Director Allan Dwan’s excellent use of New York locations enlivens a rags-to-riches tale that fully exploits star George O’Brien’s championship boxing prowess.
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From Wikipedia George O'Brien (April 19, 1899 – September 4, 1985) was an American actor, popular during the silent film era and into the talkie era of the 1930s, best known today as the lead actor in F. W. Murnau's 1927 film Sunrise: A Song of Two Humans. He also starred in East Side, West Side (1927), The Johnstown Floor (1926), and John Ford's The Iron Horse (1924). The day before his seventh birthday the Great Earthquake of 1906 hit San Francisco. He and his family nearly died and were homeless for months. He served in World War I and World War II.
From Wikipedia Virginia Valli (June 10, 1898 – September 24, 1968) was an American stage and film actress whose motion picture career started in the silent film era and lasted until the beginning of the sound film era of the 1930s. Born Virginia McSweeney in Chicago, Illinois, she got her acting start in Milwaukee with a stock company. She also did some film work with Essanay Studios in her hometown of Chicago, starting in 1916. Valli continued to appear in films throughout the 1920s. She was an established star at the Universal studio by the mid-1920s. In 1924 she was the female lead in King Vidor's Southern Gothic Wild Oranges, a film now being seen after several decades of film vault obscurity. She also appeared in the romantic comedy, Every Woman's Life, about "the man she could have married, the man she should have married and the man she DID marry." She made the bulk of her films between 1924 and 1927 including Alfred Hitchcock's debut feature, The Pleasure Garden, Paid To Love (1927), with William Powell, and Evening Clothes (1927), which featured Adolphe Menjou. In 1925 Valli performed in The Man Who Found Himself with Thomas Meighan. The production was made at a Long Island, New York studio. Her first sound picture was The Isle of Lost Ships in 1929, but her film career would not last much longer due to declining fame. Unable to find a suitable studio, she quit films after making the quickie Night Life in Reno, in 1931. Valli was first married to George Lamson and the two shared a small bungalow in Hollywood, in close proximity to the Hollywood Hotel. In 1931, she married her second husband, actor Charles Farrell, to whom she remained married until her death. They moved to Palm Springs, where she was a social fixture for many years. She suffered a stroke in 1966, and died two years later, aged 70, in Palm Springs, California. She was buried in the Welwood Murray Cemetery of that city.
From Wikipedia, the free encyclopedia Holmes Herbert (born Horace Edward Jenner; 30 July 1882 – 26 December 1956) was an English character actor who appeared in Hollywood films from 1915 to 1952. Herbert immigrated to the United States in 1912. He never made a film in his native country, but appeared in 228 films during his career in the U.S., beginning with stalwart leading roles during the silent era, then numerous supporting roles in classic Hollywood films of the sound era, including Captain Blood (1935), The Charge of the Light Brigade (1936), The Life of Emile Zola (1937), The Adventures of Robin Hood (1938), and Foreign Correspondent (1940). He is perhaps best known for his role as Dr. Jekyll's friend Dr. Lanyon in Dr. Jekyll and Mr. Hyde (1931), and made something of a career in horror films of the period, appearing in The Terror (1928), The Thirteenth Chair (1929 and 1937), The Mystery of the Wax Museum (1933), The Invisible Man (1933), Mark of the Vampire (1935), Tower of London (1939), The Ghost of Frankenstein (1942), The Undying Monster (1942), The Mummy's Curse (1944), and The Son of Dr. Jekyll (1951). He also played in several of Universal's cycle of Sherlock Holmes films during the 1940s. Holmes Herbert was married three times. His first wife was actress Beryl Mercer, and his second was Elinor Kershaw Ince, widow of film mogul Thomas H. Ince. Both marriages ended in divorce. Third wife Agnes Bartholomew died, leaving Herbert a widower, in 1955. He died in 1956 at age 74.
From Wikipedia, the free encyclopedia John Farrell MacDonald (June 6, 1875 – August 2, 1952) was an American character actor and director. He played supporting roles and occasional leads. He appeared in over 325 films over a 41-year career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917. MacDonald was the principal director of L. Frank Baum's Oz Film Manufacturing Company, and he can frequently be seen in the films of Frank Capra, Preston Sturges and, especially, John Ford. Early in his career, MacDonald was a singer in minstrel shows, and he toured the United States extensively for two years with stage productions. He made his first silent film in 1911, a dramatic short entitled The Scarlett Letter made by Carl Laemmle's Independent Moving Pictures Company (IMP), the forerunner of Universal Pictures,. He continued to act in numerous films each year from that time on, and by 1912 he was directing them as well. The first film he directed was The Worth of a Man, another dramatic short, again for IMP, and he was to direct 43 more films until his last in 1917, Over the Fence, which he co-directed with Harold Lloyd. MacDonald had crossed paths with Lloyd several years earlier, when Lloyd was an extra and MacDonald had given him much-needed work – and he did the same with Hal Roach, both of whom appearing in small roles in The Patchwork Girl of Oz, which MacDonald directed in 1914. When Roach set up his own studio, with Lloyd as his principal attraction, he hired MacDonald to direct. By 1918, MacDonald, who was to become one of the most beloved character men in Hollywood, had given up directing and was acting full-time, predominantly in Westerns and Irish comedies. He first worked under director John Ford in 1919's A Fight for Love. In all, Ford would use MacDonald on twenty-five films between 1919 and 1950. With a voice that matched his personality, MacDonald made the transition to sound films easily, with no noticeable drop in his acting output – if anything, it went up. In 1931, for instance, MacDonald appeared in 14 films – among them the first version of The Maltese Falcon, in which he played "Detective Tom Polhaus" – and in 22 of them in 1932. Although he played laborers, policemen, military men and priests, among many other characters, his roles were usually a cut above a "bit part". His characters usually had names, and he was most often credited for his performances. A highlight of this period was his performance as the hobo "Mr. Tramp" in Our Little Girl with Shirley Temple (1935). In the 1940s, MacDonald was part of Preston Sturges' unofficial "stock company" of character actors, appearing in seven films written and directed by Sturges. MacDonald appeared in Sullivan's Travels, The Palm Beach Story, The Miracle of Morgan's Creek, The Great Moment, The Sin of Harold Diddlebock, Unfaithfully Yours and The Beautiful Blonde from Bashful Bend, Sturges' last American film. Earlier, MacDonald had also appeared in The Power and the Glory, which Sturges wrote. His work on Sturges' films was generally uncredited. He was notable in 1946 in John Ford's My Darling Clementine in which he played "Mac," the bartender in the town saloon. MacDonald also had uncredited roles in It's a Wonderful Life and Here Comes The Groom.
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1936
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1938
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1928
