Any movie that starts Jewish entertainer George Jessel as an Italian accordionist named Luigi can't be all bad. In love with the beautiful Margharita (Lila Lee), Luigi lands a job in the music store owned by the girl's uncle. Ultimately, however, our hero does the Pagliacci act when Margharita evinces a preference for handsome Pasquale (David Rollins). The film's best scene takes place in a nursery full of talented tots, a sequence that undoubtedly reminded Jessel of his days with Gus Edwards' "Schoolroom" act. Exercising his droit du seigneur, Georgie Jessel sings the title tune.
11-02-1929
1h 21m
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Lila Lee (born Augusta Wilhelmena Fredericka Appel, July 25, 1905 – November 13, 1973) was a prominent screen actress, primarily a leading lady, of the silent film and early sound film eras.
In 1918, she was chosen for a film contract by Hollywood film mogul Jesse Lasky for Famous Players-Lasky Corporation, which later became Paramount Pictures. Her first feature, The Cruise of the Make-Believes, garnered the teenaged starlet much public acclaim and Lasky quickly sent Lee on an arduous publicity campaign. Critics lauded Lila for her wholesome persona and sympathetic character parts. Lee quickly rose to the ranks of leading lady and often starred opposite such matinee heavies as Conrad Nagel, Gloria Swanson, Wallace Reid, Roscoe 'Fatty' Arbuckle, and Rudolph Valentino. Lee bore more than a slight resemblance to Ann Little, a former Paramount star and frequent Reid co-star who was leaving the film business and at this stage in her career an even stronger resemblance to Marguerite Clark.
In 1922 Lee was cast as Carmen in the enormously popular film Blood and Sand, opposite matinee idol Rudolph Valentino and silent screen vamp Nita Naldi; Lee subsequently won the first WAMPAS Baby Stars award that year. Lee continued to be a highly popular leading lady throughout the 1920s and made scores of critically praised and widely watched films.
As the Roaring Twenties drew to a close, Lee's popularity began to wane and Lee positioned herself for the transition to talkies. She is one of the few leading ladies of the silent screen whose popularity did not nosedive with the coming of sound. She went back to working with the major studios and appeared, most notably, in The Unholy Three, in 1930, opposite Lon Chaney Sr. in his only talkie. However, a series of bad career choices and bouts of recurring tuberculosis and alcoholism hindered further projects and Lee was relegated to taking parts in mostly grade B movies.
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Joseph Henry Kolker (November 13, 1874) [some sources 1870] Berlin, Prussia, Germany – July 15, 1947, Los Angeles, California) was an American stage and film actor and director.
Kolker came to America at the age of five and his family settled in Quincy, Illinois. Kolker, like fellow actors Richard Bennett and Robert Warwick, had a substantial stage career behind him before entering silent films.
On stage he appeared opposite such leading ladies as Edith Wynne Matthison, Bertha Kalich and Ruth Chatterton. Kolker is best remembered for his motion picture appearances and for appearing with Barbara Stanwyck in the ground-breaking Pre-Code film Baby Face (1933) as the elderly CEO of the company whom Stanwyck's character seduces. Another well remembered part is as Mr. Seton, father of Katharine Hepburn and Lew Ayres in the 1938 film Holiday directed by George Cukor.
Kolker entered films as an actor in 1915 and eventually ended up trying his hand at directing. Kolker's best known directorial effort is Disraeli (1921), starring George Arliss which is now a lost film with only one reel remaining. Prints however exist in Europe and Russia.
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John Loder (3 January 1898 — 26 December 1988) was a British-American actor. He was born William John Muir Lowe in London. His father was General W. H. M. Lowe, the British officer to whom Patrick Pearse, the leader of the Irish 1916 Rising in Dublin, surrendered. Both General Lowe and his son were present at the surrender of Pearse.
He was educated at Eton and the Royal Military College and followed his father into the army, commissioned into 15th Hussars as a second lieutenant on 17 March 1915, and then serving in the Gallipoli Campaign and at one point being imprisoned by the Germans.
Upon being released, he stayed in Germany to run a pickle factory and also began to develop an interest in acting, appearing in bit-parts in a few German films. He left Germany to briefly return to England and then headed to Hollywood to try his luck in the new medium, Talkies. He appeared in The Doctor's Secret, which was Paramount's first talking picture—though his very English persona didn't win America over at this time and he returned to England where he co-starred in plush musicals and intrigue such as Love Life and Laughter and Sabotage. He was the male romantic interest in the 1937 original film version of King Solomon's Mines.
When World War II started he returned to America where he seamlessly coasted into a career in 'B' movie roles usually playing upper crust characters with occasional appearances on Broadway. He occasionally did play roles, though supporting ones, in major 'A' films such as How Green Was My Valley, in which he was at the same time one of Roddy McDowall's brothers and Donald Crisp's sons.
In 1947 he became an American citizen, his last screen appearance was in 1971. In 1959 he became a naturalised citizen of the United Kingdom as he has been of "uncertain nationality".
Description above from the Wikipedia article John Loder, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Dick Winslow's parents were Winonian Breazeala (a writer) and Sidney R. Johnson. Graduated from Belmont High School in Los Angeles, and first appeared in films when he was five years old. Appeared in the play "Silver Thread" at the Egan Theatre in Los Angeles, and in "The Emperor's Clothes" at the Belmont Theatre in Los Angeles.
He played the pipe organ, piano, marimba, bag pipes, accordion, drums, saxophone and other wind instruments. Had appeared in 75 films by 1934.
- IMDb Mini Biography
From Wikipedia, the free encyclopedia
Henry Armetta (born Enrico Armetta, July 4, 1888 – October 21, 1945) was an Italian-born American character actor who appeared in at least 150 American films, starting in silents around 1915 to 1946, when his last film was released posthumously.
Henry Armetta (born Enrico Armetta, July 4, 1888 – October 21, 1945) was an Italian-born American character actor who appeared in at least 150 American films, starting in silents around 1915 to 1946, when his last film was released posthumously.