No Defense is a 1929 romantic drama directed by Lloyd Bacon and starring Monte Blue. It was a silent film with part talking and sound-effects by the Vitaphone Company. It was distributed by Warner Brothers.
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From Wikipedia, the free encyclopedia Monte Blue (January 11, 1887 – February 18, 1963) was a movie actor who began his career as a romantic leading man in the silent film era, and later progressed to character roles. Blue was born as Gerard Montgomery Bluefeather in Indianapolis, Indiana. His father was half French, half Cherokee Indian. One of five children, his father died and his mother could not raise five children alone. Along with another brother, they both admitted to the Indiana Soldiers' and Sailors' Children's Home. This did not stop him working his way through to Purdue University. When growing up, Blue built up his physique to become a football player (he grew to six feet three inches tall). He not only played football, but he was also a fireman, railroad worker, coal miner, cowpuncher, ranch hand, circus rider, lumberjack, and finally, a day laborer at the studios of D. W. Griffith. He had no theatrical experience when he came to the screen. In his first movie, The Birth of a Nation (1915), he was a stuntman and an extra in the movie. In his next movie, he starred in another small part in the movie, Intolerance (1916). Gradually moving to supporting roles for both D. W. Griffith and Cecil B. DeMille, Blue earned his breakthrough role as Danton in Orphans of the Storm, starring sisters, Lillian Gish and Dorothy Gish. Then he rose to stardom as a rugged romantic lead along with top leading actresses such as Clara Bow, Gloria Swanson, and Norma Shearer. His most prolific female screen partner was Marie Prevost with whom he made several films in the mid 20s at Warner Brothers. Blue's finest silent screen performance was as the alcoholic doctor who finds paradise in MGM's White Shadows in the South Seas (1928). Blue became one of the few silent stars to survive the talkie revolution. However, he lost his investments in the stock market crash of 1929. He rebuilt his career as a character actor, working until his retirement in 1954. One of his more memorable roles was the sheriff in Key Largo. He divorced his first wife in 1923 and married Tova Jansen in 1924. He had two children, Barbara Ann and Richard Monte. During the later part of his life, Monte Blue was an active Mason and the advance man for the Hamid-Morton Shrine Circus; while on business in Milwaukee, Wisconsin, he had a heart attack because of complications from influenza, dying at age 76. Monte Blue has a star on the Hollywood Walk of Fame at 6286 Hollywood Blvd. Description above from the Wikipedia article Monte Blue, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia May McAvoy (September 8, 1899 – April 26, 1984) was an American actress who worked mainly during the silent film era. Some of her major roles are Laura Pennington in The Enchanted Cottage, Esther in Ben-Hur: A Tale of the Christ, and Mary Dale in The Jazz Singer. McAvoy appeared in her first film, entitled Hate, in 1917. After appearing in more than three dozen films, she co-starred with Ramón Novarro and Francis X. Bushman in director Fred Niblo's 1925 production of Ben-Hur, released by MGM. The feature-length film was one of the most lavish and spectacular productions of the silent movie era. Although her voice was not heard in The Jazz Singer, McAvoy did speak in several other films, including the second "all-talkie" released by Warner Brothers, The Terror, which was directed by Roy Del Ruth and co-starred Conrad Nagel. For years a rumor circulated that McAvoy retired from the screen at the transition to sound films because of a lisp or speech impediment. In truth, she married the treasurer of United Artists, who asked her not to work. Later, she returned to films and played small roles during the 1940s and 1950s, making her final film appearance in a small part in the 1959 version of Ben-Hur.
Starting out in dramatic parts, Desmond soon switched to westerns and action serials, and became a major western star. When the sound era began Desmond was almost 50 years old, and was soon relegated to supporting roles.
