Elmer Stone, quarterback of the 1899 Colton College football team vows to remain a student until Colton beats its biggest rival, State University. Twenty-seven years later, Elmer is still in school and is a classmate of his son, Jack. Other than driving a milk wagon in his spare time, Jack is also the quarterback of the football team. A matter of his eligibility comes up but he is cleared and goes out to do-or-die for Colton against State University. Maybe they will win The Big Game, and Jack's father can get a life...and a job.
10-11-1926
1h 20m
THIS
HELLA
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Esther Ralston (September 17th, 1902- January 14th, 1994) was an American silent film star.
She began her career as a child actress in a family vaudeville act named "The Ralston Family with Baby Esther, America's Youngest Juliet". She then went on to appear in a few small silent film roles, including one alongside her brother in the 1920 film adaptation of Huckleberry Finn. Ralston gained attention as Mrs. Darling in the 1924 film adaptation of Peter Pan.
Her most well known sound picture was To the Last Man in 1933.
From Wikipedia, the free encyclopedia
David Butler (December 17, 1894 – June 14, 1979) was an American actor, film director, film producer, screenwriter, and television director.
Butler was born in San Francisco, California. His mother was an actress and his father was a theater stage manager. His first acting roles were playing extras in stage plays. He later appeared in two D. W. Griffith films, The Girl Who Stayed Home and The Greatest Thing in Life. He also appeared in the 1927 Academy-Award winning film 7th Heaven.
The same year, Butler made his directorial debut with High School Hero, a comedy for Fox. During Butler's nine-year tenure at Fox, he directed over thirty films, including four Shirley Temple vehicles. Butler's last film for Fox, Kentucky, won Walter Brennan an Academy Award for Best Supporting Actor.
Butler worked with Bing Crosby in Road to Morocco and If I Had My Way. He directed many films starring Doris Day, among them It's a Great Feeling, Tea for Two, By the Light of the Silvery Moon, Lullaby of Broadway, April in Paris, and Calamity Jane.
During the late '50s and 1960s, Butler directed primarily television episodes, mainly for Leave It to Beaver and Wagon Train.
For his contributions to the film industry, Butler was inducted into the Hollywood Walk of Fame in 1960 with a motion pictures star located at 6561 Hollywood Boulevard.
Robert "Tex" Allen (also credited as Bob Allen) was a leading actor in both feature films and B-movie westerns between 1935 and 1944.
Born as Irvine E. Theodore Baehr on March 28, 1906 in Mount Vernon, New York, Allen went on to graduate from the New York Military Academy in 1924, where he rode in the academy cavalry and from Dartmouth College in 1929 with a degree in English. In vacations he had driven a truck as a labourer. He worked for a bank which soon failed in the Great Depression. He flew briefly with the Curtis Flying service as a commercial pilot. He first came to the screen in 1926 before signing a standard acting contract with Paramount Pictures, in 1929. He appeared in the famous Marx Brothers movie Animal Crackers and several other small parts. Then, he signed with Columbia Pictures in 1935. He also later contracted with 20th Century Fox.
Allen's first notable role was the male lead in Love Me Forever (1935), for which he won a Box Office Award. He gained additional notice as the star of When You're in Love (1936), opposite Grace Moore. The same year, he was nominated for an Academy Award for his performance in the title role in the film The Life of Lafayette.
After the departure of cowboy star Ken Maynard, Allen was plugged into producer Larry Darmour's formulaic Ranger pictures. Along with sidekick Wally Wales (played by Hal Taliaferro), he redefined the role, starring in six films for director Spencer Gordon Bennet in that year alone. These films became known as the Bob Allen Ranger series. However, the studio was looking for a singing cowboy to compete with Gene Autry and Allen was eventually replaced by Roy Rogers. He appeared in two dozen films after that, however.
He had acted on Broadway in the original productions of Show Boat and Kiss Them for Me. In 1956 he appeared in the original production of Auntie Mame, opposite Rosalind Russell, and later Greer Garson. He appeared in other Broadway plays, in touring productions, in soap operas, documentaries and commercials. He became a real estate broker in 1964 but returned to the stage from time to time, including an appearance as J.B. Biggley in the 1972 Equity Library Theatre revival of How to Succeed in Business Without Really Trying.
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Barton MacLane graduated from Wesleyan University, where he displayed a notable aptitude for sports, in particular football and basketball. Not surprisingly, his physical prowess led to an early role in The Quarterback (1926) with Richard Dix. MacLane once commented that, as an actor, he needed to have the physical strength to tear the bad guys "from limb to limb", if necessary. Ironically, it was usually Barton himself who was destined to be at the end of a hiding (when not getting shot, instead), typically as snarling henchmen, outlaws and other assorted dubious or abrasive types throughout most of his 40-year acting career. In fact, Barton became so typecast that his name was for a time used proverbially, to generally describe a shouting, hard-nosed ruffian.
After training at the American Academy of Dramatic Arts, MacLane joined a stock company in Brooklyn. In 1927 he had his first part on Broadway, a brief moment as an assistant district attorney, in the melodrama "The Trial of Mary Dugan". He then played a small featured role as a police officer in "Subway Express" (1929-30), a drama enacted in the interior of a subway car. In mid-1932 MacLane tried his hand at writing his own starring vehicle for the stage, entitled "Rendezvous". While the play closed after just 21 performances, it led to a contract with Warner Brothers.
Barton had already appeared in bit roles for Paramount at their Astoria Studios, including The Marx Brothers' debut film The Cocoanuts (1929). He portrayed mobster Brad Collins in 'G' Men (1935) (with James Cagney), which set the tone for most of his future assignments. Brawny, with squinty eyes and a rasping voice, MacLane was the ideal surly tough guy, particularly suitable for westerns and the type of films noir Warner Brothers excelled at. He was often cast as cops, be they bent or honest. Some of his most representative performances include gangster Al Kruger in Bullets or Ballots (1936), which won him some of the best critical notices of his career; outlaw Jack Slade in Western Union (1941); crooked construction boss Pat McCormick, who gets beaten up by Humphrey Bogart and Tim Holt over past-due wages in The Treasure of the Sierra Madre (1948); hard-nosed cops Detective Dundy in The Maltese Falcon (1941) and Lt. Reece in Kiss Tomorrow Goodbye (1950). MacLane, on loan to Universal, also had a starring role in Prison Break (1938) as an innocent tuna fisherman who is framed for murder. He was prominent as a tough but sympathetic cop, foil to sleuthing girl reporter Glenda Farrell in the "Torchy Blaine" series of the mid- to late 1930s. In the 1960s Barton began to cultivate a good-guy image as Marshal Frank Caine in the NBC western series Outlaws (1960) as well as showing up in a small recurring role as Air Force Gen. Martin Peterson in I Dream of Jeannie (1965).
Barton was married to the actress Charlotte Wynters, who appeared with him in six of his films. When not on the set, the couple spent time on their 2000-acre cattle ranch in Madera County, California.
For his work in television, Barton has a star on the Hollywood Walk of Fame.
