This film is the story of a small-town boy and girl. The hero, Denny Bolton, thrashes the town bully only to meet him later in the boxing ring in New York City. Ambition has swept him to Broadway, but the search for love brings him back to the Main Street of his home town.
10-18-1925
1h 10m
THIS
HELLA
Doesn't have an image right now... sorry!has no image... sorry!
Main Cast
Movie Details
Production Info
Director:
John Ford
Writer:
Lillie Hayward
Production:
Fox Film Corporation
Key Crew
Presenter:
William Fox
Director of Photography:
Joseph H. August
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
George O’Brien
From Wikipedia
George O'Brien (April 19, 1899 – September 4, 1985) was an American actor, popular during the silent film era and into the talkie era of the 1930s, best known today as the lead actor in F. W. Murnau's 1927 film Sunrise: A Song of Two Humans. He also starred in East Side, West Side (1927), The Johnstown Floor (1926), and John Ford's The Iron Horse (1924).
The day before his seventh birthday the Great Earthquake of 1906 hit San Francisco. He and his family nearly died and were homeless for months. He served in World War I and World War II.
Billie Dove (born Bertha Bohny) was an American star actress of 1920s Silent cinema and of the first few years of the 'talkies' era. She retired from show business in 1932.
From Wikipedia, the free encyclopedia
John Farrell MacDonald (June 6, 1875 – August 2, 1952) was an American character actor and director. He played supporting roles and occasional leads. He appeared in over 325 films over a 41-year career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917.
MacDonald was the principal director of L. Frank Baum's Oz Film Manufacturing Company, and he can frequently be seen in the films of Frank Capra, Preston Sturges and, especially, John Ford.
Early in his career, MacDonald was a singer in minstrel shows, and he toured the United States extensively for two years with stage productions. He made his first silent film in 1911, a dramatic short entitled The Scarlett Letter made by Carl Laemmle's Independent Moving Pictures Company (IMP), the forerunner of Universal Pictures,. He continued to act in numerous films each year from that time on, and by 1912 he was directing them as well. The first film he directed was The Worth of a Man, another dramatic short, again for IMP, and he was to direct 43 more films until his last in 1917, Over the Fence, which he co-directed with Harold Lloyd. MacDonald had crossed paths with Lloyd several years earlier, when Lloyd was an extra and MacDonald had given him much-needed work – and he did the same with Hal Roach, both of whom appearing in small roles in The Patchwork Girl of Oz, which MacDonald directed in 1914. When Roach set up his own studio, with Lloyd as his principal attraction, he hired MacDonald to direct.
By 1918, MacDonald, who was to become one of the most beloved character men in Hollywood, had given up directing and was acting full-time, predominantly in Westerns and Irish comedies. He first worked under director John Ford in 1919's A Fight for Love. In all, Ford would use MacDonald on twenty-five films between 1919 and 1950.
With a voice that matched his personality, MacDonald made the transition to sound films easily, with no noticeable drop in his acting output – if anything, it went up. In 1931, for instance, MacDonald appeared in 14 films – among them the first version of The Maltese Falcon, in which he played "Detective Tom Polhaus" – and in 22 of them in 1932. Although he played laborers, policemen, military men and priests, among many other characters, his roles were usually a cut above a "bit part". His characters usually had names, and he was most often credited for his performances. A highlight of this period was his performance as the hobo "Mr. Tramp" in Our Little Girl with Shirley Temple (1935).
In the 1940s, MacDonald was part of Preston Sturges' unofficial "stock company" of character actors, appearing in seven films written and directed by Sturges. MacDonald appeared in Sullivan's Travels, The Palm Beach Story, The Miracle of Morgan's Creek, The Great Moment, The Sin of Harold Diddlebock, Unfaithfully Yours and The Beautiful Blonde from Bashful Bend, Sturges' last American film. Earlier, MacDonald had also appeared in The Power and the Glory, which Sturges wrote. His work on Sturges' films was generally uncredited. He was notable in 1946 in John Ford's My Darling Clementine in which he played "Mac," the bartender in the town saloon. MacDonald also had uncredited roles in It's a Wonderful Life and Here Comes The Groom.
Victor McLaglen was a British-American film actor. He was known as a character actor, particularly in Westerns, and made seven films with John Ford and John Wayne. McLaglen won the Academy Award for Best Actor in 1935 for his role in The Informer.
From Wikipedia
Francis Ford (born Francis Feeney, August 14, 1881 – September 5, 1953) was a prolific film actor, writer, and director. He was the mentor and elder brother of film director John Ford. He also appeared in many of John Ford's movies, including Young Mr. Lincoln and The Quiet Man.
Francis Ford was born in Portland, Maine. He was the son of John A. Feeney, who was born in the village of Spiddal, County Galway, Ireland in 1854. By 1878, John had moved to Portland, Maine and opened a saloon, at 42 Center Street, that used a false front to pose as grocery store. John opened four others in following years.
After service in the infantry in the Spanish-American War, Francis left home. He drifted into the film business in New York City, working for David Horsley, Al Christie, and the Star Film Company's San Antonio operation under Gaston Méliès. He adopted the name Ford from the automobile.
From San Antonio Francis began his Hollywood career working for Thomas H. Ince at Ince's Bison studio, directing and appearing in westerns.
Francis Ford's younger brother, John M. Feeney, was a successful fullback and defensive tackle on a Portland High state championship football team, nicknamed "Bull". In 1914 Bull followed Francis to Hollywood, changed his name to John Ford and would eventually surpass his elder brother's considerable reputation.
Francis Ford's son, Philip Ford, was also a film actor/director.
