A young woman marries the wastrel son of a British aristocrat. Her husband, who has been disinherited by his father, loses what little money he has left gambling in casinos and then dies, leaving her penniless and with an infant son. When her former father-in-law tries to get custody of the child, she leaves him with a couple she trusts, but when she later goes to reclaim her son, she can't find the people she left him with.
02-08-1925
1h 36m
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Main Cast
Movie Details
Production Info
Director:
Frank Borzage
Writer:
Frances Marion
Production:
Norma Talmadge Film Corporation
Key Crew
Assistant Director:
Orville O. Dull
Producer:
Norma Talmadge
Editor:
Hal C. Kern
Director of Photography:
Tony Gaudio
Art Direction:
William Cameron Menzies
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Brandon Hurst
From Wikipedia, the free encyclopedia.
Brandon Hurst (November 30, 1866 – July 15, 1947) was an English stage and film actor.
Hurst studied philology in his youth and began performing in theater in the 1880s. He worked in Broadway shows from 1900 until his entry into motion pictures. His most notable stage appearance was Two Women in 1910.
He was nearly fifty by the time of his 1915 film debut in Via Wireless. He appeared in 129 other films before his death in 1947. He became well known in the 1920s for many distinguished roles portraying the antagonist. Some of these films, such as 1920's Dr. Jekyll and Mr. Hyde in which he played the taunting Sir George Carewe, 1923's The Hunchback of Notre Dame in which he played evil Jehan Frollo, 1927's Love in which he portrayed cuckold Alexei Karenin opposite Greta Garbo, and 1928's The Man Who Laughs in which he portrayed jester Balkiphedro, are regarded as some of the best films of the time.
His roles in talkies during the 1920s and 1930s were often small. One of his more important roles was sinister Merlin the Magician in Fox's A Connecticut Yankee (1931). Hurst worked as an actor until his death. His final film was Two Guys from Texas, released in 1948.
Norma Talmadge started her career in one-reelers in 1909 for Vitagraph, playing bit roles as a young teenager starting. As she continually worked at the studio over the next several years, her parts grew until she frequently started as the leading lady.
Her young promising career got a huge boost after her marriage to exhibitor Joseph M. Schenck. Together, they formed the Norma Talmadge Film Corporation in 1917 and began producing Star vechiles for Talmadge. Specializing in melodramas and woman’s pictures, Talmadge became one of the biggest stars of the 1920s, starting in hits such as Smilin’ Through, Secrets, The Lady, and Kiki.
With her star already fading when the talkie revolution swept Hollywood, Talmadge made just two sound films before retiring from the screen. Although largely forgotten today, Talmadge was a pioneering producer and director who stood as one of the most popular and powerful women in early Hollywood.
From Wikipedia
Wallace Archibald MacDonald (5 May 1891, Mulgrave, Nova Scotia, Canada - 30 October 1978, Santa Barbara, California) was a Canadian silent film actor, also a film producer.
MacDonald started as a messenger boy with the Dominion Steel Company in Sydney, Nova Scotia. He later worked up to teller with the Royal Bank in Sydney before the bank transferred him to Vancouver, British Columbia. From there, he moved to California, where he acted on the stage before making inroads into Hollywood.
MacDonald initially began as an actor in films in 1914 and appeared in almost 120 motion pictures between then and 1932. He had notable roles in such films as Youth's Endearing Charm in 1916 working with Mary Miles Minter and Harry von Meter.
Late in World War I he returned briefly to Nova Scotia to enlist in the 10th Canadian Siege Battery where he assisted in recruiting for the Canadian Army. With the advent of sound, MacDonald's acting career diminished, and most of his roles between 1927 and 1932 went uncredited. He retired from acting in 1932 to concentrate on script writing. However, by 1937 he had recognized the potential of film production. It is in his role of producer that MacDonald is now probably best remembered. He produced well over 100 films between 1937 and 1959.
He died in 1978. Sometimes he is mistaken as a brother of actor Francis McDonald. Though both resembled one another and were born in 1891, they were born three months apart and spelled their surnames differently.
From Wikipedia, the free encyclopedia
Hessy Doris Lloyd (3 July 1896 – 21 May 1968) was an English-American film, television and stage actress.
Born in Liverpool, she went to the United States of America to visit a sister already living there. What was supposed to be a visit she made permanent. She spent several years (1916–25) appearing in Broadway theatre plays, notably a number of Ziegfeld Follies editions, and probably spent some time on the road in touring companies. She decided on a film career, making her first film in 1925. With the exception of returning to one Broadway play in 1947, her career was devoted to films and television.
Lloyd appeared in over 150 films between 1925 and 1967, including the 1933 low-budget Monogram Pictures version of Oliver Twist, in which she played Nancy. Irving Pichel starred as Fagin and Dickie Moore as Oliver. Her roles ranged from the sinister Russian spy Mrs. Travers in the biopic Disraeli (1929) to the meek housekeeper Mrs. Watchett in The Time Machine (1960).
Her most famous film roles were in the Tarzan films starring Johnny Weissmuller. She voiced one of the roses in Disney's Alice in Wonderland (1951), later making small appearances in Mary Poppins and The Sound of Music which both starred Julie Andrews.
From Wikipedia, the free encyclopedia
George Hackathorne (February 13, 1896 – June 25, 1940) was an American actor of the silent era. He appeared in 59 films between 1916 and 1939. His interment was located in Hollywood Forever Cemetery.
