Eddie Kehoe is a young vaudeville hoofer who thinks his inability to hit the big time is the fault of stage managers, agents, musicians...everybody but himself. Eddie likes to tell others how good he is, but seldom shows them. Kitty Mayo, an old-time burlesque queen, who is with the McNary Vaudeville Company, advises Eddie to get himself a partner, as his solo abilities can only be stretched so far. He decides to follow her advice and, while in a theatrical supply shop, he sees Rita Carey rehearsing her dancing act that includes a trained duck. Eddie tells Rita he is a good friend of McNary's, and, with him as her partner, her future in show business will be secured. She agrees to join him and Eddie promptly names the act "Eddie Kehoe and Partner". Despite his conceit, Rita likes Eddie, as do others in the troupe, including Cleo a little gold-digger.
10-20-1928
1h 10m
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Main Cast
Movie Details
Production Info
Director:
Paul L. Stein
Writer:
John W. Krafft
Production:
Pathé Exchange
Key Crew
Adaptation:
John W. Krafft
Novel:
John W. Krafft
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Eddie Quillan
From Wikipedia, the free encyclopedia
Edward "Eddie" Quillan (March 31, 1907 – July 19, 1990) was an American film actor whose career began as a child on the vaudeville stages and silent film and continued through the age of television in the 1980s.
Quillan's very first film appearance was in the 1922 comedy short Up and at 'Em. His next performance was in the 1926 comedy short The Love Sundae opposite actress Alice Day.
Quillan would remain a popular leading and secondary actor throughout the sound film era and would appear in such notable films as 1935's Mutiny on the Bounty with Clark Gable, Charles Laughton, and Franchot Tone, 1939's Young Mr. Lincoln opposite Henry Fonda and Alice Brady, as 'Connie Rivers' in John Ford's 1940 film adaptation of the John Steinbeck novel The Grapes of Wrath opposite Henry Fonda, in 1943's Alaska Highway and It Ain't Hay opposite the comedic duo Abbott and Costello.
Quillan's breezy screen personality was seen in "B" musicals, comedies, and even serials during the 1940s. In 1948 Columbia Pictures producer Jules White teamed Quillan with veteran movie comic Wally Vernon for a series of comedy short subjects. White emphasized extreme physical comedy in these films, and Vernon and Quillan made a good team, enthusiastically engaging in pratfalling, kick-in-the-pants slapstick. The series ran through 1956.
Beginning in the late 1950s, Quillan began to make the transition to the medium of television and by the 1960s could be seen frequently appearing as a guest actor in such series as The Andy Griffith Show, Petticoat Junction, Perry Mason, and approximately five appearances on the camp-horror comedy series The Addams Family. He was a regular on the Anthony Franciosa sitcom Valentine's Day from 1964 to 1965, and from 1968 through 1971 he appeared as "Eddie Edson" on the television drama Julia opposite actress Diahann Carroll.
Through the 1950s and 1960s, Quillan continued to appear in motion pictures, but in increasingly smaller roles and often in bit parts. One notable appearance of the era was his role of 'Sandy' in the 1954 Vincente Minnelli directed musical Brigadoon. Quillan also appeared in the uncredited role of 'Mr.Cassidy' in the 1969 Gene Kelly film adaptation of Hello, Dolly!. Quillan appeared in My Three Sons as Mr Hewlett (1961) and also appeared on the western television adventure series The Rifleman as Angus Evans.
In the 1970s, Quillan made guest appearances on such varied television series as Mannix, Here's Lucy, Chico and the Man and Baretta. After meeting and befriending actor and director Michael Landon, he played numerous bit roles in the popular television series Little House on the Prairie. Quillan also performed in the Landon-directed series Highway to Heaven and Father Murphy during the 1980s. Quillan made his last television appearance in a 1987 episode of the television crime-mystery series Matlock.
From Wikipedia, the free encyclopedia
Carole Lombard (born Jane Alice Peters, October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. She was the third wife of actor Clark Gable.
Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures.
Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks' pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, at the end of the decade, Lombard began to move towards more serious roles. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role.
Lombard's career was cut short when she died at the age of 33 in an airplane crash on Mount Potosi, Nevada while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema.
From Wikipedia, the free encyclopedia.
Robert Armstrong (November 20, 1890 – April 20, 1973) was an American film actor best remembered for his role as Carl Denham in the 1933 version of King Kong by RKO Pictures. He uttered the famous exit quote, "'Twas beauty killed the beast," at the film's end. Months later, he starred as Carl Denham again in the sequel, Son of Kong, released the same year.
In the late 1950s, Armstrong appeared as Sheriff Andy Anderson on Rod Cameron's syndicated western-themed television series, State Trooper.
Description above from the Wikipedia article Robert Armstrong, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Richard Tucker (June 4, 1884 – December 5, 1942) was an American actor. Tucker was born in Brooklyn, New York, in 1884. Appearing in 266 films between 1911 and 1940, he was the first official member of the Screen Actors Guild (SAG) and a founding member of SAG's Board of Directors. Tucker died in Woodland Hills, Los Angeles from a heart attack. He is interred at Forest Lawn Memorial Park, in an unmarked niche in Great Mausoleum, Columbarium of Faith.
Maurice Black (January 14, 1891 – January 18, 1938) was an American character actor known for his portrayal of mobsters. He appeared in more than 100 films from 1928 to 1938, when he died of pneumonia, four days after his 47th birthday. He was married to Edythe Raynore.
Description above from the Wikipedia article Maurice Black, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Joan Geraldine Bennett (February 27, 1910 – December 7, 1990) was an American stage, film and television actress. Besides acting on the stage, Bennett appeared in more than 70 motion pictures from the era of silent movies well into the sound era. She is possibly best-remembered for her film noir femme fatale roles in director Fritz Lang's movies such as The Woman in the Window (1944) and Scarlet Street (1945).
Bennett had three distinct phases to her long and successful career, first as a winsome blonde ingenue, then as a sensuous brunette femme fatale (with looks that movie magazines often compared to those of Hedy Lamarr), and finally as a warmhearted wife/mother figure. In 1951, Bennett's screen career was marred by scandal after her third husband, film producer Walter Wanger, shot and injured her agent Jennings Lang. Wanger suspected that Lang and Bennett were having an affair, a charge which she adamantly denied. In the 1960s, she achieved success for her portrayal of Elizabeth Collins Stoddard on TV's Dark Shadows, for which she received an Emmy nomination. For her final movie role, as Madame Blanc in Suspiria (1977), she received a Saturn Award nomination.
Description above from the Wikipedia article Joan Bennett, licensed under CC-BY-SA, full list of contributors on Wikipedia.
