Wally and Ray are cousins intent upon getting the fortune of their Scots grandad, an aviation nut. They become mixed-up with the U. S. flying corps and are wafted over the enemy lines in a runaway balloon. Through misunderstanding they are honored as heroes of the enemy forces, and sent back to the U.S. lines to spy. Here they are captured and almost shot, but everything ends happily. Only 20 minutes of this 6 reel comedy are extant.
10-21-1927
1h 0m
THIS
HELLA
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Main Cast
Movie Details
Production Info
Director:
Frank R. Strayer
Writers:
Monte Brice, Keene Thompson, Thomas J. Geraghty
Production:
Paramount Pictures
Key Crew
Producer:
Adolph Zukor
Producer:
Jesse L. Lasky
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Wallace Beery
From Wikipedia
Wallace Fitzgerald Beery (April 1, 1885 – April 15, 1949) was an American actor. He is best known for his portrayal of Bill in Min and Bill opposite Marie Dressler, his titular role in a series of films featuring the character Sweedie, and his titular role in The Champ, for which he won the Academy Award for Best Actor. Beery appeared in some 250 movies over a 36-year span. He was the brother of actor Noah Berry.
The son of a physician, Raymond Hatton entered films in 1909, eventually appearing in almost 500 other pictures. In early silents he formed a comedy team with big, burly Wallace Beery. He was best known as the tobacco-chewing, rip-snorting Rusty Joslin in the Three Mesquiteers series. He was also in the Rough Riders series and appeared as Johnny Mack Brown's sidekick as well. His last Western was, fittingly, Requiem for a Gunfighter (1965). Passed away only five days after the death of his wife, on October 21, 1971. They had been married for 62 years.
Spouse Frances Hatton (17 April 1909 - 16 October 1971) (her death)
From Wikipedia, the free encyclopedia
Russell McCaskill Simpson (June 17, 1880, Danville, California – December 12, 1959, Woodland Hills, California) was an American character actor who appeared in over 500 movies. He is best known for his "grizzled old man" appearances. Gaunt, lanky, and rustic-sounding, Simpson was a familiar character actor for almost forty-five years, particularly as a member of the John Ford Stock Company.
At age 18 Simpson prospected for gold in Alaska. He began taking acting classes in Seattle, Washington. In 1910 he married Gertrude Alter from New York City.
By 1909, he had gone into the theatre. He appeared in at least two plays on Broadway between 1909 and 1912, and made his motion picture debut in Cecil B. DeMille's 1914 original film version of The Virginian in a bit part. By 1923, when the film was remade, Simpson had progressed to playing the lead villain.
Throughout his career, Simpson worked for 12 years in road shows, stock companies, and on Broadway. He didn't usually perform lead roles, but he did star in many movies throughout the silent movie era. He performed a lead role as the grandfather in Out of the Dust (1920).
Simpson is best known for his work in the films of John Ford and, in particular, for his portrayal of Pa Joad in The Grapes of Wrath (1940). His final film was The Horse Soldiers, his tenth film for Ford. Simpson worked up to 1959, the year of his death.
He was the president of the Overseas Phonograph Accessories Corporation.
Mary Louise Brooks (November 14, 1906 – August 8, 1985) was an American film actress and dancer during the 1920s and 1930s. She is regarded today as an icon of the Jazz Age and flapper culture, in part due to the bob hairstyle that she helped popularize during the prime of her career.
Brooks began her career as a dancer. While dancing in the Ziegfeld Follies in New York City, she came to the attention of Walter Wanger, a producer at Paramount Pictures, and was signed to a five-year contract with the studio. She appeared in supporting roles in various Paramount films before taking the heroine's role in Beggars of Life (1928).
Dissatisfied with her mediocre roles in Hollywood films, Brooks went to Germany in 1929 and starred in three feature films that launched her to international stardom: Pandora's Box (1929), Diary of a Lost Girl (1929), and Miss Europe (1930); the first two were directed by G. W. Pabst. By 1938, she had starred in seventeen silent films and eight sound films.
After retiring from acting, she fell upon financial hardship and became a paid escort. For the next two decades, she struggled with alcoholism and suicidal tendencies.
Following the rediscovery of her films by cinephiles in the 1950s, a reclusive Brooks began writing articles about her film career; her insightful essays drew considerable acclaim. She published her memoir, Lulu in Hollywood, in 1982. Three years later, she died of a heart attack at age 78.
[preceding biography, edited, from Wikipedia]
Émile Chautard (7 September 1864 – 24 April 1934) was a French-American film director, actor, and screenwriter, most active in the silent era. He directed 107 films between 1910 and 1924. He also appeared in 66 films between 1911 and 1934. Chautard was born in Paris. After a significant career beginning as a stage actor at the Odéon-Théâtre de l'Europe and moving up to the head of film production at Éclair Films' Paris studio in 1913, Chautard emigrated to the United States around 1914. From 1914 to about 1918, Chautard worked for the World Film Company based in Fort Lee, New Jersey. At World, along with a group of other French-speaking film technicians including Maurice Tourneur, Léonce Perret, George Archainbaud, Albert Capellani and Lucien Andriot, he developed such films as the 1915 version of Camille, and taught a young apprentice film cutter at the World studio: Josef von Sternberg. In 1919 Chautard hired von Sternberg as his assistant director for The Mystery of the Yellow Room, for his own short-lived production company. Choosing Hollywood over a return to France, Chautard went to work for Famous Players-Lasky and other studios. He received some high-profile assignments, for instance a Colleen Moore vehicle and two features for Derelys Perdue, but he was a generation older than other directors in Hollywood's French colony. After 1924 Chautard did not direct again, but continued to make film appearances, in the von Sternberg film Blonde Venus (1932), where he appears for his former protege as "Night club owner Chautard". Chautard died in Los Angeles, California. He is interred at the Hollywood Forever Cemetery.
