Tale of a pair of dam workers who, despite their strong friendship, duke it out on a regular basis. But when the dam threatens to burst, the battling buddies work side by side to rescue the deluge-threatened townsfolk.
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From Wikipedia, the free encyclopedia William Lawrence Boyd (June 5, 1895 – September 12, 1972) was an American film actor who is best known for portraying the cowboy hero Hopalong Cassidy. Boyd was born in Hendrysburg, Ohio, and reared in Cambridge, Ohio and Tulsa, Oklahoma. He was the son of a day laborer, Charles William Boyd, and his wife, the former Lida Wilkens (aka Lyda). Following his father's death, he moved to California and worked as an orange picker, surveyor, tool dresser and auto salesman. In Hollywood, he found work as an extra in Why Change Your Wife? and other films. During World War I, he enlisted in the army but was exempt from military service because of a "weak heart". More prominent film roles followed, including his breakout role as Jack Moreland in Cecil B. DeMille's The Road to Yesterday (1925) which starred also Joseph Schildkraut, Jetta Goudal, and Vera Reynolds. Boyd's performance in the film was praised by critics, while movie-goers were equally impressed by his easy charm, charisma, and intense good-looks. Due to Boyd's growing popularity, DeMille soon cast him as the leading man in the highly acclaimed silent drama film, The Volga Boatman. Boyd's role as Feodor blew critics away, and with Boyd now firmly established as a matinee idol and romantic leading man, he began earning an annual salary of $100,000. He acted in DeMille's extravaganza The King of Kings (in which he played Simon of Cyrene, helping Jesus carry the cross) and DeMille's Skyscraper (1928). He then appeared in D.W. Griffith's Lady of the Pavements (1929). Radio Pictures ended Boyd's contract in 1931 when his picture was mistakenly run in a newspaper story about the arrest of another actor, William "Stage" Boyd, on gambling and liquor charges. Although the newspaper apologized, explaining the mistake in the following day's newspaper, Boyd said, "The damage was already done." William "Stage" Boyd died in 1935, the same year William L. Boyd became Hopalong Cassidy, the role that led to his enduring fame. But at the time in 1931, Boyd was virtually broke and without a job, and for a few years he was credited in films as "Bill Boyd" to prevent being mistaken for the other William Boyd.
From Wikipedia, the free encyclopedia Alan Hale Sr. (born Rufus Edward Mackahan; February 10, 1892 – January 22, 1950) was an American movie actor and director, most widely remembered for his many supporting character roles, in particular as a frequent sidekick of Errol Flynn, as well as films supporting Lon Chaney, Wallace Beery, Douglas Fairbanks, James Cagney, Clark Gable, Cary Grant, Humphrey Bogart and Ronald Reagan, among dozens of others. Hale was born Rufus Edward Mackahan in Washington, D.C. He studied to be an opera singer and also had success as an inventor. Among his innovations were a sliding theater chair (to allow spectators to slide back to admit newcomers rather than standing), the hand fire extinguisher, and greaseless potato chips. His first film role was in the 1911 silent movie The Cowboy and the Lady. He played "Little John" in the 1922 film Robin Hood, with Douglas Fairbanks and Wallace Beery, reprised the role 16 years later in The Adventures of Robin Hood with Errol Flynn and Basil Rathbone, then played him yet again in Rogues of Sherwood Forest in 1950 with John Derek as Robin Hood's son, an unprecedented 28-year span of portrayals of the same character in theatrical films. Hale played Hugh O'Neill, Earl of Tyrone, in The Private Lives of Elizabeth and Essex (1939), featuring in a pivotal confrontation with the Earl of Essex, portrayed by Flynn. His other films include the 1922 epic The Trap with Lon Chaney, 1928's Skyscraper; as well as Fog Over Frisco with Bette Davis; Miss Fane's Baby Is Stolen with Baby LeRoy and William Frawley; The Little Minister with Katharine Hepburn; and It Happened One Night with Clark Gable and Claudette Colbert; all released in 1934; the 1937 film Stella Dallas with Barbara Stanwyck; High, Wide, and Handsome with Irene Dunne and Dorothy Lamour; The Fighting 69th with James Cagney and Pat O'Brien; They Drive By Night with George Raft and Humphrey Bogart; Manpower with Edward G. Robinson, Marlene Dietrich, and George Raft; Virginia City with Errol Flynn, Randolph Scott, and Humphrey Bogart; and as the cantankerous Sgt. McGee in the 1943 movie This Is the Army with Irving Berlin. He also co-starred with Errol Flynn and Olivia de Havilland in the successful western film Dodge City (1939) where he played the slightly dimwitted but likeable and comical Rusty Hart, sidekick to Flynn's character, Sheriff Wade Hatton. Hale co-starred with Errol Flynn in 13 movies. Hale directed eight movies during the 1920s and 1930s and acted in 235 theatrical films.
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Joan Geraldine Bennett (February 27, 1910 – December 7, 1990) was an American stage, film and television actress. Besides acting on the stage, Bennett appeared in more than 70 motion pictures from the era of silent movies well into the sound era. She is possibly best-remembered for her film noir femme fatale roles in director Fritz Lang's movies such as The Woman in the Window (1944) and Scarlet Street (1945). Bennett had three distinct phases to her long and successful career, first as a winsome blonde ingenue, then as a sensuous brunette femme fatale (with looks that movie magazines often compared to those of Hedy Lamarr), and finally as a warmhearted wife/mother figure. In 1951, Bennett's screen career was marred by scandal after her third husband, film producer Walter Wanger, shot and injured her agent Jennings Lang. Wanger suspected that Lang and Bennett were having an affair, a charge which she adamantly denied. In the 1960s, she achieved success for her portrayal of Elizabeth Collins Stoddard on TV's Dark Shadows, for which she received an Emmy nomination. For her final movie role, as Madame Blanc in Suspiria (1977), she received a Saturn Award nomination. Description above from the Wikipedia article Joan Bennett, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia Carole Lombard (born Jane Alice Peters, October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. She was the third wife of actor Clark Gable. Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures. Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks' pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, at the end of the decade, Lombard began to move towards more serious roles. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role. Lombard's career was cut short when she died at the age of 33 in an airplane crash on Mount Potosi, Nevada while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema.
