This early Gainsborough film is truly a lost treasure and easily one of the most daring and risque films ever made. At least half a dozen different tales seem to be going on at once all finally meeting in the end. The story starts in the Lido hotel where our "Pickles" remarks upon the fact that everyone in the register is called Smith. Hes trying to chat up Mimi so shell split up with her boyfriend as her boyfriends uncle has other plans for his nephew - alas what no one knows is that he and Mimi have already been married for a few months on the sly!
09-29-1930
1h 44m
THIS
HELLA
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From Wikipedia
Leslie Lincoln Henson (3 August 1891 – 2 December 1957) was an English comedian, actor, producer for films and theatre, and film director. He initially worked in silent films and Edwardian musical comedy and became a popular music hall comedian who enjoyed a long stage career. He was famous for his bulging eyes, malleable face and raspy voice and helped to form the Entertainments National Service Association (ENSA) during the Second World War.
Henson's post war stage success continued in revues, musicals and plays, including a West End adaptation of The Diary of a Nobody in 1955. Henson's film career was intermittent, and he made 14 films from 1916 to 1956. The most notable of these was Tons of Money in 1924, which introduced the popular Aldwych farces to British cinema audiences for the first time. In 1956.
Henson died at his home in Harrow Weald, Middlesex, in 1957. He was 66.
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Harry Crocker (July 2, 1893 - May 23, 1958) was an American film star of the 1920s and who starred in Charlie Chaplin's The Circus in 1928. He was a Los Angeles Examiner newsman.
Description above from the Wikipedia article Harry Crocker, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Merle Oberon (18 February 1911 – 23 November 1979) was an Indian-born British actress.
She began her film career in British films, and a prominent role, as Anne Boleyn in The Private Life of Henry VIII (1933), brought her attention. Leading roles in such films as The Scarlet Pimpernel (1934) advanced her career, and she travelled to the United States to make films for Samuel Goldwyn. She was nominated for an Academy Award for Best Actress for her performance in The Dark Angel (1935).
A traffic collision in 1937 caused facial injuries that could have ended her career, but she soon followed this with her most renowned role, as Cathy in Wuthering Heights (1939).