This marriage is the second for both Mr. & Mrs. Cornelius McNitt. He is panty-whipped by his social climbing second wife. She has recruited Clifford Figfield to stage and direct a charity pageant, which is more a means for her to hobnob with the social elite, and to nab Larry Lodge, the pageant's leading man, as a husband for her flighty daughter Phyllis, the pageant's leading lady. Larry ends up only having eyes for Sally McNitt, Mr. McNitt's visiting daughter, and she, in turn has eyes for him.
03-30-1929
23 min
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From Wikipedia, the free encyclopedia
Carole Lombard (born Jane Alice Peters, October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. She was the third wife of actor Clark Gable.
Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures.
Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks' pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, at the end of the decade, Lombard began to move towards more serious roles. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role.
Lombard's career was cut short when she died at the age of 33 in an airplane crash on Mount Potosi, Nevada while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema.
From Wikipedia, the free encyclopedia
Irving Bacon (September 6, 1893 – February 5, 1965) was an American character actor who appeared in almost 500 films.
Bacon played on the stage for a number of years before getting into films in 1920. He was sometimes cast in films directed by Lloyd Bacon (incorrectly named as his brother in some sources) such as The Amazing Dr. Clitterhouse (1938). He often played comical "average guys".
In the late 1930s and early 1940s, he played the weary postman Mr. Crumb in Columbia Pictures' Blondie film series. One of his bigger roles was as a similarly flustered postman in the thriller Cause for Alarm! in 1952.
During the 1950s, Bacon worked steadily in a number of television sitcoms, most notably I Love Lucy, where he appeared in two episodes, one which cast him as Ethel Mertz's father.
