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From Wikipedia, the free encyclopedia Patsy Ruth Miller (born Ruth Mae Miller; January 17, 1904 – July 16, 1995) was an American film actress. After being discovered by actress Alla Nazimova at a Hollywood party, Miller got her first break with a small role in Camille, which starred Rudolph Valentino. Her roles gradually improved, and she was chosen as a WAMPAS Baby Star in 1922. In 1923, she was acclaimed for her performance as Esmeralda in The Hunchback of Notre Dame opposite Lon Chaney. In the later part of the decade Miller appeared chiefly in light romantic comedies, opposite such actors as Clive Brook and Edward Everett Horton. Among her film credits in the late 1920s are Broken Hearts of Hollywood (1926), A Hero for a Night (1927), Hot Heels (1928), and The Aviator (1929). Miller retired from films in 1931. She made a cameo appearance in the 1951 film Quebec, and came out of retirement to do the film Mother in 1978. Miller later achieved recognition as a writer. She won three O. Henry Awards for her short stories, wrote a novel, radio scripts, and plays. In 1988, BearManor Media published her autobiography My Hollywood: When Both of Us Were Young.
From Wikipedia, the free encyclopedia. Harry Crocker (July 2, 1893 - May 23, 1958) was an American film star of the 1920s and who starred in Charlie Chaplin's The Circus in 1928. He was a Los Angeles Examiner newsman. Description above from the Wikipedia article Harry Crocker, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia Albert De Conti Cadassamare (29 January 1887 – 18 January 1967), professionally billed as Albert Conti, was an Austrian-Hungarian-born Italian-American film actor. Born in the village Gorizia (now part of Italy), Conti achieved moderate fame as an actor in American films, but first he specialized in law (high school and law college in Graz) and natural science, and married Patricia Cross. When World War I began, he became an officer. His father was Albert, Ritter Conti v. Cedassamare and his mother was Marie Bernhardine Anna (Countess Caboga) a member of an old Ragusan/Dubrovnik noble family. After his discharge from the Austrian army at the close of World War I, he came to America like many other now-impoverished postwar Europeans from both sides of the conflict. Conti emigrated to the United States via the Port of Philadelphia in 1919. After settling in the new country, Conti was obliged to take a series of manual labor jobs, his patrician background notwithstanding. While working in the California oil fields, he answered an open call placed by director Erich von Stroheim, who was in search of an Austrian military officer to act as technical advisor for his upcoming film Merry-Go-Round (1923). A better actor than most of his fellow Habsburg Empire expatriates, Conti was able to secure dignified character roles in several silent and sound films; his credits ranged from Josef von Sternberg's Morocco (1930) to the early Laurel and Hardy knockabout Slipping Wives (1927). He appeared in the 1928 silent film Dry Martini as a roué artist. Though he made his last film in 1942, Albert Conti remained in the industry as an employee of the MGM wardrobe department, where he worked until his retirement in 1962.
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1933
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1936
