Hubby's Weekend Trip is a silent comedy short.
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From Wikipedia, the free encyclopedia Billy Bevan (born William Bevan Harris, 29 September 1887 – 26 November 1957) was an Australian-born vaudevillian, who became an American film actor. He appeared in 254 American films between 1916 and 1950. Bevan was born in the country town of Orange, New South Wales, Australia. He went on the stage at an early age, traveled to Sydney and spent eight years in Australian light opera, performing as Willie Bevan. He sailed to America with the Pollard’s Lilliputian Opera Company in 1912 and later toured Canada. Bevan broke into films with the Sigmund Lubin studio in 1916. When the company disbanded, Bevan became a supporting actor in Mack Sennett movie comedies. An expressive pantomimist, Bevan's quiet scene-stealing attracted attention, and by 1922 Bevan was a Sennett star. He supplemented his income, however, by establishing a citrus and avocado farm at Escondido, California. Usually filmed wearing a derby hat and a drooping mustache, Bevan may not have possessed an indelible screen character like Charlie Chaplin but he had a friendly, funny presence in the frantic Sennett comedies. Much of the comedy depended on Bevan's skilled timing and reactions; the famous "oyster" routine performed on film by Curly Howard, Lou Costello, and Huntz Hall—in which a bowl of "fresh oyster stew" shows alarming signs of life and battles the guy trying to eat it—was originated on film decades earlier by Bevan in the short film Wandering Willies. By the mid-1920s Bevan was often teamed with Andy Clyde; Clyde soon graduated to his own starring series. The late 1920s found Bevan playing in wild marital farces for Sennett. The advent of talking pictures took their toll on the careers of many silent stars, including Billy Bevan. Bevan began a second career in "talkies" as a character actor and bit player in roles such as that of a bus driver in the 1929 film High Voltage, a hotel employee in the Mae Murray film Peacock Alley, and the supporting role of Second Lieutenant Trotter in Journey's End in 1930. His starring roles had come to an end, however, and for the next 20 years he often would play rowdy Cockneys (as in Pack Up Your Troubles with The Ritz Brothers), and affable Englishmen (as in Tin Pan Alley and Terror by Night). He played a friendly bus conductor opposite Greer Garson in one of the opening scenes of Mrs. Miniver. Bevan died in 1957 in Escondido, California, just before new audiences discovered him in Robert Youngson's silent-comedy compilations. (The Youngson films mispronounce his name as "Be-VAN"; Bevan himself offered the proper pronunciation in a Voice of Hollywood reel in 1930.)
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1942
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1939
Vernon Bruce Dent (February 16, 1895 – November 5, 1963) was an American comic actor, who appeared in over 400 films. He co-starred in many short films for Columbia Pictures, frequently as the foil and the main antagonist and ally to The Three Stooges.
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1928
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1928
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1929
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1928
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1928
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1928
From Wikipedia, the free encyclopedia Carole Lombard (born Jane Alice Peters, October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. She was the third wife of actor Clark Gable. Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures. Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks' pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, at the end of the decade, Lombard began to move towards more serious roles. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role. Lombard's career was cut short when she died at the age of 33 in an airplane crash on Mount Potosi, Nevada while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema.
