A young couple marries in secret. Judy's afraid her parents won't approve of Dick and she'll lose her generous allowance. Her parents bring her home from the city where she's been studying art and encourage the attentions of Tom, a persistent suitor. Judy and her jealous husband have an argument that leads her back to the city, a drunken, amorous Tom and a tragedy.
10-12-1929
1h 8m
THIS
HELLA
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Ken Murray (born Kenneth Abner Doncourt, July 14, 1903 – October 12, 1988) was an American comedian, actor, radio and television personality and author.
After finding success on the vaudeville stage, Murray moved to Hollywood and made his film debut in the 1929 romantic drama Half Marriage, followed by a role in Leathernecking in 1930. Murray was the host of a weekly radio variety show (The Ken Murray Show) on NBC 1932-33 and on CBS 1936–37. He later was the original host (1945-57) of Queen for a Day, on the Mutual Broadcasting System radio show, which was simulcast on KTSL (now KCBS-TV), Channel 2 in Los Angeles.
During World War II, Murray was one of the many celebrities to volunteer at the Hollywood Canteen. In 1947, he produced Bill and Coo, a feature film using trained birds and other animals as actors. Bill and Coo won a special Academy Award for "novel and entertaining use of the medium of motion picture" and "artistry and patience" .
He was also the host of The Ken Murray Show, a weekly music and comedy show on CBS Television that ran from 1950 to 1953. The show was the first to win a Freedom Foundation Award. Murray also guest starred on several television series, including The Ford Show, Starring Tennessee Ernie Ford and The Bing Crosby Show.
Murray produced and co-starred as "Smiling Billy Murray" in a 1953 film, The Marshal's Daughter, a western that featured his protege Laurie Anders in the title role, her sole film performance. In 1962, Murray portrayed the top hat wearing, cigar chewing, drunken Doc Willoughby in John Ford's The Man Who Shot Liberty Valance starring John Wayne and James Stewart, arguably his most memorable screen role. Paired off for most of the picture with Edmond O'Brien as an alcoholic newspaper editor, he drunkenly rolls over the gunshot corpse of villain Liberty Valance (Lee Marvin) with his boot, looks around off-handedly, and says "Dead" to the surrounding crowd of euphoric Mexicans.
In 1964, Murray played Whipsaw, the operator of a stagecoach depot in the episode "Little Cayuse" of the television series Death Valley Days, hosted by Stanley Andrews. He and his partner take in a Cayuse orphan (Larry Domasin), who demonstrates his loyalty to the men during an Indian attack. In 1965, Murray played a THRUSH financier and owner of a caribbean casino in The Man from U.N.C.L.E.. In 1966, Murray was cast as Melody Murphy in the Walt Disney film Follow Me, Boys! starring Fred MacMurray, Vera Miles and Kurt Russell.
One of four actress sisters, the others being Polly Ann Young, Georgiana Young and Loretta Young. Sally retired from the screen ca. 1939.
Although this lovely, light brown-haired leading lady would wind up better known as one of Loretta Young's three acting sisters, Sally Blane nevertheless enjoyed a modest "B" film career during the late 20s and 30s. The resemblance to her "A" level sister was very strong -- the same graceful, elongated face and fawn-like, wide-set eyes. Unlike her sister, however, Sally lacked strong determination and ambition. Although she remained on the second or third Hollywood tier throughout her career, her film output was considerable if mostly routine.
Hedda Hopper (May 2, 1885 – February 1, 1966) was an American actress and gossip columnist, notorious for feuding with her arch-rival Louella Parsons. She had been a moderately successful actress of stage and screen for years before being offered the chance to write the column Hedda Hopper's Hollywood for the Los Angeles Times in 1938. At the height of her power in the 1940s she commanded a 35 million strong readership. She was well known for her political conservatism, and during the McCarthy era she named suspected communists. Hopper continued to write gossip until the end, her work appearing in many magazines and later on radio.
From Wikipedia, the free encyclopedia
From Wikipedia, the free encyclopedia
Richard Tucker (June 4, 1884 – December 5, 1942) was an American actor. Tucker was born in Brooklyn, New York, in 1884. Appearing in 266 films between 1911 and 1940, he was the first official member of the Screen Actors Guild (SAG) and a founding member of SAG's Board of Directors. Tucker died in Woodland Hills, Los Angeles from a heart attack. He is interred at Forest Lawn Memorial Park, in an unmarked niche in Great Mausoleum, Columbarium of Faith.
From Wikipedia, the free encyclopedia
Henry Armetta (born Enrico Armetta, July 4, 1888 – October 21, 1945) was an Italian-born American character actor who appeared in at least 150 American films, starting in silents around 1915 to 1946, when his last film was released posthumously.
Henry Armetta (born Enrico Armetta, July 4, 1888 – October 21, 1945) was an Italian-born American character actor who appeared in at least 150 American films, starting in silents around 1915 to 1946, when his last film was released posthumously.
G. Pat Collins, also known as George Pat Collins or Pat Collins (born George Percy Collins; December 16, 1895 – August 5, 1959) was an American actor of the stage and screen.
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Randolph Scott (January 23, 1898 – March 2, 1987) was an American film actor whose career spanned from 1928 to 1962.
As a leading man for all but the first three years of his cinematic career, Scott appeared in a variety of genres, including social dramas, crime dramas, comedies, musicals (albeit in non-singing and non-dancing roles), adventure tales, war films, and even a few horror and fantasy films. However, his most enduring image is that of the tall-in-the-saddle Western hero. Out of his more than 100 film appearances more than 60 were in Westerns; thus, "of all the major stars whose name was associated with the Western, Scott most closely identified with it."
Scott's more than thirty years as a motion picture actor resulted in his working with many acclaimed screen directors, including Henry King, Rouben Mamoulian, Michael Curtiz, John Cromwell, King Vidor, Alan Dwan, Fritz Lang, and Sam Peckinpah. He also worked on multiple occasions with some noted directors: Henry Hathaway (8 times), Ray Enright (7), Edwin R. Marin (7), Andre DeToth (6), and most notably, his seven film collaborations with Budd Boetticher.
Scott also worked with a diverse array of cinematic leading ladies, from Shirley Temple and Irene Dunne to Mae West and Marlene Dietrich. He also appeared with Gene Tierney, Ann Sheridan, Maureen O'Hara, Nancy Carroll, Donna Reed, Gail Russell, Margaret Sullavan, Virginia Mayo, Bebe Daniels, Carole Lombard, and Joan Bennett.
Tall (6 ft. 2 in.; 188 cm), lanky, and handsome, Scott displayed an easygoing charm and courtly Southern drawl in his early films that helped offset his limitations as an actor, where he was frequently found to be stiff or "lumbering". As he matured, however, Scott's acting improved while his features became burnished and leathery, turning him into the ideal "strong, silent" type of stoic hero. The BFI Companion to the Western noted: "In his earlier Westerns...the Scott persona is debonair, easy-going, graceful, though with the necessary hint of steel. As he matures into his fifties his roles change. Increasingly Scott becomes the man who has seen it all, who has suffered pain, loss, and hardship, and who has now achieved (but at what cost?) a stoic calm proof against vicissitude."
During the early 1950s, Scott was a consistent box-office draw. In the annual Motion Picture Herald Top Ten Polls, he ranked tenth in 1950, eighth in 1951, and again tenth in 1952. Scott also appeared in the Quigley’s Top Ten Money Makers Poll from 1950 to 1953.
