Goodnatured J. P. Fippany loses his home and takes to the road on a chicken-wagon with his wife and daughter. The wagon is wrecked in an automobile collision involving Jimmy Pickett, who falls in love with daughter Aida, and through a misunderstanding involving Marseillaise, Fippany's racehorse, his wife Josephine and Aida go to live with relatives. The disconsolate Fippany sells Marseillaise to Jimmy's father, sends the money to his wife, then disappears. Meanwhile, Jimmy finds Aida and convinces her of his love. Marseillaise, badly driven in a race, loses a heat, but Fippany emerges and rides her to victory, following which there is a reconciliation between husband and wife.
03-07-1926
1h 0m
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Main Cast
Movie Details
Production Info
Director:
Frank Borzage
Production:
Fox Film Corporation
Key Crew
Assistant Director:
Orville O. Dull
Musician:
Danny Borzage
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Jack Mulhall
From Wikipedia, the free encyclopedia
Jack Mulhall, born John Joseph Francis Mulhall, (October 7, 1887 in Wappingers Falls, New York – June 1, 1979 in Woodland Hills, Los Angeles, California) was a movie actor since the silent film era and appeared in over 430 films. Reputedly, he was one of a number of male models(Fredric March & Reed Howes were two others) for the Arrow Collar Man in the Arrow collar ads illustrated by J. C. Leyendecker for the Cluett Peabody shirt company. Died from congestive heart failure.
Description above from the Wikipedia article Jack Mulhall, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
John Farrell MacDonald (June 6, 1875 – August 2, 1952) was an American character actor and director. He played supporting roles and occasional leads. He appeared in over 325 films over a 41-year career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917.
MacDonald was the principal director of L. Frank Baum's Oz Film Manufacturing Company, and he can frequently be seen in the films of Frank Capra, Preston Sturges and, especially, John Ford.
Early in his career, MacDonald was a singer in minstrel shows, and he toured the United States extensively for two years with stage productions. He made his first silent film in 1911, a dramatic short entitled The Scarlett Letter made by Carl Laemmle's Independent Moving Pictures Company (IMP), the forerunner of Universal Pictures,. He continued to act in numerous films each year from that time on, and by 1912 he was directing them as well. The first film he directed was The Worth of a Man, another dramatic short, again for IMP, and he was to direct 43 more films until his last in 1917, Over the Fence, which he co-directed with Harold Lloyd. MacDonald had crossed paths with Lloyd several years earlier, when Lloyd was an extra and MacDonald had given him much-needed work – and he did the same with Hal Roach, both of whom appearing in small roles in The Patchwork Girl of Oz, which MacDonald directed in 1914. When Roach set up his own studio, with Lloyd as his principal attraction, he hired MacDonald to direct.
By 1918, MacDonald, who was to become one of the most beloved character men in Hollywood, had given up directing and was acting full-time, predominantly in Westerns and Irish comedies. He first worked under director John Ford in 1919's A Fight for Love. In all, Ford would use MacDonald on twenty-five films between 1919 and 1950.
With a voice that matched his personality, MacDonald made the transition to sound films easily, with no noticeable drop in his acting output – if anything, it went up. In 1931, for instance, MacDonald appeared in 14 films – among them the first version of The Maltese Falcon, in which he played "Detective Tom Polhaus" – and in 22 of them in 1932. Although he played laborers, policemen, military men and priests, among many other characters, his roles were usually a cut above a "bit part". His characters usually had names, and he was most often credited for his performances. A highlight of this period was his performance as the hobo "Mr. Tramp" in Our Little Girl with Shirley Temple (1935).
In the 1940s, MacDonald was part of Preston Sturges' unofficial "stock company" of character actors, appearing in seven films written and directed by Sturges. MacDonald appeared in Sullivan's Travels, The Palm Beach Story, The Miracle of Morgan's Creek, The Great Moment, The Sin of Harold Diddlebock, Unfaithfully Yours and The Beautiful Blonde from Bashful Bend, Sturges' last American film. Earlier, MacDonald had also appeared in The Power and the Glory, which Sturges wrote. His work on Sturges' films was generally uncredited. He was notable in 1946 in John Ford's My Darling Clementine in which he played "Mac," the bartender in the town saloon. MacDonald also had uncredited roles in It's a Wonderful Life and Here Comes The Groom.
Claire McDowell (2 November 1877 – 23 October 1966) was an American actress. She appeared in 360 films between 1908 and 1945.
Still somewhat of a youthful beauty when she started in early silent films, McDowell appeared in numerous films, eventually graduating to playing character and mother types. She can be seen to good advantage in Douglas Fairbanks's 1920 The Mark of Zorro. McDowell appeared in two of the biggest films of the silent era, The Big Parade (1925) and Ben-Hur: A Tale of the Christ (1925), both in which she played mothers.
She was married to silent screen character actor Charles Hill Mailes from 1906 to his 1937 death. The couple appeared in numerous silent films together, including The Mark of Zorro. They had two sons, Robert Mailes and Eugene Mailes.
Claire McDowell died, aged 88, in Hollywood, California.
From Wikipedia, the free encyclopedia
From Wikipedia, the free encyclopedia
Paul Wolfgang Panzerbeiter (3 November 1872 – 16 August 1958), known professionally as Paul Panzer, was a German-American silent film actor. He appeared in 333 films between 1905 and 1952. Panzer was best known for playing Koerner / Raymond Owen in The Perils of Pauline. From 1934 through the 1950s he was under contract to Warner Bros. as an extra.
