A Million Bid

From Wikipedia, the free encyclopedia Dolores Costello (September 17, 1903 – March 1, 1979) was an American film actress who achieved her greatest success during the era of silent movies. She was nicknamed "The Goddess of the Silent Screen". She was stepmother of John Barrymore's daughter Diana by his second wife Blanche Oelrichs, the mother of John Drew Barrymore and Dolores (Dee Dee) Barrymore, and the grandmother of John Barrymore III, Blyth Dolores Barrymore, Brahma Blyth (Jessica) Barrymore, and Drew Barrymore. Dolores Costello was born in Pittsburgh, Pennsylvania, the daughter of actors Maurice Costello and Mae Costello (née Altschuk). She was of Irish and German descent. She had a younger sister, Helene, and the two made their first film appearances in the years 1909–1915 as child actresses for the Vitagraph Film Company. They played supporting roles in several films starring their father, who was a popular matinee idol at the time. The two sisters appeared on Broadway together as chlorines and their success resulted in contracts with Warner Brothers Studios. In 1926, following small parts in feature films, she was selected by John Barrymore to star opposite him in The Sea Beast, a loose adaptation of Herman Melville's Moby-Dick. Warner Bros. soon began starring her in her own vehicles. Meanwhile, she and Barrymore became romantically involved and married in 1928. Within a few years of achieving stardom, the delicately beautiful blonde-haired actress had become a successful and highly regarded film personality in her own right. As a young adult her career developed to the degree that in 1926 she was named a WAMPAS Baby Star, and had acquired the nickname "The Goddess of the Silver Screen". Warners alternated Costello between films with contemporary settings and elaborate costume dramas. In 1927 she was re-teamed with John Barrymore in When a Man Loves, an adaptation of Manon Lescaut. In 1928 she co-starred with George O'Brien in Noah's Ark, a part-talkie epic directed by Michael Curtiz. Costello spoke with a lisp and found it difficult to make the transition to talking pictures, but after two years of voice coaching she was comfortable speaking before a microphone. One of her early sound film appearances was with her sister Helene in Warner Bros.'s all-star extravaganza The Show of Shows (1929). Her acting career became less a priority for her following the birth of her first child, Dolores Ethel Mae "DeeDee" Barrymore, on April 8, 1930, and she retired from the screen in 1931 to devote time to her family. Her second child, John Drew Barrymore, was born on June 4, 1932, but the marriage proved difficult due to her husband's increasing alcoholism, and they divorced in 1935. She resumed her career a year later and achieved some successes, most notably in Little Lord Fauntleroy (1936) and The Magnificent Ambersons (1942). She retired permanently from acting following her appearance in This is the Army (1943), again under the direction of Michael Curtiz. In 1950 Costello divorced Dr. John Vruwink, whom she had married in 1939. She spent the remaining years of her life in semi-seclusion, managing an avocado farm. She died from emphysema in Fallbrook, California in 1979.

From Wikipedia, the free encyclopedia Betty Blythe (born Elizabeth Blythe Slaughter, September 1, 1893 – April 7, 1972) was an American actress best known for her dramatic roles in exotic silent films such as The Queen of Sheba (1921). She appeared in 63 silent films and 56 talking pictures (known as talkies) over the course of her career. She is famous for being one of the first actresses to appear on film in the nude, or nearly so, during the Roaring Twenties. She is reported to have said, "A director is the only man besides your husband who can tell you how much of your clothes to take off." Blythe began her stage work in such theatrical pieces as So Long Letty and The Peacock Princess. She worked in vaudeville as the "California Nightingale" singing songs such as "Love Tales from Hoffman". After touring Europe and the States, she entered films in 1918 at the Vitagraph Studios in Brooklyn, then she was brought to Hollywood's Fox studio as a replacement for actress Theda Bara. As famous for her revealing costumes as for her dramatic skills, she became a star in such exotic films as The Queen of Sheba (1921) (in which she wore nothing above the waist except a string of beads), Chu-Chin-Chow (made in 1923; released by MGM in the US 1925) and She (1925). She was also seen to good advantage in less revealing films like Nomads of the North (1920) with Lon Chaney and In Hollywood with Potash and Perlmutter (1924), produced by Samuel Goldwyn. Other roles were as an opera star, unbilled in Garbo's The Mysterious Lady. She continued to work as a character actress. One of her last roles was a small uncredited role in a crowd scene in 1964's My Fair Lady. Betty Blythe's name lives on through the Betty Blythe Vintage TeaRoom in West Kensington.

From Wikipedia, the free encyclopedia Warner Oland (born Johan Verner Ölund, October 3, 1879 – August 6, 1938) was a Swedish-American actor most remembered for playing several Chinese and Chinese-American characters: the Honolulu Police detective, Lieutenant Charlie Chan; Dr. Fu Manchu; and Henry Chang in Shanghai Express. His family emigrated to the United States when he was 13. He pursued a film career that would include time on Broadway and dozens of film appearances, including 16 Charlie Chan films. After several years in theater, including appearances on Broadway as Warner Oland, in 1912 he made his silent film debut in Pilgrim's Progress, a film based on the John Bunyan novel. As a result of his training as a Shakespearean actor and his easy adoption of a sinister look, he was much in demand as a villain and in ethnic roles. Over the next 15 years, he appeared in more than 30 films, including a major role in The Jazz Singer (1927), one of the first talkies produced. Oland's normal appearance fit the Hollywood expectation of caricatured Asianness of the time, despite his having no definitively proven Asian cultural background. Oland portrayed a variety of Asian characters in several movies before being offered the leading role in the 1929 film, The Mysterious Dr. Fu Manchu. It was the first onscreen portrayal of the Fu Manchu character in film. Oland continued to appear onscreen as an Asian, probably more often than any other white actor in the history of cinema. In Old San Francisco, Oland played an Asian unsuccessfully impersonating a white man. Oland was the first actor to play a werewolf in a major Hollywood film, biting the protagonist, played by Henry Hull, in Werewolf of London (1935). Once again, Oland's character was Asian. A box office success, The Mysterious Dr. Fu Manchu made Oland a star, and during the next two years he portrayed the evil Dr. Fu Manchu in three more films (although the second one was purely a cameo appearance). Firmly locked into such roles, he was cast as Charlie Chan in the international detective mystery film Charlie Chan Carries On (1931) and then in director Josef von Sternberg's 1932 classic film Shanghai Express opposite Marlene Dietrich and Anna May Wong. The enormous worldwide box office success of his Charlie Chan film led to more, with Oland starring in 16 Chan films in total. The series, Jill Lepore later wrote, "kept Fox afloat" during the 1930s, while earning Oland $40,000 per movie. Oland took his role seriously, studying the Chinese language and calligraphy.

From Wikipedia, the free encyclopedia. Carl William Demarest (February 27, 1892 – December 27, 1983) was an American character actor, known for playing Uncle Charley in My Three Sons. A veteran of World War I, Demarest became a prolific film and television actor, appearing in over 140 films, beginning in 1926 and ending in the 1970s. He frequently played crusty but good-hearted roles. Demarest started in show business working in vaudeville, appearing with his wife Estelle Collette (real name Esther Zychlin) as "Demarest and Colette", then moved on to Broadway. Demarest worked regularly with director Preston Sturges, becoming part of a "stock" troupe of actors that Sturges repeatedly cast in his films. He appeared in ten films written by Sturges, eight of which were under his direction, including The Lady Eve, Sullivan's Travels and The Miracle of Morgan's Creek. Demarest was such a familiar figure at the Paramount studio that just his name was used in the movie Sunset Boulevard as a potential star for William Holden's unsold baseball screenplay. Demarest appeared with veteran western film star Roscoe Ates in the 1958 episode "And the Desert Shall Blossom" of CBS's Alfred Hitchcock Presents. In the story line, Ates and Demarest appear as old timers living in the Nevada desert. The local sheriff, played by Ben Johnson, appears with an eviction notice, but he agrees to let the pair stay on their property if they can make a dead rosebush bloom within the next month. In 1959 Demarest was named the lead actor of the 18-week sitcom Love and Marriage on NBC in the 1959–1960 season. Demarest played William Harris, the owner of a failing music company who refuses to handle popular rock and roll music, which presumably might save the firm from bankruptcy. Joining Demarest on the series were Jeanne Bal, Murray Hamilton and Stubby Kaye. Demarest appeared as Police Chief Aloysius of the Santa Rosita Police Department in the film It's a Mad, Mad, Mad, Mad World (1963), as well as on a memorable episode ("What's in the Box") of Rod Serling's The Twilight Zone as a hen-pecked husband driven to the murder of his wife. His most famous television role was in the ABC and then CBS sitcom My Three Sons from 1965 to 1972, playing Uncle Charley O'Casey. He replaced William Frawley, whose failing health had made procuring insurance impossible. Demarest had worked with Fred MacMurray previously in the films Hands Across the Table (1935), Pardon My Past (1945), On Our Merry Way (1948), and The Far Horizons (1955) and was a personal friend of MacMurray. Also, he worked with Irene Dunne in Never a Dull Moment (1950).