A casual date at a high-class hotel leads Binnie, an aspiring showgirl, to be mistaken for model and actress Lia de Marita – landing her an audition for the producer of a new musical stage show. Marvelling at her good fortune, what Binnie doesn't know is that Lia is also the wife of a notorious jewel thief and that she's already fled the country in possession of a valuable, ill-gotten necklace!
11-20-1930
1h 6m
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Main Cast
Movie Details
Production Info
Director:
Alexander Esway
Writers:
Frank Launder, Miles Malleson
Production:
British International Pictures
Key Crew
Assistant Director:
W. Bangs
Locations and Languages
Country:
GB
Filming:
GB
Languages:
en
Main Cast
Elissa Landi
Elissa Landi (December 6, 1904 – October 21, 1948) was an Italian born actress who was popular in Hollywood films of the 1920s and 1930s. Rumoured to be a descendant of Emperor Franz Joseph of Austria, she was noted for her aristocratic bearing.
Born Elisabeth Marie Christine Kühnelt in Venice, Landi was raised in Austria and educated in England.
Her first ambition was to be a writer, and she wrote her first novel at the age of twenty. She would return to writing during lulls in her acting career. She joined the Oxford Repertory Company at an early age, appearing in many British and American stage successes.
During the 1920s she appeared in British, French, and German films before travelling to the United States to appear in a Broadway production of A Farewell to Arms. She was signed to a contact by Fox Film Corporation (later 20th Century Fox) in 1931.
She played the heroine in Cecil B. De Mille's The Sign of the Cross (1932), but was overshadowed by Claudette Colbert who played the flashier role of Poppea. She was paired successfully with some of the major leading men, such as David Manners, Charles Farrell, Warner Baxter, and Ronald Colman in romantic dramas such as Body and Soul (1931) before appearing in the box office hit The Count of Monte Cristo (1934) with Robert Donat.
Her contract with Fox was abruptly cancelled in 1936 as a result of her refusal to accept a particular role. Metro-Goldwyn-Mayer signed her to a contract and after a couple of romantic dramas she played the cousin of Myrna Loy in the very popular After the Thin Man (1936). After only two more films she retired, in 1943.
She became a naturalized U.S. citizen in 1943, and dedicated herself to writing, producing six novels and a series of poems.
She died from cancer in Kingston, New York, and was buried at Oak Hill Cemetery in Newburyport, Massachusetts.
Elissa Landi has a star on the Hollywood Walk of Fame for her contributions to Motion Pictures, at 1615 Vine St.
Description above from the Wikipedia article Elissa Landi, licensed under CC-BY-SA, full list of contributors on Wikipedia.
John Stuart (John Alfred Louden Croall; 18 July 1898 – 17 October 1979) was born to Scottish parents, and was a very popular leading man in British silent films in the 1920s. He successfully made the transition to talking pictures in the 1930s and his film career went on to span almost six decades. He appeared in 172 films (including shorts), 123 stage plays, and 103 television plays and series.
John Longden was a West Indian-born English screen, stage, and television actor. He appeared in dozens of films from 1926 to 1964, including five (Blackmail, Juno and the Paycock, The Skin Game, Young and Innocent, Jamaica Inn) directed by Alfred Hitchcock. Longden appeared in numerous television series.
William Miles Malleson (25 May 1888 – 15 March 1969) was an English actor and dramatist, particularly remembered for his appearances in British comedy films of the 1930s to 1960s. Towards the end of his career he also appeared in cameo roles in several Hammer horror films, with a fairly large role in The Brides of Dracula as the hypochondriac and fee-hungry local doctor. Malleson was also a writer on many films, including some of those in which he had small parts, such as Nell Gwyn (1934) and The Thief of Bagdad (1940). He also translated and adapted several of Molière's plays (The Misanthrope, which he titled The Slave of Truth, Tartuffe and The Imaginary Invalid).
