1914). Also in 1914, he appeared in a film written by Cecil B. DeMille for Famous Players Lasky, The Ghost Breaker (1914), in which he had played on Broadway the year before. Warner became a leading man and a star in silent pictures, reaching the zenith of his career playing Jesus in DeMille's The King of Kings (1927). His excellent performance was actually enhanced by the silent screen, allowing the audience to imagine how Jesus would sound. Warner could be extremely moving in silent pictures, notably in the melodrama Sorrell and Son (1927) as a war veteran father who sacrifices all for his son.
When talkies arrived, he became a busy supporting player. A favorite of Frank Capra , appeared in Mr. Deeds Goes to Town (1936). Cast again by Capra, he was nominated for Best Supporting Actor in Lost Horizon (1937). He also appeared in You Can't Take It with You (1938), and Mr. Smith Goes to Washington (1939). Other major talkies included The Devil and Daniel Webster (1941) and Topper Returns (1941). Other than Jesus, the role he is best remembered role for today is in It's a Wonderful Life (1946), in which he played Mr. Gower, the druggist who is saved from committing a lethal medication error by the young George Bailey (the James Stewart character as a child). H.B. Warner appeared in Sunset Blvd. (1950) as himself. His last credited role was as Amminadab in DeMille's The Ten Commandments (1956), a remake of the earlier silent The Ten Commandments (1923). He last role was an uncredited bit part in Darby's Rangers (1958).
Walter Abel (June 6, 1898 – March 26, 1987) was an American stage and film character actor. His eyes were brown and his (adult) height was five foot ten inches.
Abel was born in St. Paul, Minnesota, the son of Christine (née Becker) and Richard Michael Abel. Abel graduated from the American Academy of Dramatic Arts where he had studied in 1917 and joined a touring company. He made his Broadway debut in Forbidden in 1919. His many theatre credits include As You Like It, Desire Under the Elms, Mourning Becomes Electra, Merrily We Roll Along, and Trelawny of the 'Wells'. On the stage, he appeared in Channing Pollock's 1926 production of The Enemy together with Fay Bainter.
Abel was married to concert harpist Marietta Bitter. He died of a myocardial infarction in Essex, Connecticut.
Description above from the Wikipedia article Walter Abel, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Egbert "Bert" Roach (August 21, 1891 – February 16, 1971) was an American film actor. He appeared in 327 films between 1914 and 1951. He was born in Washington, D.C., and died in Los Angeles, California, age 79.
From Wikipedia, the free encyclopedia
Oscar C. Apfel (January 17, 1878 – March 21, 1938) was an American film actor, director, screenwriter and producer. He appeared in 167 films between 1913 and 1939, and also directed 94 films between 1911 and 1927.
Apfel was born in Cleveland, Ohio. After a number of years in commerce, he decided to adopt the stage as a profession. He secured his first professional engagement in 1900, in his hometown. He rose rapidly and soon held a position as director and producer and was at the time noted as being the youngest stage director in America.[1] He spent eleven years on the stage on Broadway then joined the Edison Manufacturing Company. Apfel first directed for Thomas A. Edison, Inc. in 1911–12, where he made the innovative short film The Passer-By (1912). He also did some experimental work at Edison's laboratory in Orange, on the Edison Talking Pictures devices.
After many years as a director, he gradually returned to acting. On March 21, 1938, Apfel died in Hollywood from a heart attack.
From Wikipedia
Guinn Terrell Williams Jr. (April 26, 1899 – June 6, 1962) was an American actor who appeared in memorable westerns such as Dodge City (1939), Santa Fe Trail (1940), and The Comancheros (1961). He was nicknamed "Big Boy" as he was 6' 2" and had a muscular build from years of working on ranches and playing semi-pro and professional baseball.
Williams made his screen debut in the 1919 comedy, Almost A Husband, with Will Rogers and Cullen Landis, and was featured in a large supporting role ten years later in Frank Borzage's Lucky Star with Janet Gaynor and Charles Farrell. Throughout the 1920s Williams would have a string of successful films, mostly westerns.
He then appeared in The Great Meadow alongside Johnny Mack Brown, which was Brown's breakout film. Throughout the 1930s, Williams acted in supporting roles, mostly in westerns, sports, or outdoor dramas. Although not the lead actor in any of them, he was always employed, and was successful as a supporting actor. He often played alongside Hoot Gibson and Harry Carey during that period. In 1941, he became one of many actors cast by Universal Pictures in their large film series, Riders of Death Valley. From the late 1930s to the mid-1940s, Williams appeared in supporting roles in a number of A-pictures, sometimes with high billing, such as You Only Live Once, and in Columbia's first Technicolour film The Desperadoes (1943).
Williams was frequently teamed with Alan Hale, Sr. as sidekicks to Errol Flynn in several of his pictures. In 1960, he was cast in the epic film The Alamo and in Home from the Hill with Robert Mitchum. His last role was opposite his close friend John Wayne and Stuart Whitman in The Comancheros.
