Tobey is a headstrong peddler who sells balloons on the streets of Paris. A traveling dog circus usurps his corner and a power struggle ensues between Tobey and the circus's beautiful ballet star, Mimi. Intent on ruining the circus's chances at success, Tobey sabotages their performances. But after a tragedy befalls Mimi, Tobey has a dramatic change of heart and views Mimi in a completely new way.
10-21-1930
1h 5m
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Main Cast
Movie Details
Production Info
Director:
Roy William Neill
Production:
Tiffany Productions
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Anita Louise
Anita Louise (born January 9, 1915) was an American actress.
She made her acting debut on Broadway at the age of six, and within a year was appearing regularly in Hollywood films. By her late teens she was being cast in leading and supporting roles in major productions. As her stature in Hollywood grew, she was named as a WAMPAS Baby Star.
Among her film successes were Madame Du Barry, A Midsummer Night's Dream, The Story of Louis Pasteur, Anthony Adverse, Marie Antoinette, The Sisters, and The Little Princess.
By the 1940s, Louise was reduced to minor roles and acted very infrequently until the advent of television in the 1950s provided her with further opportunities. In middle age she played one of her most widely seen roles as the gentle mother on My Friend Flicka.
David Newell was originally an actor, who became a makeup artist after being involved in a car crash that left him with some facial disfigurement.
David Newell was primarily known as an American character actor, whose acting career spanned from the very beginning of the sound film era through the middle of the 1950s. He made his film debut in a featured role in The Hole in the Wall, a 1929 film starring Edward G. Robinson and Claudette Colbert. Early in his career he had many featured roles, in such films as: RKO's The Runaway Bride in 1929, starring Mary Astor; 1931's Ten Cents a Dance, starring Barbara Stanwyck and directed by Lionel Barrymore; and White Heat in 1934.
In the late 1940s he also began working as a make-up artist, which he transitioned full-time to in 1955; this was due to injuries sustained during a car accident, which left him physically disfigured. He retired from the film industry in 1961, although he continued to work in television through the beginning of the 1970s, his last position being the make-up artist on the television show, Lassie.
From Wikipedia, the free encyclopedia
Yola d'Avril grew up in Paris. In 1923 she moved to Canada and became a dancer. She then went to Hollywood and, from 1925, started being cast in small roles, ultimately appearing in more than seventy films.
From Wikipedia, the free encyclopedia
Mathilde Comont (9 September 1886 – 21 June 1938) was a French-born American actress of the silent era. She appeared in films in her native country, particularly shorts, before going on to appear in US films, she would feature in a total of 71 films between 1908 and 1937. A largish and short women of 5 feet,4 inches, she died in Hollywood, California from a heart attack.
Émile Chautard (7 September 1864 – 24 April 1934) was a French-American film director, actor, and screenwriter, most active in the silent era. He directed 107 films between 1910 and 1924. He also appeared in 66 films between 1911 and 1934. Chautard was born in Paris. After a significant career beginning as a stage actor at the Odéon-Théâtre de l'Europe and moving up to the head of film production at Éclair Films' Paris studio in 1913, Chautard emigrated to the United States around 1914. From 1914 to about 1918, Chautard worked for the World Film Company based in Fort Lee, New Jersey. At World, along with a group of other French-speaking film technicians including Maurice Tourneur, Léonce Perret, George Archainbaud, Albert Capellani and Lucien Andriot, he developed such films as the 1915 version of Camille, and taught a young apprentice film cutter at the World studio: Josef von Sternberg. In 1919 Chautard hired von Sternberg as his assistant director for The Mystery of the Yellow Room, for his own short-lived production company. Choosing Hollywood over a return to France, Chautard went to work for Famous Players-Lasky and other studios. He received some high-profile assignments, for instance a Colleen Moore vehicle and two features for Derelys Perdue, but he was a generation older than other directors in Hollywood's French colony. After 1924 Chautard did not direct again, but continued to make film appearances, in the von Sternberg film Blonde Venus (1932), where he appears for his former protege as "Night club owner Chautard". Chautard died in Los Angeles, California. He is interred at the Hollywood Forever Cemetery.
